Unlike the direct continuations covered before, remakes have a dubious advantage in that there is no need to come up with fresh storyline- the writers merely need to retool the original, presumably improving upon it in the process. Conversely, spin-offs need not be anything like the original; all they need is one or two familiar faces to draw in fans of the franchise, and from there the creative staff are left to their own devices. Despite these key differences, both types of continuation have an air of moneymaking about them, but is it really fair to tar them all with the same brush? Are there some continuations out there which are genuine improvements on the original, or are all they all simply sub par attempts to squeeze the last few drops of money out of a flagging franchise? Naturally, the only way to find out is to look at some examples.

Were these continuations a good thing?
Series in red did not fare so well compared to their respective first seasons; those in black were able to maintain quality or even improve upon it. I’m not going to include the massive headaches that are the Gundam and Macross franchises; not only do they deserve articles of their own, but my incomplete experience of each franchise hardly puts me in a position to be able to write a definitive piece about them. I’ll also be neglecting film and manga spin-offs and remakes for the most part.

.hack second generation
The “first generation” of .hack was already something of a multi-platform moneymaking scheme, but back in those days, the series actually had worth. SIGN was an atmospheric tale with excellent music, the games were oddly addictive, LOT had bright colours, Ouka and a giant grunty and Liminality was…forgivable, at least. Unfortunately, the much anticipated second trip to the well could not live up to the originals- Roots was a slow and dull tales that meandered around insipid characters without even exhibiting signs of a plot, whilst Online Jack was amusing only in its awfulness.

A.D. Police OVA
I haven’t watched the AD Police TV series (completion decrees I must, but enthusiasm puts it off indefinitely), however, the less said about this three episode OVA, the better. Instead of being an interesting alternate perspective on the BGC universe, AD Police is a generic cyberpunk series that might as well have been set in any dystopian future. Unless you have a hankering for naked androids, blood, and generic characters, there isn’t much incentive to watch this.

Ah! My Goddess TV
Given the length of the AMG manga, a five episode OVA didn’t really seem enough, but unfortunately, the TV series remake took things to the other extreme by choosing to continue for too long. With a premise that is basically nothing more than light harem entertainment, short and sweet is far more desirable than long and drawn out, and thus the TV series was doomed to get old eventually- especially when it ran into its second season.

Adventures of Mini-Goddess
A spin-off of five minute episodes featuring the adventures of the chibi goddesses and rat Gan-chan, Mini-Goddess had some cute character designs but little else going for it. Over the course of its forty eight episodes, Mini-Goddess occasionally managed to breach the realms of light entertainment, only to quickly sink back down into the domain of the pointless and bizarre (or, in the case of the mould monster Gabira, the sickeningly disgusting).

Akane Maniax
Having thoroughly enjoyed the drama of KgNE, it seemed only right to try this OVA spin-off featuring supporting character Akane. Unfortunately, the OVA also featured a new character in the form of mecha and baseball fanatic Gouda, a personality so irritating that he seemed to be the ultimate fusion of all the brash and moronic testosterone-addled males that had come before him. Although there were some vaguely touching moments in the third and final episode, the vast majority of this OVA was something of a chore to get through.

Angel Links
A spin-off series set in the Outlaw Star universe, Angel Links shifts the action away from Gene Starwind and his band of outlaws, instead choosing to focus on teen prodigy Meifon Li, captain of the starship Angel Links. To its credit, Angel Links tried to include an interesting plot that slowly unfolded over the course of the series, but without the likable cast and vibrant energy of Outlaw Star, it could only manage a generic and clichéd space story.

Bubblegum Crisis Tokyo 2040
A remake of the original Bubblegum Crisis OVA, Tokyo 2040 is often criticised by hardcore BGC fans for altering the characters’ personalities, but whilst this TV series is the kind of thing you can only really enjoy when you’re just getting into anime, I have to say I find it an improvement on the original. The story may have lost momentum and even coherence towards the end, but the 26 episode length provided valuable opportunities for character development, whilst the basic character designs were cleaner and more refined.

Erementar Gerad: Flag of Blue Sky
I freely admit that I have only read a single chapter of this spin-off manga, but even at this early stage it lacks the appeal of the original. The artwork is still as excellent as ever, but action scenes are confusing to the point of making it entirely unclear what is going on, whilst a promo video I watched paints this series as a somewhat generic cross between Burst Angel and The Third.

Full Metal Panic? Fumoffu
This alternate universe comedic take on the FMP universe is my personal favourite from all three series; as FMP proved in the first series, it simply isn’t very good at tackling serious storylines, so what better step to take than to remove them entirely? Admittedly, I had my qualms before viewing it, but Fumoffu actually turned out to be a light-hearted and consistently amusing experience that entertained without ever outstaying its welcome.

Futakoi Alternative
Where Futakoi was a standard harem story with the twist that all the love interests were twins, Alternative kept the twins and threw everything else out in its attempt to make a sequel that only bore the vaguest of resemblances to the original. Each series is enjoyable, but for its own reasons- Futakoi is light, harmless entertainment, whilst Alternative is a strangely addictive combination of likable characters and completely bizarre situations. Admittedly, it could be argued that they don’t even need to be considered part of the same franchise, but it is actually interesting to pick up on their few common threads without having enjoyment of one series overshadowed by memories of the other.

Future Hero Retro Story
Another Outlaw Star spin-off, this prequel manga features a boy from Earth who inherits his grandfather’s spaceship; as potentially entertaining as it might sound, however, the mangaka has packed so much action and craziness into each page that it is very difficult to even follow the story.

Ginga Densetsu Weed
Weed and Gin are held in such regard by their devoted following that I always feel guilty about critiquing them, but that’s never stopped me before, so I’m not going to hold back now. Weed was something I could actually watch- it was an odd mix of shounen clichés, bloody violence and brown dogs, but it was perfect for parodying. Unfortunately, at fourteen years its senior, the original Gin series had not weathered well enough to entertain me as much as Weed did; the screencaps reveal an amusing HARD GAY trend, but the actual story does not enthral.

Hellsing Ultimate
Personally, I’m not all that enthused by the Hellsing franchise as a whole, but the OVA remake at least has the crowd-pleaser of not being animated by Gonzo sticking closer to the original material.

Kanon 2006
My feelings on Kanon should already be well known, but in the interests of completion, I’ll summarise them here. Whilst I’m not the biggest fan of either version of Kanon, the Toei version had the advantage of pacing, whereas KyoAni can only go so far in its attempts to balance treacle-slow development and an overly sarcastic lead with top quality animation. Admittedly, Kanon 2006 has some way to go, but right now it is struggling even to be parody worthy.

Mai-Otome
Ah, Mai-Otome, what haven’t I already said about the disappointment that you brought? Suffice to say that whilst HiME was hardly perfect, it did at least contain action scenes and a plot, elements that Otome did not seem to feel it was necessary to include. Perhaps Otome could have gone somewhere if it had had 26 more episodes, but as it stands, it just strung us along for the seventeen weeks it took to realise that it was never going to deliver.

Magical Girl Lyrical Nanoha
Although Nanoha went on to eclipse its predecessor Triangle Heart in terms of popularity, I have to admit that I would rather have seen a Triangle Heart TV series. Where Nanoha was always something of an on the rails magical girl show which traded on its production values and loli appeal, Triangle Heart offered a more interesting premise by casting Nanoha’s siblings as a pair of sword wielding bodyguards.

Paradise Kiss
Both ParaKiss and its prequel Gokinjo Monogatari are similar stories about a group of students at the Yazawa School of Arts, but where Gokinjo was a slow starter that sometimes felt like a bit of a struggle to get through, ParaKiss is a sharper, faster-paced experience. The animated version also benefits from actually looking as stylish as a fashion series needs to be- a far cry from the ugliness of the Gokinjo anime.

Parasite Dolls
Yet another Bubblegum Crisis spin-off, this three episode OVA collects together a trio of stories about a secret branch of the AD Police- unfortunately, it suffers from the exact same problems as the previous AD Police OVA. The characters are insipid, the stories are standard, and there really is no reason to care about anything that happens. It’s a shame, as this could have actually been a decent spin-off if it had been a full TV series.

Pretty Sammy
Even Tenchi had a spin at magical girls with this OVA (which later spawned a TV series of its own). Unfortunately, despite its apparent attempts to be a tongue-in-cheek parody of a standard magical girl series, it ended up as nothing more than a clichéd example of the very genre it was trying to mock. Aside from some decent character designs and the novelty of seeing familiar Tenchi characters cast in different roles, there isn’t much to recommend this.

Tenchi Universe
The first Tenchi TV series retells the Kagato story from the first OVA, and whilst purists always insist on putting it in second place, I have a confession to make- I saw Tenchi Universe before I even touched the OVAs, and it is actually my favourite incarnation of this story arc. Despite the inevitable filler that crept in, the series was able to explore the characters a lot more over the course of 26 episodes, and can also lay claim to having one of the most well-resolved endings of any anime series (I still feel a pang of emotion when “Dimension of Love” begins to play).

Tenchi in Tokyo
Conversely, the second TV series chose to tell a completely original story, and marked the beginning of the franchise’s downward spiral. A monster of the week series with generic enemies, reused jokes and awful animation, Tenchi in Tokyo has a few entertaining moments, but even hardcore fans are disinclined to praise it.

Tenchi GXP
The third Tenchi TV series, GXP is actually set in the same universe as the original OVAs, but introduces an entirely new cast of characters. Unfortunately, what could be an interesting story about life as a Galaxy Police officer turns out to be nothing more than an over-the-top and fanservice laden harem series that makes the original Tenchi look tame. The gimmick of making the lead a young man with incredibly bad luck is also one that gets old fast, and is only the first in a long line of jokes that the series runs into the ground.

Sakura Wars TV

A retelling of the first Sakura Wars OVA, Sakura Wars TV encapsulates both the good and bad aspects of a typical OVA to TV series transition. The plot may err on the side of the monster of the week formula, but the added episode count offers the opportunity to fully explore the characters, even if Reni and Orihime are unable to get in on the act.

X TV
Neither a two hour movie nor a 24 episode series can really do justice to an 18 volume manga series, but clearly the latter has a better chance of at least conveying the essence of the story. Where the movie made so little sense that it was hard to even remember the characters’ names afterwards, the anime was a lot more coherent. It may have diverged from the manga in the latter half and been in sore need of a second season, but for now, it is the best animated adaptation of X that we have.

Final Thoughts
Based on the number of titles in red, it seems that remakes and spin-offs are even worse at living up to their predecessors than direct continuations. Whether retelling a story or creating an entirely new one in the same universe, perhaps it is just too much work to completely step out of the shadow of the original.

In those far-off days when I was a newcomer to the world of anime (I don’t think that my childhood viewing of Samurai Pizza Cats really counts), one of the series that the limited offerings of UK TV brought to me was Tenchi Muyo. Often regarded as the grandfather of all harem series, the tale of a normal teenager living with a group of powerful alien girls may not have been a particularly sophisticated one, but for the most part, it was at least entertaining.

For a long time after I went on expand my anime horizons, Tenchi still held a special place in my heart, particularly the first TV series and, of course, the original OVAs that had spawned the now expansive franchise in the first place. Unfortunately, all was not perfect with these OVAs; the second one seemed to end partway through a storyline about the hyper-dimensional life forms known as the Three Goddesses, leaving viewers in the dark as to what was meant to happen next. Imagine my delight, then, to learn that from 2003-5, a third OVA would slowly be released to finally continue the story that had begun some ten years previously.

Was it inevitable, then, that when I finally came to watch the new OVA, I would be disappointed? Had I set my expectations too high even as my tastes moved on and new series pushed Tenchi off the favourites list? I have no doubt that this played a part in my feelings about the third OVA, but it must be said that it would be equally valid to point the finger at the quality of the OVA itself.

Six episodes of ‘fun’, plus one special
Given the length of time between OVAs, I could forgive the opening instalment for being a recap episode; 45 minutes of recap wouldn’t be my first choice of viewing, but I patiently sat through it because I was certain that bigger and better things awaited me on the other side. From my impatient reading of Tenchi Muyo: Another Universe’s episode summaries, I knew that we could expect new characters and fresh adventures, and I was wholeheartedly looking forward to experiencing them all.

Unfortunately, the influx of new faces was simply far more than a six episode OVA could ever hope to handle; alongside GXP staples such as Seto and Airi, the series added new girl Noike, Mihoshi’s brother Misao, his would-be fiancée Mashishu, Tenchi’s sister Tennyo, Nobuyuki’s girlfriend Rhea and specially appointed antagonist Z (a character so dull that he doesn’t even get a proper name). Yes, Tenchi has a previously unmentioned eighty year old sister (just how old is his apparently human father, then?), Nobuyuki has a previously unmentioned girlfriend of many years, and Mihoshi has a previously unmentioned brother- because really, who bothers to keep themselves apprised of their closest family members? Worse yet, there isn’t time to give these characters anything more than superficial personalities- even the potentially Noike has all the mysteries behind her origin explained away in the special episode’s dull exposition scenes.

The story itself fares little better- what starts off as a potentially interesting arc about the Three Goddesses soon transforms into something quite different with the arrival of Misao. Having been convinced that Mihoshi is a captive member of Tenchi’s harem, Misao brings his spaceship to Earth with the intention of rescuing her, thus beginning a tiresome and nonsensical storyline that sees Earth partially destroyed, and later reset. This is precious time that could have been spent exploring the mysteries of the Goddesses, but instead such information is saved for the exposition stretches, where any sense of interest is erased by paragraph upon paragraph of “oh, and by the way, here’s a trite explanation that totally erase whatever value the story originally had”.

Final Thoughts
It is said that ‘you can’t go home again’, and in a similar fashion, Tenchi OVA3 was too late an addition to a franchise that had already had its time in the spotlight. Throwing more characters at the franchise could not disguise the fact that there really wasn’t much of a story to tell- it would have been better to let the OVA saga remain unfinished than to tack on something as unsatisfying as this.

The new season is almost upon us, and yet here I am, having failed to put together any kind of autumn (or, if you prefer, fall) preview whatsoever- and nor am I intending to. Aside from the fact that many people have already done a better job of it than myself, and that I’m simply too lazy to be bothered, past experience has shown that the series I look forward to the most often turn out to be utterly disappointing. After all, in previous seasons, I was foolish enough to expect something of worth from Black Cat, Jigoku Shoujo, Mai-Otome, Fate, xxxHOLiC, Tsubasa, .hack//Roots, Kamisama Kazoku, Binbou…well, the list goes on. Clearly the only way forward is to ignore the most anticipated shows, and only watch the more obscure or unappealing sounding series (does this mean that Bartender will end up being a good choice?).

Reviewed this week: Black Blood Brothers, Chevalier, Higurashi, Keroro, Ouran, ROTK, School Rumble, Tenchi Special, Utawarerumono, NHK, xxxHOLiC

…and in manga: Furuba, Mai-Otome, Melty Blood, Mushishi, Natsu no Arashi, Tsubasa, Uta, xxxHOLiC, Yotsuba, Zero no Tsukaima novel

ANIME

*DROPPED* Black Blood Brothers 3: One of the lines in the BBB ED is “So tell me, tell me the reason why”, to which the follow up should surely be “why am I watching this?”. I’m not even going to pretend that I particularly knew or cared what was going on in this episode- characters talk, evil arrives, blonde shota gets kidnapped, various other things that might have happened when I wasn’t concentrating. There isn’t even enough parody potential to keep watching on that score alone; this is pure Innocent Venus “why bother” class.

Le Chevalier d’Eon 3: It may only on its third episode, but I’m already completely in love with Chevalier. Treacherously, I can see a clear way to parody it, but at the same time that doesn’t detract from the quality; somehow, the way that the series is presented makes even the most straightforward of scenes transform into something absorbing. This time around, Callon “John Smith” opposes the hero party, whilst Durand decides to take some independent action. I’m entirely impressed at how well the action scenes are handled in this series- it’s a refreshing change from the usual run of stills and half-hearted slashes.

Higurashi no Naku Koro ni 25: Poor Rena- not only does she seem to believe Takano’s ‘aliens did it’ notebook, but her skin is so paper thin that a few scratches can easily make it bleed. Whilst the police continue to search for her, Keiichi admits that he used to take pot shots at little girls, and Akane Sonozaki makes her first appearance. I may seem to just be picking out random facts, but that’s just how the episode seemed- various bits and pieces here and there, but no real feeling of plot progression. I’m already lamenting the lack of the seventh and eighth arcs in anime form, and will be resorting to game spoilers once the series concludes.

Keroro Gunso 57-8: Unfortunately, the second season of Keroro still isn’t living up to the first, and episode 57 does little to change that trend. The first half sees the older brother of Viper (the first alien faced by the reunited Keroro Platoon) return for revenge against the Kerons, but even having Dororo save the day cannot elevate this beyond mediocre. Part Two follows the adventures of the now giant-sized Keroro, but whilst it begins entertainingly enough, the joke quickly becomes overused when everyone else takes on gigantic proportions.

If anything, however, episode 58 is a level below even the season 2 standard. The first half, following a plan to take over the world via vending machine sales, is reasonably entertaining, but what little promise that segment shows is quickly blown by a dull second part in which Keroro trains Tamama in preparation for a match against Paul. This episode seems to epitomise the nature of season 2- that of seeing slightly inferior copies of your favourite characters trying to recreate the hilarity of season one, but failing to grasp the essence of what made it funny.

Ouran High School Host Club 25: The Ouran Festival is here, and with it, we finally get a glimpse into Tamaki’s past when his father and ‘wicked grandmother’ make an appearance, together with a girl clearly designed to drive a wedge between Tamaki and his beloved Host Club. It’s a refreshing change to have Tamaki cast as more than a blundering buffoon (not to mention seeing Renge in a calm mood), but whilst this episode is solid enough, it doesn’t reach the level of 24.

Romance of the Three Kingdoms 23: A new arc begins in the ROTK universe, this time pitting the grasping and ambitious Cao Cao against the pure and righteous Liu Bei (when Cao Cao kills someone, it is murder, but when Liu Bei does it, it is an act of justice). Following a sedate first half in which I began to wonder whether the hilarious subtitles were gone for good, the second half proves highly amusing- not just for the translation, but for the exaggerated reactions of the cast. Unfortunately, however, poor Sun Ce and the Kingdom of Wu have been relegated to the lands of off-screen.

*COMPLETE* School Rumble 2^nd Term 26: School Rumble’s downward spiral comes to a halt in its final episode, which is not so much an ending as a non-ending and almost-reset. The episode basically consists of a particularly uninspiring round of misunderstandings and running around, whilst a flashback to Yakumo’s youth proves that she really should have murdered Tenma long ago. An uninspiring ending to a series that never lived up to its first season, and according to the final screen, School Rumble will go on. If it must continue in animated form, then hopefully it will be a brief OVA at most- I doubt the franchise has enough life left in it to create a worthwhile third season.

Tenchi Muyo Ryo Ohki OVA3 “Plus One” Special: Okay, so this has been out for more than a year, but this is the first time I’ve seen a subbed version available. The special is as underwhelming as the majority of OVA3, consisting of extensive exposition that clears up all the mysteries behind Tenchi’s mother, Noike, and anything else that needed addressing.

*COMPLETE* Utawarerumono 26: The end has come, and whilst it wasn’t great, at least it wasn’t as bad as feared. Dii and Haku battle, flashback mode establishes more of the events of Iceman’s time, Hakuoro says goodbye- the end. It’s a shame Utawarerumono never really lived up to its potential, but from this one anime, my entire addiction to the franchise was born.

*DROPPED* Welcome to the NHK 11: There comes a time when even the most masochistic of viewers must admit that watching anime is not about subjecting oneself to endless and tortuous pain- or, to put it more succinctly, I’ve finally had enough of NHK. Where the manga was fast-paced and bleakly hilarious, the anime has continually replaced dark humour with dull, endless monotony.

xxxHOLiC 23: Having thought that xxxHOLiC was going to be 26 episodes, finding out that it is only 24 brings with it an accompanying feeling of relief, although I am now worried that all the unused manga material is being saved for a second season. Anyway, this episode brings with it a new dose of tedium as Doumeki saves Watanuki from the life draining clutches of the mysterious woman, thus concluding the storyline from episode 22, and opening up all sorts of HARD GAY parody possibilities.

MANGA

Fruits Basket 132: Furuba continues to crawl towards its ending in this chapter, which sees Akito reveal her true gender to all of the jyuunishi, followed by an angsty monologue before she seemingly commits to a relationship with Shigure.

Mai-Otome 28-9: Queen Mashiro’s (or rather Manshiro’s) coronation is finally here, which means it’s time for a gathering of assorted leaders and some tense exchanges between them. Where 28 acts as more of a setup chapter, 29 sees the beginning of a payoff, with the various antagonists making their move and a cliff-hanger ending. Since this is Otome we’re talking about, none of it can be said to be particularly good, but it seems to be leading up to a storyline that will be interesting by virtue of novelty alone.

*CATCH UP* Melty Blood 1-6: In manga form, Type-Moon’s fighting game becomes a sequel of sorts to Tsukihime, taking place one year later and seeing Shiki team up with Sion Eltnam, an alchemist and would-be vampire hunter. So far, little has happened outside of Shiki and Sion wandering around at night, and there’s a critical lack of substance to the story that makes it none too inspiring. Artwork is on the same level as the Fate/Stay Night manga, consisting of solid character designs, but simplistic shading and backgrounds.

Mushishi 9: Since the first 26 chapters are the same as what we’ve seen in the anime, this is yet another familiar segment, this time about a man chasing after a rainbow-like mushi. Since Mushishi can do little to no wrong, this is an enjoyable chapter, and as always I’m eagerly looking forward to more.

*NEW* Natsu no Arashi 1: Usually when I add a new series to this line-up, I try to give some idea of the plot, but to be honest I’m not entirely sure what was going on in the first chapter of Natsu no Arashi. To strip it down to the bare essentials, our 13 year old hero (presumably) comes to a café, meets up with a beautiful high school girl with strange powers, and for some reason gets invited to come and live with her- on top of that, however, there are various other elements, and it isn’t entirely clear what is and isn’t going to be important in the long run. Nonetheless, it’s from the creator of School Rumble, so for that reason alone it gets a fair chance.

Tsubasa Chronicle 129-30: Sakura equips her Gunner Dressphere and heads out to face the trials of the desert alone (can she possibly manage by herself), Kamui and Fuma discuss their plans in the hopes that their arc and existence actually have some meaning, and Fye finally wakes up. It’s all building up to something, but at the current pace, that something may not actually occur for a while.

Utawarerumono 4: Every chapter of the Utawarerumono manga is fairly pointless, and this one, in which Hakuoro visits the New Year festival and literally unmasks an impostor, is equally so. In particular, the artwork seems to have taken a turn for the worse; the mangaka can just about manage Haku and the harem, but s/he really flounders when it comes to portraying the other males- Benawi and Kurou are near unrecognisable.

xxxHOLiC vol 9, chapter 5: Picking up where the last chapter left off, this instalment sees Watanuki meet up with the youthful spirit medium once again, and begin to strike up a bond with her. An interesting enough read, but I remain cautiously hopeful that this storyline will actually lead somewhere.

Yotsuba&! 40: Having decided that Fuuka must get her fair share of the delicious milk, Yotsuba boldly follows her to school in an attempt to deliver it- cue much hilarity as our pint-sized heroine not only ventures out on her own, but ends up wandering the confines of Fuuka’s school.

NOVEL

*New* Zero no Tsukaima vol 1, chapter 1: Having heard that the novel is not as critically flawed as the anime, it didn’t seem too much effort to give the first translated chapter a try. A mercifully brief instalment, the chapter covers Saito’s summoning and the beginning of his life as a familiar- it’s too early to judge overall quality, but so far I’m not experiencing the complete and utter turn-off that the anime induced.