HITS

Akagi
I always seem to be singing Akagi’s praises, but this underrated series truly deserves it. It may be MANLY and not particularly aesthetically pleasing (although the animation is at least technically clean, and mah-jongg tiles are the best use of CG I’ve seen so far), but Akagi is oddly addictive, drawing you into its world and making you hold your breath as you wait for the flip of a tile.

Beck: Mongolian Chop Squad
From the inconsistency of Nodame Cantabile to the disappointing dullness of Corda d’Oro, no music-based series has yet to match Beck for its sheer quality of entertainment. Gone is the instant and magical (sometimes literally) success of other series- in Beck, the protagonists face a much more realistic struggle as they try to make their mark on the music world. And yet, for all the difficulties they go through, they remain a likeable group that you cannot help but support every step of the way.

Boogiepop Phantom
Picking up after the events of the first Boogiepop novel, Boogiepop Phantom is one of the best supernatural series out there, expertly weaving different timelines as it tells the tale of people with emerging special abilities. Not every episode is on the mark (the one about Panuru seems particularly poor), but nonetheless overall the series is unique, memorable and packed with enough content to ensure that you have to watch it several times to get the most out of it.

Dennou Coil

Make no mistake about it, I love Dennou Coil; in fact, if it were a religion, I would convert immediately. This is the series .hack could have been if it had pulled its finger out, the series I always wanted but never knew where to find. Set in a world where special glasses let you interact with a virtual overlay of the real world, Dennou Coil not only features likeable characters and imaginative adventures, but it also raises deeper questions, as to just how real ‘reality’ even is.

Gungrave
Although it loses something towards the end when it becomes a zombie bash-fest based on the first game, the first four volumes or so of Gungrave are very good, detailing as they do the early days of Brandon ‘Beyond the Grave’ Heat and Harry McDowell. Knowing as we do from the first episode that these close friends will one day end up on opposite sides lends a sense of foreboding to events, but where Gungrave really shines is in how well it conveys the emotions of its characters, investing even the simplest of lines with multiple layers of meaning.

Gunslinger Girl

A series that I usually name whenever top tens are required, Gunslinger Girl is lamentably short, but over the course of its thirteen episodes it does an excellent job of adapting the first two manga volumes. The crisp, clean animation and piano-driven soundtrack only serve to enhance a story that was already highly worthy in the first place, making for a girls with guns series that should be a must-see for anyone.

Millennium Actress, Perfect Blue, Tokyo Godfathers
I’ve decided to include these three Satoshi Kon movies together because not only are they all very good, but to write about them separately would result in my repeating myself. Although the three movies are rather different in tone and content, they are all highly enjoyable and memorable- even if you don’t usually care for anime movies, make time for these three.

Monster
Revered by all who have seen it, Monster may not be one of my absolute favourites, but I do concur that it is a very good series, and one of only two where 74 episodes didn’t feel like enough (the other being Hikaru no Go). A suspenseful tale of one man’s efforts to track down an unusual but nonetheless deadly killer, Monster weaves together the various threads of its main characters, never once dropping the ball.

Paranoia Agent
Satoshi Kon’s first (and thus far only) attempt at a TV series, Paranoia Agent offers a unique method of storytelling in which the ‘baton’ of main character passes from one person to another through the course of the series. Not only does this let the series explore a range of unique and quirky characters, but it also allows the mystery of “Shounen Bat” to slowly unfold, until everything comes full circle and the answers are revealed.

Saiunkoku Monogatari

Another entry on the hallowed top ten list, Saiunkoku Monogatari may owe its basic content to the original novels, but the animated version helped bring the story to a wider audience (myself included). Although the quality of the animation is not always up to scratch here, the series is nonetheless a strong one, bringing to life the complex and many-layered world of Saiunkoku, as well as the characters that inhabit it.

Texhnolyze
With its unique ambience and art style, Texhnolyze makes its mark right from the start, and whilst it isn’t the easiest or most coherent series to get into, give it some time and effort, and an absorbing series is revealed. Whether you want to bask in the atmosphere or delve deeper into the content, Texhnolyze’s futuristic world is one truly worth exploring.

X
Okay, so the movie wasn’t so great (and I make no effort to defend it), but even if it did have to work with an unfinished story and a limited episode count, X TV did a pretty decent job of bringing CLAMP’s end of the world epic to life. Although the beautiful animation and memorable soundtrack are truly worthy of note, X TV’s true success is in using a mere twenty-four episodes to introduce and develop both a coherent plot and over seventeen named characters.

NEUTRAL

Aquarian Age: Sign for Evolution
Although it’s hard for those of us in the West to comment on the bits and pieces of the franchise that have bled through from Japan, if we just consider this series as a self-contained unit, it comes up as somewhat lacking. The potential for both story arcs about the lead’s band and about the magical battles that take place behind the scenes simply cannot be developed properly in a mere thirteen episodes, and so the whole thing ends up merely showing flashes of interesting material in a sea of mediocrity. The movie is even worse; it may have some nice character designs, but its fifty-five minute length ensures it is nothing more than a hurried introduction of some new characters before they go into battle against a final boss.

Chobits
CLAMP’s ecchi semi-harem series was never the strongest of material to work from, but the anime somehow made it worse, compressing the good parts of the original so that it could fit in pointless diversions like an entire episode devoted to buying panties. Once again, the character designs are very good, but this is more for CLAMP completists than the casual viewer.

Cyber City Oedo 808
Ultimately, Cyber City is like any other sci-fi OVA from the early 90s- it features MANLY men beating up evil robots whilst the women in their lives either betray them or scream for help. If you feel an odd craving for cyberpunk, then this isn’t a bad way to assuage the need, but it isn’t something I can recommend to everyone- I’m not even sure I can explain why I still have it on DVD.

Paradise Kiss
It’s stylish and fashionable, but ultimately Paradise Kiss is simply too shallow to make it into the hits, especially as the anime cuts out much of the fifth volume, shortening the conclusion and thus failing to properly show where all the characters ended up. Like the other neutrals, it isn’t particularly bad, but nor is there much reason to call it good.

MISSES

Beyblade
Well, to be fair, Beyblade is just a kids’ show designed to sell toys, so it was never meant to be good, but 153 episodes was just a tiny bit too much- it was mindless fun at first, but when the finale saw Beyblades opening the way to a parallel dimension that could engulf the world, I had to question just what I had spent my time watching.

Claymore
I know this will provoke a lot of flames, but Claymore and I never did get on in either anime or manga form- the anime especially just left me with a grey, brown and washed out feeling, with its repetitive and simplistic action scenes and uninspiring characters. Although I may be the only person in the universe to think so, I just cannot see the brilliance that others says it has.

Death Note

In manga form, Death Note is very good, but for me, the anime just didn’t work. Perhaps it was just because the anime followed the manga so closely; as far as content went, I’d experienced it all before, and at my own pace instead of the one that the director chose. Worse yet, Light seemed to become much more theatrical in the anime, often going into red tinted mode as he laughed evilly and went off on another internal monologue of gloating.

Kemonozume
Maybe this series improved later on, but I found myself simply unable to watch past about five minutes into the second episode- seeing the lead character soil himself on screen just wasn’t my idea of entertainment. The only memorably worthy aspect was the detail in the animation, such as the monkey removing screws from a katana (or did I imagine that?).

Kiba
Another series that could have improved in later episodes, Kiba got off to a poor start that ensured I never really wanted to continue with it. Between emo Noa and his post-industrial grime and Zed’s generic shounen “rip off sixteen other series” adventures, Kiba just didn’t seem to have much in the way of originality to offer, and so it soon dropped off the watch list.

Lament of the Lamb
I love the original manga, but this OVA just didn’t do it justice- it was short, washed out in colouration, and generally didn’t offer anything to the franchise that couldn’t be gained from just ignoring it and reading the original.

Nana
Another series that many loved but I didn’t get on with, Nana simply proved to be rather dull in nature, with too time spent on Hachi to the detriment of the more interesting Nana. When thirteen episodes proved to be a struggle, I knew fifty would just be too much.

Otogi-jushi Akazukin
In the old days, Akazukin seemed like a fun children’s series, but as the episode count increased, the repetitiveness of it all began to become grating. With each episode featuring yet another monster of the week to be defeated by our heroines’ signature attacks, it became clear that the patience that saw me all the way through Tokyo Mew Mew was simply not ready for yet another brightly coloured but ultimately childish magical girl series.

Trigun
Trigun may be considered a classic in some circles, but I’m not sure why. Although there were moments when Vash approached my ideal of a character who hides their skill behind a laid back exterior, ultimately he was just too annoying to really get on with, whilst the over the top craziness that permeated the series just wasn’t to my tastes. I watched it once, but I don’t anticipate ever wanting to sit through it again.

Tenjho Tenge
There was a time when I liked Tenjho Tenge, but now I’m not entirely sure why- the girls may be nice to look at, but other than that, it doesn’t have a great deal to offer. Based around a rather bizarre high school where fighting is a part of the curriculum, Tenjho Tenge features a cast that encompasses everything from the downright dislikeable to the completely ugly and psychotic. Recommended for “blood and breasts” fans only.

Yume Tsukai
I went into this series thinking it would be something along the lines of Kokoro Library or Shrine of the Morning Mist, but sadly, it was just a boring knock-off that Madhouse cared so little about that they let the janitors handle the animation. With the original manga apparently focusing more on the lolicon aspects than the actual story, perhaps there just wasn’t much to work with.

Final Thoughts
It cannot be denied that Madhouse have certainly proven themselves capable of producing excellent series in a variety of different styles and genres, but ultimately, even they are only human, and so it is that not all their output can reach the same standard. With such a prolific output, it is no wonder they are good at what they do, but even so, no one can hit the jackpot all of the time.

Meine Liebe Wurst
Welcome to the third season of popular bishounen series Meine Liebe- Meine Liebe Wurst! In the hallways of Rosenstolz, Lui and the other Strahl candidates are busy teaching Elmunt, Nicholas and Daniel all about being part of the HARD GAY inner circle, but unbeknownst to them, their old enemy Beruze is getting ready to strike again! Having enlisted the aid of generic Duke Munst, Beruze plans to launch his third attempt at taking the throne of Kuchen; can our heroes overcome their individual angst arcs and help Lui find a way to foil his latest evil plot?

Wurst includes some of the following exciting events-

• We finally see inside the penis-shaped airship that floats high above Kuchen, thanks to flashbacks from the days when Barty was missing.
• Now reconciled with his evil stepmother, Ed goes out to tea with her before continuing the futile search for his long lost sister.
• Naoji goes back to Japan, but realises his true calling lies in Kuchen and returns in order to restore the status quo.
• Camus takes Elmunt to see his brother Leohart for some three-way HARD GAY.
• Isaac lurks around in back alleys looking mysterious but not actually doing a great deal.
• The Strahl visit the palace and reunite with Gerard, whilst the King becomes even more motionless and ineffectual than ever (except when he is with Barty).
• Camus grows yellow roses in his greenhouse.
• Lui sips tea whilst reading a book.

Rozen Maiden Again
Prepare for more dolls, more battles, and more inconsistent plot points as Rozen Maiden also gains its third season- Rozen Maiden Again! When Souseiseki and Hinaichigo mysteriously wake up, the Rozen Maidens are gathered together for an announcement; last time was merely a trial run, and the Alice Game proper begins now. Unfortunately, a previously unmentioned rival from the school of doll-making that Rozen once attended has created his own army of Shadow Maidens, evil dolls of limited lifespan who can only attain true life by stealing the Rosae Mystica! Should the Rozen Maidens continue to fight each other, or should they ally to counter this new threat?

Otogi-jushi Akazukin 26

An all-male scene in the new OP heralds the start of a new HARD GAY era.

The party encounters a church that specialises in HARD GAY marriages.

Souta quickly hooks up with a new partner.

Unfortunately, as a HARD GAY virgin, his first experience is a little painful.

“What do you mean, you’re not really HARD GAY?”

“…I thought we had a future together!”

Jed explains that the public response to Souta’s denial of HARD GAY has been unfavourable.

Short parody: Code Geass II

Lelouch uses his Geass on generics.

Lelouch: I command you to buy Pizza Hut.

The generics head off to buy Pizza Hut.

Lelouch: Everything is going as planned! By forcing everyone to buy nothing but Pizza Hut, I can cause an economic collapse!

CC: Plus it’s tasty and nutritious too.

Suzaku is sent out in his mecha.

Suzaku: I must stop Zero’s evil plans before all the pizzas are sold out!

(Onscreen notice: Please watch Code Geass in a well-lit room whilst eating Pizza Hut.)

Weekly Awards

Generics of the Week: Whilst the generic guards of Deltora Quest episode one deserve a mention, none of them can hold a candle to Sa Soujun of SaiMono. Since he is a named character, technically he should not qualify as a generic, but his reused character design and minor villain ways enable him to steal the prize from true generics.

Apples of the Week: Whilst poor Anton of Harvest Moon BTN finally gets a break with some free apples from his apple tree, Deltora Quest must be mentioned again for having a generic girl who longs for an apple.

Crude series of the Week: What else could it be than the nausea-inducing Busou Renkin? Male nudity, comparing sizes, Victor…somehow it doesn’t even have to try.

Tree Monster Honourable Mention: Just as they did in the OVA OP, tree monsters finally show up in Otogi-jushi Akazukin TV.

OP of the Week: It may be far from new, but Kare Kano’s Tenshi no Yubikiri still scoops a long overdue prize.

HARD GAY corner: Berserk

Raised by Gambino and introduced to the battlefield at an early age, Guts soon learned about the rough and intense HARD GAY that occurred there. Equipped with a sword more impressive than that of any other man, Guts developed a voracious appetite for HARD GAY, but unfortunately, his partners never survived for long, forcing him to continually move on.

The day he met Griffith and the Band of the Hawk was a revelation for Guts; apart from token female Caska, here was a whole new vein of HARD GAY males to plumb. In particular, Griffith was the one who fascinated him, for here at long last was a man who could match him in the bedroom.

Guts and Griffith shared many years of HARD GAY, but deep in Guts’ heart, doubts began to surface- did Griffith consider him as anything more than a mere plaything in the bedroom? Determined to prove that he was more than that, Guts left the Band, only to send Griffith into such despair that he even tried sleeping with a woman to take his mind off the pain of losing a HARD GAY partner!

Unfortunately, it was all downhill from there; after being imprisoned for months without a partner, Griffith’s frustrations became such that only the power of the Godhand could hope to relieve his throbbing libido. With this in mind, Griffith decided to shed his human body and enter a whole new level of HARD GAY. Now left behind but still branded as Griffith’s lover, Guts decided to set out a journey to meet the Godhand and undergo one last explosive HARD GAY encounter…

Licensing Reactions

It’s been a week of announcements from FUNimation, of which I’ll focus on the ones that are relevant to me.

• Aquarion: Since I’m one of a handful of people who love Aquarion, this is great news. Quite possibly my favourite mecha series overall, Aquarion combines top quality music and animation (let’s try to forget about ‘experimental’ episode nineteen) with a story that avoids the usual mecha pitfalls of taking itself too seriously.
• Suzuka: An entertaining but not outstanding series overall, Suzuka has a few episodes that make it seem worthy purchasing on DVD, but when I think of Akitsuki’s stupidity, I wonder if it is indeed worth it. Although I know we’re all supposed to be upstanding citizens who only ever buy the singles as they are released, I’ll probably wait for the boxset if I choose to invest in this.
• Tsubasa Chronicle was licensed a year ago, but has only now received a street date. Unfortunately, in that time, I have seen the tedious filler-fest that was season two, and where I might once have bought this on DVD, I am now no longer inclined to do so; I’ll just stick to buying the manga (although even that is losing its allure).
• Mushishi also receives an official confirmation of what we all already knew- as one of my favourite series, it will be great to finally get my hands on these long awaited DVDs (not to mention the manga, which should be out around now).

Mini-rant: Sensible, correct and the choice of all right-thinking people, or gimmicky, hideous and flashy?
Yes, for those who haven’t worked it out, this rant comes in response to ANN’s recent ‘unbiased’ poll about DVD subtitles vs. fansub subtitles. Now admittedly, at the end of the day, the most important thing is that the subtitles are readable, and there are technical reasons why DVD softsubs have such a basic appearance, but let’s face it- from an aesthetic point of view, that yellow is just ugly.

Of course, on the flip side of the coin, fansub groups can get a little overenthusiastic with flashy karaoke subs and the unnecessary subtitling of every single insert song, but at least their subtitles are more visually pleasing. There’s room for better fonts, colours, and the occasional effect to indicate telepathy or similar is a nice touch; flame me, if you will, but I even quite like it when different characters get different coloured outlines on their dialogue- it’s not that I need that to tell who is speaking, I just appreciate the attention to detail. It’s hardly as if it’s a new thing, either- subtitles on UK TV have been doing the same thing for years.

This may seem like a somewhat pointless rant since I haven’t even bothered to cover the accuracy of subtitles, translation of honorifics and the like, but that was never the point of this piece. All I wanted was to air my opinion that fansub subtitles are not the devil’s own work, and actually look quite good.

Figure Review: ⅛ Saber

I forget who made this Saber, but although I got mine last year, a re-release is forthcoming. For some reason, this Saber is smaller than the average ⅛ figure, so either it has been mislabelled, or Saber is actually a midget.

In terms of detail, this figure is a lot more simplistic than my usual choice, and I have to admit that if it had come out a while after it did, I probably wouldn’t have bought it at all. In the flesh, it does look quite nice, and the boots, sword and hair are well detailed, but just like Saber herself, the main costume is a little dull. Overall, it’s a technically well done piece, but it doesn’t really have any great aesthetic hooks- were I buying a Saber figure now, I would pick Alter’s Dark Saber instead.

In Your Reflection

This week’s head to head is between Bleach’s Yoruichi and Shrine of the Morning Mist’s Koma. Both are beautiful young women and formidable fighters in their true forms, but each is first seen in their alternate form as a black cat.

Fashion police: Selphie Tilmitt
Admittedly, when you’re hanging out with the FFVIII crowd, you don’t need to have the greatest fashion sense in the world, but even by the game’s standards, Selphie leaves a lot to be desired. The main offender is, of course, that hideous yellow dress, although to call it a dress is a bit of a stretch when it looks more like a duster. Not only is the colour nothing less than hideous, but the lack of fabric is a poor choice for someone who hails from the cold country of Trabia. Even an attempt to add some variety through wristbands is a failure, whilst Selphie’s hairstyle could also use work- get rid of the curls at the bottom and either cut it or tie it back.

Fashion sense: F

Amusing Search Terms

audition sea hack, hack pre audition, Down hack perfect audition, hack audition mew, hack perfect audition SEA, hack audition, hack audition perfect, hack cash audition: Please, if you’ve clicked on this post looking up one of these, can you comment and tell me what the hell they are?

busou renkin Doujin free: No doujins here.

define:lolicon: what am I, wikipedia?

utawarerumono tactics interesting: Coming soon, Uta Tactics, a specialised empire building game.

ugly Ginga Densetsu weed: Well, yes, the animation isn’t great.

GAY PASS HACK: I can’t just give out free passes.

romance of three kingdom toys: Every little boy wants a Zhuge Liang.

options21 not work: I’m very sorry it doesn’t work, but what do you want me to do about it?

harvest moon parody: “So today I thought to myself, I’ll just google for parodies of a farming game…and what do you know, I actually found one!”

2d battle maker: No, no, no, this is the isometric era.

lolicon, lolicon ero: none here.

large boobs: Large boobs sighted!

two endings weed ginga: only in the multi-path RPG, I’m afraid.

Kanon 2006 5 1/3: Episode 5 1/3, the secret hentai episode.

Amusing Spam has been put to one side since I simply get too much to sift through it all for the good stuff.

I can now exclusively reveal that the reason my blog is so HARD GAY is because I have Lui chained up in my basement.

As the days became depressingly short and winter tightened its grip upon the land, I had the great idea of summarising all the 2006 series I watched in one great ‘Annual Round-Up’; hardly an original idea since everyone likes to do it, but nonetheless a course I became determined to take. Little did I realise that such an innocent decision would lead to a massive fifteen page document that took over a month to compile; in fact, if I had any sense, I would take the lazy route of posting this over several days in order to avoid having to write anything else for a week or so. Unfortunately (or perhaps fortunately, depending on your perspective), I’d rather just include it all in one guide so that I can get on with writing newer and more interesting things to spice up the inevitably dull and grey January.

I shall also take this opportunity to thank necromancer, whose screencaps made many parody posts and Tuesday Rumble sections possible, as well as my blogging ‘sempai’, who can identify himself if he wishes.

For once, red is not for generally poor series, just for the ones I dropped before the end of their run (mostly because they were generally poor). Series in blue are my top picks for the year. Links lead to earlier reviews, rants and parodies of the series in question.

STILL RUNNING FROM 2005
I’m only including series I was still watching in the New Year; several others had long since been dropped by this point.

Ginga Densetsu Weed
A bloodier canine version of a shounen action series, Ginga Densetsu Weed follows the adventures of young dog Weed as he recruits allies to fight evil dog Hougen. It ranges from dull and predictable to laughable and predictable, but the parody potential and novelty of having dogs as the main characters conspired to keep me watching this right through to the end.

Final words: It’s not good to be a generic brown dog; you always get killed.

Jigoku Shoujo
When it first started, Jigoku seemed like a compelling series, the tale of people driven to such extremes that they would accept eternal damnation in order to remove their tormenters. Unfortunately, it all became a little ridiculous and far too repetitive after about four episodes- not only did the basic concept of each episode lose a lot in the execution, but there are only so many times you can watch tales of revenge before getting thoroughly bored.

Final words: Revenge is a dish best served sparingly.

Karin
Karin is a strange series; it’s too tasteless and generic to even be mediocre, but at the same time it feels like it could be good- only I can’t really quantify just what is needed to make it better. The tale of a ‘blood-making’ vampire and her slow romance with a human boy could at least have made for light entertainment, but the inclusion of irritating supporting characters and the gimmick of having blood spurt out of Karin’s nose with alarming regularity are more than a little off-putting.

Final words: No, just no.

Mai-Otome

It’s hard to believe, but there was a time when I thought Mai-Otome was actually going somewhere; an illusion that was soon dispelled as the series moved into its closing episodes. Despite the numerous flaws of this series, it somehow remains memorable, burned into the brain by hype, wasted potential and the presence of fat grey cat Mikoto.

Final words: Fat cats may improve a series, but even their furry bulk cannot compensate for a lack of plot.

Mushishi
Although I took my time starting on Mushishi, I’m glad I finally got around to watching it, since it turned out to be one of the better series of recent times. An absorbing and atmospheric folk tale-eqsue collection of stories featuring the laid-back Ginko and the myriad strange phenomena he encounters, Mushishi is recommended viewing for anyone with even a passing enjoyment of fantasy, drama and slice-of-life.

Final words: If your memory is bad, blame it on the mushi.

Noein
When it first swept onto our screens, Noein seemed to be the sci-fi series that we had all been waiting for- a mixture of complex storyline, grandiose action scenes and alternate worlds that would surely only improve as it went on…or would it? Unfortunately, the studio was so busy spending money on CG house shots that it forgot that the series actually needed a proper plot (not to mention decent animation), and so by the end, Noein became little more than a pretentious but ultimately empty series that never lived up to its early promise.

Final words: The quantum mechanics of Noein is not clever- if you want clever, then come to some theoretical physics lectures.

Rozen Maiden Traumend
Given the excellence of the first series, another season of Rozen Maiden was highly anticipated, but somehow it just couldn’t live up to what had come before. Rearranging and diverging from the manga material led to some continuity issues with the first season, whilst the plot itself had numerous pacing problems. Despite promising that the battle royale Alice Game would be getting underway right from the start, it took nine episodes to get down to business, after which the writers chickened out of going the whole way so that things could be left open for a third season. Even the new characters introduced in this season were less than inspiring, although overall the series was not a bad experience, just one that did not live up to expectations.

Final words: If you thought dolls were scary before, wait until you watch this.

Shakugan no Shana

A tale of swords and sorcery mixed with high school romance and comedy, Shana proved to be a solid enough source of light entertainment, but unfortunately turned out to be lacking beyond that. Disappointing villains and a story that proved to be flawed on close inspection ultimately prevented the Shana from reaching the heights it initially promised- whilst by no means a bad series, it was certainly in need of improvement in key areas.

Final words: urusei, urusei, urusei!

WINTER 2005/6

Ayakashi
A collection of three separate folk tales collected across eleven episodes, Ayakashi promised period horror, but in the end, it brought only contemporary boredom. What would have been perfectly enjoyable as a three episode OVA became drawn out and monotonous in TV series form, so much so that watching it was something of a struggle.

Final words: Rap OPs never work- no really, they don’t.

Binchou-tan
Having convinced myself that Binchou-tan would be sickeningly cute, I avoided watching it for a while, only to predictably regret that when it turned out to be far better than I had imagined. A series that really does embody ‘simple and sweet’ Binchou-tan is a delightful slice-of-life tale that really needs more episodes.

Final words: Unexpectedly worthy.

Ergo Proxy
To be fair, I only watched a single episode of Ergo Proxy, but I never could bring myself to continue with it. Despite the echoes of Texhnolyze, the fact I neither knew nor cared what was going on in the first episode was not much of an incentive to continue- the animation may have been slick, but that could hardly make up for the lack of comprehensibility.

Final words: When people say ‘hard sci-fi’ they must mean pretentious, nonsensical crap.

Fate/Stay Night

Admit it, you want a Caster figure too.

There was a time when Fate seemed filled with potential; yes, it had a spiky-haired hero, but it also had the incredibly worthy Rin, not to mention the prospect of a hard fought battle of wits and strength between legendary heroes and their Masters. Unfortunately, Fate never lived up to its promise, instead turning out to be a combination of insipid characters, flimsy story, and Shirou’s harem exploits.

Final words: I will make ‘True Fate’ one day.

Hanbun no Tsuki ga Noboru Sora
A short and sweet hospital-based tale of drama and romance, HanTsuki was an almost overlooked series that turned out to be a hidden gem. Within its six episodes, the series managed to weave a tale that was bittersweet, heart-warming and entirely worthy.

Final words: Natsumi is evil.

Meine Liebe Wieder
Despite promising something in the way of a plot this time, the second season of Meine Liebe turned out to be an inferior rehash of the first, featuring increased angst, more HARD GAY, additional characters and Beruze’s latest puppet duke attempting to take the throne of Kuchen. It wasn’t bad, but it could have been so much more.

Final words: Ludwig-sama is an A-ranked bishie.

REC
An oddly addictive series about the romance between a voice actress and a salaryman, REC is enjoyable while it lasts, but is over all too quickly. In retrospect, it was perhaps a bit too angst-filled, but it made for an entertaining experience while it lasted.

Final words: Umai-ki!

Shinigami no Ballad

Yet another brief series, this time about a pure white shinigami and the people she meets, SnB was filled with character pieces, but was oddly short on death. Whilst it never really had the impact that it could have done, SnB was an enjoyable series that didn’t overstay its welcome.

Final words: The RPG episode was the best one, but the series overall gains points for the winged talking cat.

Pale Cocoon
Having been told that Pale Cocoon was somewhat incomprehensible, I went into it expecting not to understand anything, only to be pleasantly surprised at how much I could actually grasp (of course, the accompanying pdf file helped). A brief yet worthy glimpse into the far future, Pale Cocoon may be short on explanations, but is nonetheless a worthy snapshot of a distant era.

Final words: Watch it now, it won’t take long.

Hellsing Ultimate
It was the event that all Hellsing fans had been waiting for- a more accurate adaptation of the manga material that would surely blow them all away. Unfortunately, having realised that I really didn’t like Hellsing all that much, this wasn’t something I was inclined to keep following.

Final words: When are we going to get a good vampire show?

SPRING 2006

.hack//Roots
Hard as it is to believe now, I was actually looking forward to .hack//Roots- I was in the middle of my Item Completion obsession phase, and somehow I convinced myself that it would be a series that married the addictive qualities of SIGN with the action and faster pace of Legend of the Twilight. After several episodes of deluding myself, however, I came to realise that Roots was not so much a case of a train wreck as of the train simply not leaving the station in the first place. Characters came and went, but the plot never arrived- in the end, it was just too boring for me to watch anymore.

Final words: The origin of the screencap parody format.

Ah! My Goddess: Sorezore no Tsubasa
I’ve said it on more than one occasion, but a second season was just too much for the Ah! My Goddess- how much can you actually squeeze out of a harem story about a regular guy living with goddesses? Admittedly, it did seem like a bit of harmless light entertainment for the first few episodes, but it soon fell into the realms of the utterly boring, especially when Peorth arrived.

Final words: Sometimes, less is more.

Air Gear
I have to admit that Oh Great’s artwork is good, but since I’m not particularly interested in nipple shots, ridiculously oversized breasts or Bob Makihara’s penis, the actual content of his manga does very little for me. An unholy fusion of Tenjho Tenge, Ikki Tousen, Beyblade and Shaman King, Air Gear is the tale of spiky-haired Ikki, his buxom companions, and the rollerblading sport of Air Trak- or to put it more succinctly, it’s complete dross. No matter how much curiosity compels you to watch this, take my advice and give it a wide berth.

Final words: With breasts like that, those girls must get backache.

Aria the Natural

The first season of Aria was excellent, but Natural goes one better by doubling the episode count and giving us a full 26 episodes of sweet and heart-warming gondola life on the planet of Aqua. From the beautiful setting to eponymous fat cat President Aria, everything about the series is right on the money in terms of creating a simple yet absorbing world. Bring on season three.

Final words: Punyu!

Disgaea
Since RPG-based series are rarely worth watching, I wasn’t really planning to investigate Disgaea- at least until I watched the trailer. An ironically hilarious take on the RPG world, Disgaea’s trailer promised much, but the actual series itself delivered all too little. As it turned out, the reason the trailer was so good was because the entire series budget had been spent on it- meaning that the episodes themselves were poorly animated cyclical repeats of the same tired and worn jokes.

Final words: Pizza in the face? Excuse me while I try to force a laugh…oh wait, I can’t.

Full Metal Panic: The Second Raid Tessa OVA
Much as I like Tessa, this OVA didn’t really do much for me; aside from a select handful which hit the mark, most of the jokes fell completely flat. It’s something you watch for completion rather than enjoyment.

Final words: Dull, dull, dull.

The Gargoyle of the Yoshinagas
The tale of the Yoshinaga family’s animated stone guardian, Gargoyle may seem like a kid’s show at first glance, but it is nonetheless a highly entertaining story. In Gargoyle’s hands, everything from battles between stone monsters to talking to flowers takes on a new vitality. It’s funny, off-kilter, and eminently worthy.

Final words: All hail Gar-san.

Gintama
I only watched the first twenty-five minutes of Gintama, but what I saw didn’t really click with me. Apparently it’s meant to be a tongue-in-cheek approach to Shounen Jump, but I just couldn’t force myself to pay attention to it.

Final words: I liked that large white animal, but nothing else drew me in.

Good Witch of the West – Astraea Testament
When it first started, Good Witch seemed to be the fantasy series we had all been waiting for; a fairytale of intrigue and romance set in a magical kingdom. Unfortunately, within the space of a few episodes, Good Witch had become so bogged down with different plotlines that it was difficult to tell where it was supposed to be going. After continuing in this manner all the way to the end, Good Witch left viewers with plenty of story threads, but not much in the way of coherence- maybe the manga is better, but I’m not about to risk wasting money on it.

Final thoughts: It’s the sample book of plot directions.

Higurashi no Naku Koro ni
It may have started as a tense psychological horror, but after the first few episodes Higurashi’s main draw was its sheer gore factor. A somewhat inconsistent series that mixed moments with greatness with more pedestrian sections, Higurashi may have only covered six of the eight game arcs, but spoilers revealed that the solution to the mystery was too obvious to be satisfying.

Final words: “It wasn’t me, I am not evil or suspicious at all.”

Hime-sama Goyoujin
Truth be told, I shouldn’t really be writing about Hime-sama- I only saw about eight minutes of the first episode, and I had so little clue as to what was going on that I couldn’t bring myself to watch anymore.

Final words: Utterly confusing.

Jyu-oh-sei
One of a rare few series which I picked up months after dropping it, Jyu-oh-sei made good parody material, but had little worth as far as entertainment went. The bulk of the series, which saw cycle-wear model Thor stranded on jungle planet Chimera, was average and predictable, but was nonetheless sheer excellence when compared to the laughably ridiculous ending. A rushed story with a nonsensical ending- if I hadn’t wanted to parody it, I would never have watched past episode four.

Final words: If you want to attain at least a shred of credibility, magical DNA is not the way to go.

Kamisama Kazoku

At first glance, Kamisama Kazoku looked to be the spiritual successor of Kamichu- a sweet and simple series about a youthful god. In fact, to borrow a phrase from a lecturer of mine, Kamisama was a very different animal- a series that ranged from juvenile to infantile in its fanservice laden lack of hilarity. After struggling all the way to the third story arc by virtue of the show’s worthiest character- Tenko- I realised that I simply could not take anymore and crumbled a mere four episodes before the end.

Final words: Look, Mama is naked in an apron!

Keroro Gunso: the Movie
Series-based anime movies are as formulaic as they come, and unfortunately the Keroro movie is no exception. There are a few entertaining moments, but not really enough to justify spending an hour of your life watching a story that has been done a thousand times before.

Final words: Giant Keroro is the worthiest aspect of this movie.

Kiba
Like Tokyo Underground, Kiba is one of those series that just seems like an inferior amalgam of numerous other series- there’s industrial word, pastoral world, summoning of destined monsters, and numerous other ideas that have been done better many times before. Roia was truly the only worthy aspect of this seemingly never-ending series- in fact, is anyone even watching it anymore?

Final words: Series and games ripped off by Kiba include Tokyo Underground, Ergo Proxy, .hack, Yu-Gi-Oh!, YuYu Hakusho, Dragonball Z, Pokemon, Hunter X Hunter Greed Island OVA, Mai-HiME, Dynasty Warriors and Suikoden.

Love GetChu!
Due to slow subbing, I have only watched four episodes of this series so far, but it has already proven itself a worthy source of light entertainment. The tale of a group of young girls trying to become voice actors, Love GetChu! does exactly what Kiba failed to achieve- it takes ideas used in earlier series, and combines them into a worthy whole. There’s a ditzy lead, standard personalities, a Maison Ikkoku style apartment and a hint of romance, but somehow it all comes together to make something enjoyable rather than tiresome.

Final words: Please sub more, or I’ll have to start on the raws.

The Melancholy of Haruhi Suzumiya
Once an obscure series of novels, Haruhi catapulted to fame after its first episode captured the fandom, but as the series progressed, opinions became divided. Although there now exists a small but vocal “yay Haruhi great lol” group, still others (myself included) concluded the series with a more sceptical view on the whole franchise. The characters were insipid, the stories were disappointing and not at all helped by being aired in a random, non-chronological order, and the humour had all but dried up after episode three. It may have gained cult status, but I can’t help wondering why.

Final words: I did actually like the fourth novel.

Nana
The tale of two very different girls both named Nana, Nana was an interesting shoujo drama in manga form, but unfortunately the transition to anime turned it into something far more dull and boring. With the bulk of the series’ focus falling on ‘Hachi’, the less interesting of the two Nanas, Nana failed to engage the attention, and was eventually indefinitely put to one side.

Final words: Less Hachi, more Nana.

Ouran High School Host Club

The delightfully over the top story of one poor girl and six rich guys running a host club at the prestigious Ouran High School, Ouran delivered standard jokes with such infectious enthusiasm that it was impossible not to laugh at them. A fewer weaker instalments and too many episodes focusing on twin brothers Hikaru and Kaoru prevent this from being a pick of the year, but it is certainly worth watching.

Final words: Kyouya is god.

Ray the Animation

Ray is another series I dropped after a single episode, but unfortunately it didn’t really seem to merit any more. As someone with various family members in the medical field, ridiculous conditions like tumours that retreat into the heart when operated on are a bit too much to swallow, and thus this medical-themed series was not fated to last long.

Final words: Monster remains the only decent medicine-related anime.

Saiunkoku Monogatari

At first glance, SaiMono looked to be yet another period series featuring a girl and her attendant bishies, but how wrong I was. SaiMono is leagues beyond the likes of Fushigi Yuugi in terms of quality- this isn’t a reverse harem romance, it is an absorbing tale of political intrigue in the fictional country of Saiunkoku, blended with the the story of Kou Shuurei, a young woman dedicated to improving her country through breaking precedent and becoming a government official. Every episode of SaiMono is like an addictive drug, leaving you desperate for your next fix.

Final words: I need more! More, more more!

School Rumble Nigakki
After thoroughly enjoying the first season of School Rumble, I was looking forward to the continued antics of Tenma, Yakumo, Eri and the rest, but unfortunately, Nigakki failed to deliver. With its crazier humour and lack of plot progression, Nigakki soon grew stale, especially when it meandered into the realms of filler during the latter half of the season.

Final words: Please, let it end.

Simoun
I was actually looking forward to Simoun before it aired, but upon actually watching the first episode, all my expectations for the series were shattered. A poor woman’s HARD YURI version of Last Exile, Simoun features ugly snail-like craft that are not only powered by the pilots getting out of the cockpit and kissing whilst in mid-air, but also have special abilities like drawing pretty lines on the sky. With no discernible plot whatsoever, the series had to be dropped.

Final words: HARD YURI power is an eco-friendly solution to dwindling supplies of fossil fuels.

Tsubasa Chronicle season 2
Whatever it was that made Tsubasa season one so enjoyable (and in retrospect, was it really all that enjoyable?) seemed to have vanished by season two, which devolved into a slow and dull mix of lacklustre adaptations and mediocre filler, all animated in Bee Train’s trademark “stills only” style. When each episode started featuring no fewer than three insipid insert songs, it was time to put the series to rest.

Final words: Go, you filler bus! Drive along that road, carrying your passengers!

Utawarerumono

It started as a pastoral fantasy, only to slowly reveal its flaws and turn into a harem series with ill-fitting sci-fi elements, but nonetheless, somehow Utawarerumono merited its own addiction phase. The series itself was lacking, but it led into the game, the mini-game, the parodies, and sparked many ideas simply due to the potential the setting contained. Not a pick of the year, but notable for being integral to the life of this blog- even now “gwakakaka” is still going strong.

Final words: Karura and Touka are all.

xxxHOLiC
I love the darkly stylish xxxHOLiC manga, but when the time came to turn it into an anime, something seemed to go terribly wrong. The high contrast art style became a washed out version of its former self, stories were slow and filled with dull exposition scenes, and the overall result was none too tantalising. I completed the series out of loyalty to the manga, but in retrospect I would have been better off not to do so.

Finally words: This could have been so much better.

Yume Tsukai
At first glance, I thought that the story of three dream masters would be a touching slice of life piece in the vein of Kokoro Library. At second glance, I awoke to the fact that this was not the case; instead, this was a poorly animated and poorly constructed series of tales in which one of the main characters has a fetish for underage girls. Shrine of the Morning Mist simply blows it out of the water.

Final words: It could have been good, but let’s face it, it wasn’t.

Zegapain
Sunrise, when will you learn that churning out endless mecha series doesn’t necessarily mean that any of them will actually be worth watching? Apparently Zegapain improves later on, but the starving man’s Aquarion vibe given off by the first couple of episodes (not to mention the unnecessary nudity) was enough to ensure that I never actually reached those episodes.

Final words: The apples that appeared in episode one were the best characters.

SUMMER 2006

Binbou Shimai Monogatari
The evening before watching the first episode of Binbou, I read sixteen chapters of the manga, almost all of which began with a variation on “Mother died; Father ran up gambling debts and disappeared.” In case you hadn’t guessed, that is the setting for this anime about two sisters living in poverty, which is perhaps the most lifeless and half-hearted slice-of-life series that I’ve encountered. An angst-filled example of how poor the genre can be, Binbou went through the motions, but achieved nothing more.

Final words: I don’t know if you’ve heard this before, but Mother died and Father ran up debts and disappeared.

Bokura ga Ita
One of the first ever series to feature in my Weekly Round-Up, Bokura ga Ita’s tenure in my viewing schedule was nothing if not brief. A poor man’s version of Kare Kano, Bokura ga Ita featured all the angst and drama, but completely neglected the elements that would have made the series enjoyable. After struggling through a dull episode populated by dislikeable leads and a Nagato Yuki clone, I gave up on it.

Final words: Not my cup of angst.

Le Chevalier d’Eon

Despite treading perilously close to the realms of cheese, Chevalier consistently manages to deliver an absorbing historical fantasy despite its lack of much in the way of accuracy. The tale of d’Eon, a French knight who not only gets drawn into a shady underworld of magic and manipulation, but also ends up housing his sister’s soul, Chevalier’s only inconsistency in its animation, which starts well but soon goes downhill.

Chocotto Sister
Haruma has always wanted a little sister, and one Christmas, Santa delivers just that. Choco, as Haruma names her, is entirely devoted to her big brother, but unfortunately she is so completely lacking in life skills that she has to refer to a notebook. This could have been a passable slice-of-life series, but unfortunately it chose the route of excessive fanservice instead- when a series needs to use police tape as a censor, it is never a good sign.

Final words: What, you don’t like naked aprons?

Coyote Ragtime Show
Aside from its infamous turn as the “Great ANN Ad”, Coyote Ragtime Show is a series best forgotten- even the name serves a warning. A tale of MANLY men and gothlolis for every month of the year, Coyote Ragtime Show lacked anything even approximating worth; I went into it with low expectations and was still disappointed.

Final words: ADV licensed this? They think it’s good? Where is Kurau!?

FLAG
Years ago, when my supply of anime was less plentiful, Gasaraki happened to be one of the few series that I had access to. Despite appearing to be quite bland and boring on the surface, I forced myself to keep watching the series until I finally gained something of an appreciation for its intricate politics; with that in mind, I was determined to give FLAG- a similar series from the same creators- a fair chance. Unfortunately, once the novelty of having the story told through monitor stills and the lens of a camera wore off, FLAG proved to be a dull series with bland character designs and ugly mecha. I feel slightly guilty for not giving it as much of a chance as I did for Gasaraki, but then again, there’s more to watch these days.

Final words: Gritty realism with issues relevant to today’s society? Take it back, please, and come up with a phrase that’s less overused.

Hanoka
No matter how poor it was, I was confident I could sit through a series where each episode was only five minutes long, but as Hanoka went out of its way to demonstrate, that wasn’t the case. Animated in Flash, Hanoka looked like an amateur piece, complete with a generic storyline to accompany its unimpressive looks- in the end, it had to go.

Final words: Five minutes of boredom is five minutes too many.

Honey and Clover II
I loved the first season of Honey and Clover, and perhaps it was because of that that I was secretly sceptical about a second season; the last thing I wanted was for my high opinion of the series to be ruined, but unfortunately, that’s just what happened. Although it did indeed have its moments of excellence, H&C II lost points for focusing on minor character Kaoru before turning into some kind of “who gets Hagu?” dating sim (with added “Mayama the stalker”). Yes, I understand the deeper arguments behind the resolution and the characters’ choices, but it was simply handled too flippantly for me to enjoy it.

Final words: One word- disappointing.

Innocent Venus
Innocent Venus may have looked vaguely promising before it aired, but when it turned out to be a poor rehash of ideas from numerous different series (not to mention completely unable to retain the attention), the adventures of Jo, Sana and Jin had to be put aside. Thanks to this series, however, there are various unwelcome images that will forever be burned into my mind- the irritating pirate captain and his busty first mate; the Last Exile psycho killer team; blood pooling out of a man’s smashed faceplate and those ugly, ugly mecha. After the series finished airing, I did consider giving it another chance, but happily I think I’m over that phase.

Final words: I already posted this list way back when I was watching the series, but let’s refresh our memories as to the series IV ripped off- Last Exile, Wolf’s Rain, Kurau, Hunter X Hunter, Burst Angel, Mahou Shoujotai, Arc Twilight of the Spirits, Stand Alone Complex, Gasaraki, .hack//Roots.

Kemonozume
If appreciating Kenozume’s artwork is supposed to indicate some kind of superior taste, then I’m happy to call myself inferior; yes, technically it has its strengths, but on purely visceral grounds, I find it hideous. The tale of a clan of demon hunters, one of whom falls in love with demon, the relationship between Kemonozume and I was destined to be short from the moment they showed a man losing bowel control onscreen.

Final words: Sex and defecation- how mature.

Koi Suru Tenshi Angelique
With its nine brightly coloured bishies, Angelique was clearly never going to be marvellous, but I went into believing that it would at least offer up some light entertainment. Unfortunately, what I got was an insipid mess with even less plot than its sister series Haruka 8; unless watching a dull lead wandering around a castle and chatting to bishounen sounds exciting to you, be sure to avoid it.

Final words: It’s like a computer game in which you can’t ever leave the hub world and actually play a level.

Night Head Genesis

Featuring a pair of brothers pursued due to their unique psychic abilities, NHG had the potential to be a chilling and compelling series that would have been the spiritual successor to Kurau, but as it turns out, reality was far less kind. A barely comprehensible string of scenes that seemed to thinly disguise a HARD GAY propaganda piece, NHG become downright painful by its fourth episode, and was thus swiftly removed from the viewing schedule.

Final words: Give me Kurau and Christmas any day.

Otogi-jushi Akazukin TV
It was always abundantly clearer that Akazukin was aimed at a younger audience, but in the early days it nonetheless exuded a simplistic charm that was enough to keep it watchable. Unfortunately, as the series progressed with no hint of a plot outside of our fairytale-based heroes fighting magical monsters of the week, it all started becoming a little tedious. I haven’t actually dropped it yet, but I’m only a hair’s breadth away from doing so.

Final words: I hate those damned Sweet Phones.

Tsuyokiss
Tsuyokiss was one of those series I watched just because the name got stuck in my head after the “Great Tsundere Debate of 2006”. Unfortunately, after assembling a cast that was generic beyond belief, and throwing in some awful scenes about a drama club, it managed to drop into the red after just one episode. I had originally intended to watch a little more of the series, but when the subs dried up, so did what little enthusiasm I had for the series.

Final words: It may be Cool X Sweet, but it tastes more like Generic X Dull to me.

Welcome to the NHK
Just prior to watching the first episode of NHK, I finally started on the manga, and was instantly amused at its bleak comedy. As I well knew, however, Gonzo are not the best at adapting manga series into animated form, and indeed, no amount of optimism could disguise the fact that they messed up with NHK, somehow sucking out all the humour and turning it into a bland romance instead. Apparently the series improves in its second half, but I really didn’t have the will to keep watching past episode eleven.

Final words: Damn you, Gonzo, for messing up ultimate moe!

Zero no Tsukaima
Although the novels are quite entertaining, Zero no Tsukaima takes what could have been an interesting (dare I say Harry Potter-esque?) story about an Earth boy interacting with the students of a magical school and turns it into insipid, fanservice-ridden fluff. This was yet another series that I briefly toyed with picking up again, but when every cell in my body rebelled against it, I was forced to abandon that plan.

Final words: Guiche is no Tamaki.

AUTUMN 2006

Asatte no Houkou

Despite the fact that I have yet to watch the ending (which sounds quite bland from what I’ve read), I’ve tentatively given Asatte ‘Pick of the Year’ status for the ease in which it drew me into its world. It does have its flaws, but the series certainly deserves points for taking the age-old idea of having a child suddenly become an adult (and vice versa) and turning it into a compelling drama instead of playing it just for laughs.

Final words: The manga just sounds scary.

Bakumatsu Kikansetsu Irohanihoheto
The final title to earn ‘Pick of the Year’ status, Bakumatsu was not a series I could easily get into; trying to penetrate just exactly what was going in the first few episodes was pretty much beyond me. Over time, however, it began to exert an irresistible lure; from the beautiful OP and general atmosphere to the refreshing novelty of a series set in period Japan that isn’t an action or Shounen Jump title, there is much of worth here.

Final words: Like Chevalier, it takes the cheesy and transforms it into the highly worthy.

Bartender
When I first heard of a series about a bartender who helps his customers by finding their ‘destined drink’, I knew I had to watch it for the novelty alone- and I was secretly hoping that it was one of those series that sounded laughable but actually turned out to be worthy. As it turned out, Bartender was the kind of series that leads only to boredom, fidgeting and irritation- especially when you try to swallow the fact that a mere glass of a particular cocktail can radically change someone’s entire life.

Final words: I don’t even like alcohol, so I should have known I wouldn’t like this series.

Black Blood Brothers
“Oh dear” is all that can be said to the prospect of yet another series featuring a moody bishounen vampire and his unhelpful sidekicks fighting against generic evil vampires, and indeed, BBB had nothing to bring to an overworked franchise. By the third episode, it proved entirely impossible to concentrate on what was going on, and so the series had to be abandoned.

Final words: I played Go through much of episode three.

Busou Renkin

Upon learning that Busou Renkin was from the same creator as Kenshin, I was actually looking forward to it- little did I know that where Kenshin was solid and sound, BR was the dumping ground for all the mangaka’s strange and twisted ideas. A standard shounen series filled with everything from the terrifying (Papillon’s thong) to the bizarre (Moon Face), Busou Renkin is far from great, but I watch it partially for Tokiko and mostly for my parodies.

Final words: I pinned all my hopes on Moon Face, but his special technique is a big disappointment.

Code Geass- Lelouch of the Rebellion
The latest stage in the search for that elusive good mecha series, Code Geass turned out to be yet another product from the dango-addled minds at Sunrise. Despite boasting CLAMP character designs, Geass proved to be little more than Gundam Seed Destiny Remix, complete with Kira, Athrun, Lacus, Flay, Lunamaria and more (not to mention added rip-offs from various other sources). Had I known from the start that it was going to be fifty episodes, I wouldn’t have struggled with it for as long as I did.

Final words: How many times am I going to have to say that the cat was the best part of a particular series?

La Corda d’Oro

Despite my bad experiences with fellow Neoromance series Haruka and Angelique, Corda’s focus on music made it seem worthy and so it was duly tried. Despite the extreme predictability and the fact that giving the lead a magical violin amounts to little more than cheating, Corda is an enjoyable series which mixes brightly coloured bishies with an actual plot.

Final words: Behind every good natured lead are multiple bishounen backing her up.

D. Gray-man
Although there was a brief period in which D.Gray-man looked like it might be the one shounen action series I followed this season, this poor man’s FMA blew it early by killing off its most interesting character (unsurprisingly, a fat cat which I have named “Big Boss”). The series never really recovered from this loss, and by the third episode, it was clearly time to put it aside and focus on shounen series which could at least be parodied.

Final words: Why is it called D.Gray-man anyway?

Death Note
Despite my quibbles with the second half of the series, I did enjoy the Death Note manga, and therefore it might seem quite odd that I always seem so negative towards the anime. Unfortunately, the fact of the matter is that the battle of wits between Light, a student with a notebook that can kill people just by writing their name in it, and L, the detective appointed to stop him, is simply too exposition heavy to succeed in animated form. Excepting those laughably theatrical moments when Light and L seem to phase into a coloured ‘Justice Mode’, Madhouse have done the best job they can with the material, but this is really a series that needed to be told through straight prose, not animation.

Final words: Justice Mode, engage!

Ghost Hunt
In case you hadn’t already guessed, Ghost Hunt is about hunting ghosts…or at least, standing around and arguing over what to do about said ghosts. Featuring the by now familiar ‘eclectic bunch of heroes’, Ghost Hunt seemed to be nothing more than the autumn’s Ayakashi- a series that made mediocre stories even worse by playing them at 1/3 speed.

Final words: Generic by name, generic by nature.

Hataraki Man
When I first read about Hataraki Man, it sounded like it could easily become a pick of the season- what could be more enjoyable than the tale of an overworked journalist? Unfortunately, my hopes for a superior slice-of-life series were instantly shattered by the first episode, which portrayed the main character as just the sort of ‘I need a REAL MAN’ woman that I really dislike, and surrounded her with a group of dull and generic supporting characters. A single episode turned out to be more than enough.

Final words: It’s strikeout time for Moyoco Anno.

Kanon [2006]

Given how much I loved Air, I was expecting Kanon’s ‘sad girls in snow’ to elicit the same feelings of enjoyment, but unfortunately, after the first couple of episodes, it was clear that Kanon just wasn’t in the same lead. With an overly sarcastic lead whose main pastime seemed to be verbally abusing all the girls around him whilst they smiled and asked for more, Kanon proved that its main worth lay in parody.

Final words: Yuuichi is one of the foremost villains of the era.

Mai-Otome Zwei
Like the very dango that Sunrise subsists upon, Mai-Otome may not be good for the health, but an unhealthy fascination draws one back to it. The first episode of this OVA sees an evil Shadow Otome start petrifying and absorbing various main characters, whilst Queen Mashiro and Meister Arika’s bond is tested to the limit in preparation for the angst, forgiveness and destiny phases later on.

Final words: At least we got to see some fat cats.

Maria-sama ga Miteru OVA
I enjoyed the first two seasons of MariMite, but having been expecting this OVA since around March, I had pretty much lost enthusiasm by the time it finally rolled around. Episode one sees Yumi accompany Sachiko to her summer villa, only for her week of HARD YURI to be spoiled by general apathy and evil lesbians. The next episode looks like it will be better, but this one was far too standard to truly entertain.

Final words: Onee-sama!

Negima!?
Although the idea of a ten year old boy teaching a class of thirty-one junior high students was never really one that appealed to me, Negima is one of those big name titles that you have to try just to say you have. With my progress into the manga going slowly and my knowledge of the first anime season basically nonexistent, this new series seemed like an ideal place to start. Unfortunately, our relationship was never destined to be a long one- the animation may have been good, but the story left far too much to be desired. With too many insipid characters and a divergence from the very manga arcs I was interested in, Negima!? had to go.

Final words: That ferret is creepy.

Pumpkin Scissors
Gonzo series must always be watched in case they turn out to be the next Last Exile, but as Pumpkin Scissors demonstrated, most of them have no hope of ever entering the same league as Claus and Lavie’s tale. Another FMA-lite tale, this time with Blonde Heroine 10658 at its head, Pumpkin Scissors failed to inspire to such an extent that it was abandoned after the first episode. It will, however, be making a comeback in parody form.

Final words: The Pumpkin Scissors must cut through the pumpkin-esque layers of corruption like a pair of scissors. I’m not kidding.

Red Garden
Another Gonzo effort, Red Garden is effectively ‘Gantz with girls’, featuring four teenage girls who have been revived after their deaths in order to fight slavering men. Despite being drenched in angst, Red Garden looked to have an interesting mystery at its core, but with each passing revelation the truth behind it all becomes ever more laughable and ridiculous.

Final words: KEITO! KULAIR! ROSU! RACHERU!

Rozen Maiden Ouverture
Great visuals and average story were what I expected from Ouverture, and predictably, that is just what this two-part special delivered. The tale of Shinku first met Suigintou and turned her into the psychotic witch we know and love, any enjoyment Ouverture had to offer was simply overshadowed by the amount of plot holes in the Rozen Maiden story.

Final words: More explanations, less ‘wtf’, please.

Shounen Onmyouji
After a poorly subbed first episode, my time with Shounen Onmyouji seemed destined to be short, but fortunately Yoroshiku saw fight to pick up the series, and it was a given a second chance. As the title indicates, Shounen Onmyouji covers the adventures of youthful onmyouji Masahiro, grandson of Abe no Seimei. Together with his destined powers and sidekick Mokkun, Masahiro set out to battle evil foreign demons from the West, but can he prove himself worthy of being Seimei’s successor? A surprisingly fun series that is, if not gold, at least parody silver.

Final words: Imagine how good it could have been if Bishie-Seimei was the lead, and Guren wore proper clothes.

Tenpou Ibun Ayakashi Ayashi
Yet another in a long line of period series, Ayakashi Ayashi is about…well, I actually can’t recall what it was supposed to be about. The only images burned into my brain are those of a disturbingly HARD GAY male bathhouse scene and a fight between two monsters, one with a head shaped like a wang, and the other which looks like three wangs joined together. With that in mind, is it any wonder I chose not to watch past the first episode?

Final words: I should have known that a series with ‘Ayakashi’ in the title was to be avoided.

Tokimeki Memorial
As the doyen of all dating sims (not to mention the one that gets parodied most often), it seemed only right to watch Tokimeki’s long overdue anime incarnation. After just a single episode, however, all such feelings of duty had long since evaporated in the face of the fact that this series was completely and utterly crazy and random- and not in a good, Pani Poni Dash sense. Apart from the chick in the first episode, there seemed little to recommend this makeshift collection of scenes, and so it was quickly swept under the carpet.

Final words: I think I’ll stick with Ukidoki Memorial.

Yoake Mae Yori Ruriiro Na ~Crescent Love~
If you discount the sex scenes, H-game CGs always look good. Anyone got any from Jingai Makyo?

A series that I wanted to watch purely on the strength of some promo artwork, YoakeNa follows the romance between earth boy Tatsuya and Feena, princess of the Moon. Admittedly, it did start out as light fun, but as the weeks passed both the animation and story quality deteriorated to the point where each episode was more an excuse to take a nap than anything else.

Final words: I dislike the series, but I need that figure.

Looking Ahead to 2007
I had planned to try my hand at the obligatory ‘winter season preview’ post, but when I realised that my three paragraph effort would be a firefly as compared to the moon of Hung’s multi-part season preview posts, I quickly abandoned that idea in favour of putting a few words at the end here.

To be honest, the coming winter season doesn’t really look that exciting- do we really need more episodes of Angelique, FLAG and Kamisama Kazoku, much less a remake of Ikki Tousen? Despite the danger of not enjoying the most hyped series, I can’t help looking forward to trying the Ichigo Mashimaro OVA and ‘Corda but better’ Nodame Cantabile; I’m also slightly curious about Les Miserables, although fifty episodes of that does seem a bit much. The likes of ‘chibi-HiME’ Venus Versus Virus and anything dating sim or virtual girl based will most likely be avoided.

Looking further into the year, we have the disappointing news that Bokurano’s anime adaptation is being handled by ‘let’s mess up the story’ Gonzo, as well as a Spring debut for the third season of Nanoha, now with less loli. And regardless of whatever else there is to watch, there’s always more Otome Zwei and MariMite episodes- what fun…

Join me again on Tuesday for the New Year Rumble.

It’s been a while since I played anything more than Flash games or something Uta-related, but this week sees the grand ‘reopening’ of the gaming era. I previously stopped gaming because it had become more of a tedious chore than a pleasurable pastime, but in Star Ocean 2 I have discovered a game that makes it all enjoyable again. Next up: Star Ocean 1, Xenogears, Valkyrie Profile, and all those games I always meant to play but never did.

Christmas is coming: anime-inspired present ideas
Christmas is just around the corner, and for those who still can’t decide what they want to see in their stockings on the morning in question, we have compiled a list of essential items to ask for. Simply show this to any relatives pestering you for gift ideas, and your Christmas will be complete. Alternatively, if you’re stuck for what to buy for the anime fan in your family, just pick something from this list- we guarantee they’ll be delighted!

1. Death Note. Remember that annoying kid who always used to hog all the crayons in pre-school? Or that cashier who was too busy chatting to a friend to ring up your purchases? With your own Death Note, you can finally get revenge for all those annoyances by sending the people who get on your nerves to a well deserved doom. Simply write down their name, picture their face and voila- they’re gone from your life forever!
2. Grunty. Sick of having to walk everywhere or wait for unreliable buses? Is running a car simply beyond your means? Fear not, for with the eco-friendly grunty, you can have your own mount on call any time, anywhere. Simply blow on your Grunty Flute (sold separately) to summon your grunty, and have him take you to your destination. Be sure to specify what type of grunty you want- the last thing you need is to be looking forward to your comfortable new Aqua and end up with a Poison instead.

Not interested in grunties? Try a chocobo or whelk instead.

3. Tachikoma. If you’d prefer a more inorganic form of transport, why not go for the functional Tachikoma? Much more than a form of transport, your Tachikoma will oblige with computer hacking, philosophical discussions and combat- you can even sneak around stealthily using its optical camouflage mode (may not work on animals). Their continually evolving sentience even means that you can send them out on their own if you’re feeling too lazy to pick up some more bread and milk yourself.

The Tachikoma is only one sample from the extensive mecha catalogue- from spaceships to giant robots, everyone’s needs can be catered for.

4. Magical baton. Ever wanted special powers, sickeningly cute outfits and your own naked transformation scene? If so, then the magical baton is for you. Simply program in your desired voice commands and costume design, and the patented nanomachine technology will be ready to obey your every command. For a modest extra payment, your model will come equipped with talking mascot and wireless internet connection.
5. Your own harem. Based on a monthly rental plan, your harem of bishounen or bishoujo (please state preference on application form) will constantly pursue you and attend to your every need. Those who prefer a challenge can opt to start with a ‘cold’ harem who will offer periodic opportunities to be won over by your charms.
6. Supernatural servant. With this all-purpose contract, you can bind a servant to you; from demons to reincarnations of legendary heroes, no one is off limits. Your servant can be put to whatever use you see fit, but be sure to read the small print of the contract before forcing them to do something against their will.
7. Wishing stone. Sick of being treated like a child? Maybe you’d like to go back and relive the ‘best days of your life’? Either way, the wishing stone can help you- simply wish to be older/younger, and you will switch ages with someone close to you! It’s an interesting experience for all parties, but be sure not to use it when Grandma’s around, or you may gain more years than you bargained for.

Looking back to last year, those presents that seemed a good idea at the time
This is an extremely self-indulgent section, but I thought it would be interesting to look back at last year’s Christmas list and pick out the presents that I thought were a good idea at the time and explain how, actually, they weren’t.

• Tenjho Tenge #4 DVD: what was I thinking when I started collecting TenTen? Was I so blinded by the worthiness of Maya/Chibi Maya that I neglected to notice the series’ complete lack of a coherent plot? Was Ikki Tousen just so awful that TenTen seemed good in comparison? Whatever the case, I’ve started selling off my TenTen DVDs, so this is no longer in my possession.
• Aquarian Age Movie LE set: During my extremely brief Aquarian Age fandom phase, I thought it would be a good idea to buy this expensive set, comprising the movie itself, the movie OST, a few Aquarian Age trading cards, a box to store more trading characters, three chibi Juvenile Orion keyrings and the first volume of the Juvenile Orion manga. Not a bad haul, perhaps, except that most of it is useless to me. The manga isn’t too bad, and I have the keyrings on my bag, but the movie is fairly pointless, the OST has only been listened to once, and all the card game related items are of no use to me when a) I’m not interested in collecting Aquarian Age trading cards and b) the cards are only available in Japanese anyway.
• Bleach 9-10: Bleach, why did I let your stylish artwork fool me into thinking you were more than a run-of-the-mill SJ action series? By the time I realised that Bleach was far less interesting than it initially appeared, I had already acquired ten volumes; for months, they sat accusingly on the shelf waiting for me to purchase more, but I broke the vicious completion cycle by selling them off.
• Avenger OP/ED Single: The Avenger music is good, but since the full OP/ED are on the main OST anyway, this was a bit of a pointless purchase for anyone not interested in the karaoke version. Oh well, live and learn.
• Texhnolyze: Man of Men: I don’t regret getting this OST, but I’ve only listened to it twice, so it’s hardly great value for money right now.
• Chinese writing set: I didn’t actually choose this for myself, but since my uncle knows that I’m interested in “that Japanese rubbish”, it was a clear gift choice. The actual contents are quite nice, it’s just that it’s been stuck in the cupboard all year and will probably remain there for ever.

• That being said, there was one minor gift that I eventually found a use for:
  Periodic table mousemat: when I got this, I only ever used the touchpad on my laptop, but at long last I have begun using the mouse for certain games and of course drawing sprites etc for the HiME RPG. I would prefer something more aesthetically pleasing than the periodic table, but at least it’s functional.

Short Parody: Otogi-jushi Akazukin

Souta and the others travel aimlessly through Fandavale.

(Ringo: Souta is mine! I won’t give him away to these girls.)

(Shirayuki: In the end, I will be the one to have Souta.)

(Ibara: If I pretend to be ditzy and sleepy all the time, I can get close to Souta.)

(Akazukin: Juushi~ Juushi~ Zukkyun~)

The party reaches a village.

Villager: Hello, this is yet another minor village in Fandavale. We just happen to have a legend that will be relevant to today’s episode.

Souta: I love listening to clichéd fairy tales! Let’s hear it!

Meanwhile, at Cendrillon’s base…

Randagio: We lose to the Musketeers every time, but I absolutely won’t fail this time!

Cendrillon: I am more powerful than any of my minions, so I will just sit back and let them do all the work.

Our heroes are at the village when Randagio shows up with some Nightmariens.

Randagio: Go, Nightmarien! This is bound to work this time!

The Nightmariens attack.

Akazukin: Sweet Phone!

Voiceover: Sweet Phones are available from all good toy retailers. Simply call the number onscreen to find out where you can buy one.

Akazukin, Shirayuki and Ibara attack a few times, but to no avail.

Randagio: Mwahahaha! This time we will win!

Souta: You can do it, Akazukin!

Akazukin: That’s right- we were just saving our best attack until last instead of efficiently ending the battle straightaway! Princess Mode!

Musketeers: Juushi! We’ll show you love, courage, friendship, destiny and the power of the plot!

Akazukin and the others deliver the finishing blow.

Randagio: Damn, who would have guessed I would fail again? I’ll be back next week!

Hansel: Actually, next week is my turn.

Return to top and loop 39 times.

Bakumatsu Kikansetsu Irohanihoheto 6

Kanna shows off his pistol.

The gaydar on the end of Akidzuki’s sword activates.

Nakaiya has clearly been reading “How to be a Villain” by F. Wong.

Kanna, however, is only interested in HARD GAY with Akidzuki.

The Eternal Assassin is rather well-endowed.

A request for HARD GAY is denied.

These are chaotic times, chaotic times indeed…oh wait, that’s ROTK.

Nakaiya tries out the advice given in chapter 7 of F. Wong’s book.

These generics decide not to try HARD GAY after all.

Weekly Awards

Go game of the week: Go makes all things better, and so both Dororo of Keroro Gunso and Lelouch of Code Geass try to improve their respective series with a brief glimpse of a Go board. Unfortunately, it isn’t enough to save them from the red.

Avu Kamuu cameo of the week: Hauenkua’s red Avu Kamuu custom makes an appearance in Code Geass this week, with Karen taking the helm after its previous owner’s unfortunate demise.

“Die, Hakuoro!”

RPG series of the week: A special award must go to Star Ocean 2 for being an immensely fun game that reopened the gaming era for me. If only I could defeat the final boss (with or without cheating).

HARD GAY ‘weapon’ of the week: “Swords” and “guns” have long been staples of HARD GAY, but this week an equally important weapon must be brought into the spotlight- the Bow. Bow started its career in 1986 series Ginga Nagareboshi Gin, but has since begun to enjoy a revival of sorts in series such as xxxHOLiC and Busou Renkin.

In Your Reflection

This week’s head to head is between Ichihara Momoko of Love GetChu and Sakura Shinguji of Sakura Taisen. Both are newcomers to their profession whose enthusiasm and potential far outweigh their confidence, whilst they also get a “not really going anywhere” mild romance with the leading male of the series.

OST Spotlight- Final Fantasy VI
A staple from the days when simple, electronic and looping were the best a console could manage, this OST isn’t particularly spectacular; tracks are simplistic synth efforts with little variation and limited instrumentation. In all fairness, though, this is from an era when soundtracks weren’t expected to be up to much; it does the job in-game but hardly inspires one to rush out and order the CD.

Notable tracks: Battle Theme, Techno de Chocobo

Worthiness: Any worth stems purely from nostalgia, and even then you’d be better off actually playing the game.

Amusing Search Terms
Really, you have one tiny section of user-provided content on your blog, and they can’t even be bothered to provide you with material for that. Never fear, though, Amusing Search Terms will continue, but to make up for the lack of actual search terms, I’ll be introducing a new feature soon- HARD GAY corner.

t: I’ve finally figured out why people are searching for t- they’re accidentally typing into Google whilst trying to play a game where t is the attack button.

your toube, you toube: I told you already, don’t click here. One person even typed YOU TOUBE in capitals.

Hack Pre Audition: It’s good to have this back.

“A-one” Asuka doujinshi: More doujin searches.

“busou renkin” after: After what? The mystery of what this person was searching for may never be revealed.

Alas, real life has been getting in the way of blogging again- really, how dare it? All sorts of cruel conspiracies have come together to keep me away from the computer for crucial hours, and therefore I must apologise for the lack of content and quality this week, and promise that improvements will be forthcoming.

Reviewed this week: Asatte no Houkou 7, Busou Renkin 9, Corda d’Oro 4, Death Note 9, Kanon 9, Keroro 67-8, Otogi-jushi Akazukin 19-22, Red Garden 8, SaiMono 22

…and in manga: REC 20-22, Tsubasa 137

I won’t be watching or reviewing Code Geass 8.5; I don’t see any reason to knowingly expose myself to a recap episode.

ANIME

Asatte no Houkou 7: It’s Hiro’s birthday, and that means something of a role reversal for Karada and Shouko when they decide to bake him a cake- this is the one area in which Shouko really is a child when compared to Karada. Another top notch episode that provides some nice character development, with a cliffhanger ending that takes the story in a new and interesting direction. As far as tone and presentation goes, I can’t but think of this as a superior version of Someday’s Dreamers, and given how much I enjoyed that series, that is quite a compliment.

Busou Renkin 9: It’s the turn of the twincestuous twins this week in Busou Renkin, as Dr Butterfly sends out his next opponents of the week to menace our heroes. Just as we’ve come to expect, traumatic bathhouse scenes, Papillon’s crotch, training and opponents of the week are all in plentiful supply- yet somehow it remains vaguely entertaining. At the very least, I must watch up to the point where Moon-face changes his head from crescent to full.

La Corda d’Oro 4: In between deciding which piece she should play for the first round of the concours, Hino must increase her relationship score with soccer club member and secret piano genius Tsuchiura. Despite some odd contrivances, such as the music store owner keeping videos of young Tsuchiura, this is an enjoyable character-based episode which more than makes up for the slight disappointment I had with the manga.

Death Note 9: It’s another exposition episode with some overly theatrical moments as Death Note forges ahead to the first meeting between Light and L. Aside from Ryuk’s slightly ridiculous apple withdrawal, this is a decent enough episode, with the promise that the momentum of the series will really take off from here instead of periodically flaring up and dying down as it has done thus far.

Kanon 9: Having given up her life just to become human and see Yuuichi again, Makoto can now only wait for the inevitable, with her condition worsening all the while. Whilst this episode is nothing special, a distinct lack of Yuuichi’s trademark sarcastic and abusive dialogue makes the episode more enjoyable and heartfelt than previous instalments- I almost enjoyed myself.

Keroro Gunso 67-8: Whilst watching the dull haunted house story that opened Keroro 67, I found myself wondering once again just why I was still watching this series, but always, it managed to pull itself out of the red with three more entertaining stories. Whilst 67 concludes with the Keroro Platoon’s attempts to create their own video game, 68 follows up with Keroro’s rather drastic remodelling of the Hinata house, and an Inuyasha/Naruto/Weed spoof in which a mysterious ninja dog named Zeroyasha comes to town. All in all, a less painful double bill than expected.

Otogi-jushi Akazukin 19-22: I’m no stranger to tackling three episodes of Akazukin in the same day, but even though it’s no more than I would get on the average DVD, four did seem like a bit too much. Nonetheless, since this quartet was at least better than the musical pumpkin episode, I was able to forge ahead. Episode 19 was a somewhat inspiring tale about Val getting poisoned and Souta visiting a city of werewolves, before 20-21 went into a short and dull arc about elemental powers and the ‘ultimate magic’, complete with a reusable animation sequence of Akazukin transforming into Princess Mode. The final leg of the marathon involved a story about Rapunzel, and quite possibly featured one of the worst sections of dialogue ever, with Cendrillon suggesting that Hansel surrenders to darkness, to which he replies “okay”. Apparently next episode reveals the secret of Cendrillon’s past- what a shame I already guessed it after watching the preview.

Episode 20 attempts to explain the purpose of the Sweet Phone, and thus convince us that it isn’t a cheap marketing gimmick. What a shame that the episode also includes a CM for sweet phones, then.

“…Okay.”

Red Garden 8: At long last, the angst phase is over, and that means it’s time to move into the “we’re all good friends fighting slavering men together” phase. Thanks to the lack of crying and the girls’ more positive attitudes, this episode is a lot more enjoyable than previous instalments, although the obligatory insert song at the end was less than welcome.

Saiunkoku Monogatari 22: At long last the journey to Sa province has begun, but it won’t be an easy one- not only will assassins and obstacles be waiting along every step of their six week journey, but if Shuurei and Eigetsu don’t get to the capital within three months, they’ll be stripped of office. A solid beginning to a new arc of this ever-satisfying story; the next episode cannot come soon enough.

MANGA

REC 20-22: In a surprising turn of events, REC’s newest character is actually a likable man who makes friends with Matsumaru; unfortunately, he is also after Aka, causing the usual Matsumaru inferiority complex to kick in. This arc is a little too angst riddled, but compared to the lacklustre volume two, it isn’t too bad.

Matsumaru realises that Kushi is HARD GAY for him.

Tsubasa Chronicle 137: After throwing us right into the middle of events last chapter, 137 finally sees fit to go back and show us (or rather, start showing us) how our heroes came to the latest world, Infinity. Meanwhile, Syaoran-clone is busy stealing feathers, with Syaoran-real getting the blame if he happens to land in a world after his clone has already been and gone. The story stretches ahead in front of us, with no hint of a resolution in sight.

With December now upon us and the festive season on its way, it occurs to me that I do something clever like an “Anime Advent Calendar” for the month; however, since I only just thought of that idea about ten minutes ago, it will have to be the necessarily basic idea of just posting a different image in the sidebar every day. Is there any point to doing this? Absolutely none whatsoever.

Reviewed this week: Asatte no Houkou 6, Busou Renkin 7-8, Chevalier 11, Code Geass 7-8, Death Note 8, Gargoyle 5, Kanon 8, Keroro 66, Akazukin 18, Red Garden 6-7, ROTK 32, Shounen Onmyouji 6-7

…and in manga: Nanoha StrikerS 2, REC 18-19, Haruhi Suzumiya vol 5-6

ANIME

Asatte no Houkou 6: Although it doesn’t quite reach the heights of the previous episode, Asatte no Houkou remains far ahead of the competition this week, in an episode which sees Amino meet the adult Karada (although he entirely fails to recognise her). Not only is this episode another touching and absorbing instalment, but there must be few series which can show you a pool of water and make you want to reach into the screen in order to dip your hands in it.

Busou Renkin 7-8: Whilst nothing in this episode matches the trauma of seeing Papillon reach around in his thong, Busou Renkin is degenerating ever further into allies vs. monster of the week, with the arrival of a whole host of new characters doing little to alleviate that. Aside from the curious attraction of the moon-faced Moon Face, the increasing vulgarity and generic nature of the series conspires to make it somewhat uninspiring to watch- only when Tokiko appears onscreen is my resolve renewed.

Le Chevalier d’Eon 11: If Peter’s reign was short historically, then it becomes even shorter in this episode of Chevalier, which can perhaps be said to not be the series finest moment. Whilst it is certainly enjoyable and ahead of most other series in terms of quality, the episode suffers from continually jumping between one set of characters and another, resulting in fast paced yet extremely short scenes. The animation is also somewhat inconsistent, but nonetheless episode twelve is highly anticipated.

Code Geass- Lelouch of the Rebellion 7-8: Upon watching this unexpected double bill of Code Geass, I realised that I couldn’t decide whether this series was laughably poor, or just plain bad. There’s a definite sense that the writers don’t really know where they’re going with this, and are just playing it by ear à la Mai-Otome; where episode seven has Lelouch attempting to go after Cordelia, eight suddenly throws in a hostage situation and a whole new anti-Brittanian faction for no apparent reason. I guess it’s to the series’ credit that it somehow manages to keep me interested to not to start playing Go, but I do feel that I’m watching it more to see how bad it can get rather than because I expect anything of merit.

I can’t help thinking of Fye and Kurogane when I see this.

Death Note 8: The momentum begins to pick up again in this episode, which continues to take a good story and add some laughably theatrical touches that drag it down a little. The presentation remains top notch, and there’s no reason to stop watching, but the series does need to tone it down a little before it becomes too difficult to take it seriously.

The Gargoyle of the Yoshinagas 5: An enjoyable instalment even by Gargoyle standards, this episode sees Futaba accidentally get stuck with a helmet that enables her to talk to plants, opening up a whole new world of communication. Although the likes of Camus and Souta have made the idea of talking to flowers seem a little wimpy and desirable, Gargoyle turns that notion on its head and comes up with a hilarious and thoroughly entertaining episode; if you’re not already watching this series, start now.

Kanon 8: After watching this episode, all I really feel like saying is ‘oh dear’. I’ve ranted a lot about Kanon lately, and this episode really isn’t making matters better; Yuuichi treats Makoto like an annoyance, Makoto’s tragic past is offhandedly revealed, and I struggle to care about anything other than how long I have to endure until the ending. I wanted to like Kanon, but this really isn’t working for me.

Keroro Gunso 66: Keroro brings us another pair of mildly entertaining if unoriginal segments in this episode, which promises a busy time for Keroro, Giroro and Tamama as they first attempt to rescue the Hinatas from a space TV studio before spying on Natsumi as she goes on a shopping date with Koyuki. I haven’t gone so far as to want to stop watching Keroro, but each passing episode doesn’t really expose me to anything new.

Otogi-jushi Akazukin 18: Even for a show like Akazukin, there’s a point where it can get a bit too ridiculous, and this episode marks that point. Featuring a musical pumpkin, the unwelcome return of the Bremen quartet and some budget-saving flashback/insert song combinations, this episode has very little to recommend it. Just a hint of a reminder that a vague plot exists would be nice.

Red Garden 6-7: Instead of explaining anything (that’s being held in reserve for the final episode) Red Garden continues to throw in more mysteries, adding a hospital of evil, experimental combat life forms girls of some unknown purpose, and revealing that the girls can return to their original lives if Gantz gives them enough points. It’s like a mix of standard Gonzo ideas (sans the mecha) combined with record levels of angst and tedious insert songs, but I must keep watching for now.

Romance of the Three Kingdoms 32: It had to happen eventually; we’ve had so many hilarious episodes of ROTK that it was almost inevitable that a less entertaining one would come along eventually. To be fair, ROTK 32 starts off amusingly enough, but as events move into the infamous battle of Fan Castle, it all becomes a bit weak. Whether you watch this seriously (is there anyone who would do that?) or just for a laugh, this is not one of ROTK’s finer moments.

Shounen Onmyouji 6-7: I never thought I’d say this, but I’m actually enjoying Shounen Onmyouji- it may be entirely predictable and filled with characters who will probably never get the screen time they crave, but at the same time, it’s straightforward fun. These two episodes see monster of the month Kyuuki send out underlings in an attempt to kidnap Akiko- can Masahiro and Mokkun deal with him alone, or will they need to recruit new party members from Seimei’s stock of shikigami?

MANGA

Magical Girl Lyrical Nanoha StrikerS- A’s to StrikerS 2: Given the relatively large cast of Nanoha, it should perhaps come as no surprise that this chapter largely consists of characters talking whilst the plot (such as it is) advances at a crawl. I’m not entirely sure what is supposed to be going on, other than the fact that some generic enemies are going after artefacts whilst Vita struggles with the memory of some tragic past event.

REC 18-19: Every series needs a swimsuit segment, and chapter eighteen marks REC’s efforts in that area, offering the usual bikini service, romantic misunderstandings and a few panels that seem more suited to an adult series. After that short break, nineteen changes direction entirely by including a heist at a post office (to be honest, I was expecting the whole thing to be publicity stunt) before introducing yet another new character intent on breaking Aka and Matsumaru up. I can’t help feeling that another wave of angst is on the horizon.

NOVEL

The Melancholy of Haruhi Suzumiya 5.1-6.2: After the refreshing change that was volume four, Haruhi is back to standalone stories presented in no particular order. Volume five contains three longer stories- Endless Eight, the tale of a never-ending summer vacation; The Day of Sagittarius, a computer game showdown between the SOS Brigade and the Computer Club (as seen in the anime) and Snow Mountain Syndrome, in which our leads go on a skiing holiday, only to get trapped in a mysterious mansion. Unfortunately, all of these chapters suffer from the same problem- despite the relatively interesting setup, the resolution is always too swift and arbitrary to provide any real satisfaction.

Volume six marks a return to some shorter stories, with the first two chapters corresponding to anime episodes twelve (Live A Live) and one (Asahina Mikuru’s adventure Episode 0, aka the movie). Neither are particularly bad, but by the time you reach the sixth volume, you start to want a little more character and story development.

At the beginning of the year, I was desperate to have Alter’s version of KOS-MOS, but since I hadn’t got my order in in time, I had to go without. When a re-release was announced this year, I was determined not to miss out, and so I put in a pre-order with Yesasia. Unfortunately, in the intervening time I realised that a) I could have got it cheaper elsewhere and b) I didn’t really want the figure any more, but due to some annoying Yesasia policy, I couldn’t cancel it. Now the figure has been shipped, but the big question is whether or not I’m going to like it. If not, my only hope is that I can sell it on to someone who wants the world’s favourite blue-haired android.

Reviewed this week: Aria 17, Asatte no Houkou 5, Chevalier 10, Code Geass 5, Corda d’Oro 2, Death Note 6, Gargoyle 4, Ghost Hunt 2, Kanon 6, Keroro 64, Otogi-jushi Akazukin 17, Red Garden 5, ROTK 30, Shounen Onmyouji 3-4, YoakeNa 6

…and in manga: Otome 34, SnB prologue, Tsubasa 135, Haruhi Suzumiya novel 4.5, Zero no Tsukaima novel 1.2

ANIME

Aria the Natural 17: I never thought I could possibly get emotional about the loss of a gondola, but this episode of Aria has proved me wrong. Picking up where last episode left off, this instalment sees Akari and Alicia spend one last evening with the gondola they spent so much time training in- as always, the series is so simple and sweet that you just can’t help getting swept along for the ride.

Asatte no Houkou 5: One mark of a good show is how quickly time seems to pass whilst watching it, and if it can go so far as making twenty five minutes seem more like five, you know you’re onto a winner. Such is the case with Asatte no Houkou, a series so brilliant that it makes all my other favourites look unworthy in comparison. This episode sees Shouko and Karada move in with Hiro for the foreseeable future, and whilst Karada is slowly adjusting to life as an adult, Shouko is having equal difficulty dealing with the reality with being a child again.

Le Chevalier d’Eon 10: As Chevalier has continually proved throughout its run, it can somehow manage to be worthy even when it introduces the most ridiculous of ideas- and this episode is no exception. Only a series as absorbing and well-presented as this can take such liberties with history whilst trying to convince us that the villains want to unite Europe under one king (what for?). The animation also seems improved this week, although flashbacks seem to be the price we have to pay for that.

Code Geass 5: Whilst the return of green-haired C.C. (did anyone really think an OP character would die in the first episode?) helps Lelouch to expand his harem, Suzaku-Kira is kept busy elsewhere when he meets Code Geass’ version of Lacus. After the slight improvement that the series seemed to be making, this somewhat average episode has dragged it back down into the realms of mediocrity.

Kira and Lacus, Mark II.

La Corda d’Oro 2: Hino is saved from embarrassing herself in front of the HARD YURI trio, but her problems are only just beginning as she realises that even a magical violin can’t guarantee a good public performance. Fortunately, its magical properties mean that talking to bishies is just as helpful as practising, so she might just have a chance in the competition after all. Although a tale of numerous bishounen and a magical violin might sound like something to avoid, Corda continues to show the promise seen in the first episode, proving to be an enjoyable experience with some nice visuals.

Death Note 6: Light’s father and the few remaining NPA personnel on the Kira case have teamed up with L, but both Light and L are well aware that one more piece of decisive evidence is needed before Kira can be identified. As it turns out, however, the fiancée of the deceased Ray Penbar might just have the key that L needs, but it will do no good if Light can get to her first. The series continues to gain momentum with this surprisingly enjoyable episode, but as always I’m impatient to move ahead with the story.

The Gargoyle of the Yoshinagas 4: Whilst Lily’s father Hamilton searches for the Philosopher’s Stone to cure her and further his evil plans, Lily herself enjoys a day out with Futaba and the others. Whilst not as engaging as previous Gargoyle episodes, this instalment is nonetheless entertaining when compared to most other series, and next episode looks promising.

Ghost Hunt 2: The trouble with Ghost Hunt is that while it isn’t particularly awful, nor is there anything to mark it out as good. This episode sees our ghost hunting team stand around and argue about whether or not there are spirits in the old school building; perhaps it’s meant to be filled with suspense and character development, but unfortunately it just comes across as pedestrian and underwhelming.

Kanon 6: As Yuuichi becomes more and more dislikable, Kanon continues to degenerate into one man’s harem diaries. Now that the lead’s purpose seems to be nothing more than to torture, tease and otherwise browbeat the female characters, there isn’t much to recommend Kanon, and even my viewing of the old series cannot save the franchise in my estimation. I shall continue to watch for the sake of the parodies, but it cannot be said to be much of an enjoyable task anymore.

Keroro Gunso 64: The second series continues to hold steady at its new level, with this episode seeing Keroro and the others face a Nyororo catastrophe after attempting to use them to dry laundry, followed by a voyage into Dororo’s mind in an attempt to combat his trauma. As with the last few episodes (or indeed, most episodes of the series), it’s all been done before, but it’s still reasonably entertaining- and it’s somewhat refreshing to see the incredibly evil young Keroro get repeatedly hit by Tamama Impact.

Otogi-jushi Akazukin 17: After following a talking bird to a city blanketed in falling ash, Souta and the others find a mirror that could possibly link them back to Elde (or Erde, as it now seems to be called). Compared to the last two episodes, this one is tediously formulaic even by Akazukin standards.

Red Garden 5: Red Garden really should be renamed Angst Garden, because aside from the rare moments when it looks like the plot might advance, the girls spend all of their time angsting and crying- their lives aren’t normal anymore, they don’t like their normal lives anyway, you name it, they won’t like it. I continue to watch because I remain convinced that ‘next episode’ will uncover a little more of the mystery, but how long can I keep fooling myself that it’s going to be good (how many episodes is the series anyway)?

Romance of the Three Kingdoms 30: Sun Quan finally gets the briefest of mentions before the action switches back to the Battle of Guan Du (Cao Cao vs. Yuan Shao). Whilst not as hilarious as the HARD GAY arc, this episode nonetheless proves to have its fair share of amusing moments as the plot creeps slowly forward.

Shounen Onmyouji 3-4: As Shounen Onmyouji settles down into its monster-of-the-week format, any kind of story development is put on hold for some dull sequences in which Masahiro angsts and talks to Mokkun. Its “Tactics 2” status and some interesting looking OP characters will keep me going even through the story’s slower sections, but hopefully it will pick up soon- although at least next episode should bring some kind of boss encounter.

Yoake Mae Yori Ruriiro Na ~Crescent Love~ 6: Yoake tries to pretend it has some claim to depth by throwing in a few scenes about Earth-Moon politics, but nothing can disguise the fact that the series has become more a cure for insomnia than anything else. Whilst the relationship between Feena and Tatsuya continues to deepen, Wreath is instructed to split them apart for the sake of both the Earth and Moon, but can such an uncommunicative person hope to achieve that goal? With the lighter sections now more throwaway than entertaining and the attempted seriousness coming across as little more than laughable, the only thing to recommend Yoake are the character designs and that expensive Feena figure.

MANGA
The manga section has been short for the last few weeks, but since my backlog is a sprawling, hideous mess I’m not going out of my way to pick up any new series.

Mai-Otome 34: Garderobe is under attack, and the Otome have lost their Robes- it may well be that the only choice is for someone to become the new Shinso-sama. Meanwhile, Manshiro completes his harem and starts acting like a true ruler, but can he hope to combat the evil Sergey and the real Mashiro? Despite the various points and cameos that this chapter manages to include, the story doesn’t really move forward a great deal; it’s hard to believe that this can be concluded satisfactorily within the next ten chapters.

*NEW* Shinigami no Ballad prologue: The tale of the white shinigami Momo begins afresh in manga form, with this brief prologue seeing her attempt to talk a girl out of killing herself. Whilst the artwork is different to the anime version (in particular, Momo looks older and more composed), it is by no means bad, and I have a feeling that the simple yet appealing SnB formula will work better in this format.

Tsubasa Chronicle 135: I was unable to get chapter 134, but 135 mad up for the lack by providing the long-awaited end of the X arc (I think I ended up looking forward to that arc so much that it could only be disappointed). After everyone bids farewell, Yuuko talks and Fei Wong watches more Syaoran TV, the chapter ends rather abruptly, but surely next chapter must take us to a new world.

NOVEL

The Melancholy of Haruhi Suzumiya vol 4 chapter 5: It’s crunch time as Kyon learns just who altered the universe in the first place, and what he will have to do to set things right. Whilst not quite up to the level of the last few chapters, this instalment showcases an interesting turn of events in preparation for the final part of this novel to wrap things up.

Zero no Tsukaima vol 1, chapter 2: The anime turned me off after only two episodes, but the novel version is much closer to what I wanted from the franchise. Without the visual element, fanservice is neglected in favour of an actual story about Saitou’s adjustment to his new life as a familiar. Surprisingly, I’m actually looking forward to reading more.

I hate resizing images. Picture heavy posts are always tough and tedious work, because up until now I’ve been resizing them manually. It was only last night that I finally discovered the power of the batch resizing program, a device which shall make my life infinitely easier. No longer shall I spend hours at my computer painstakingly editing images- now I can go out and live (or more likely, stay in and spend time at the computer doing something else).

Reviewed this week: Asatte no Houkou 4, Bakumatsu Kikansetsu Irohanihoheto 3-4, Busou Renkin 5, Bartender 2, Code Geass 4, Death Note 5, Hecatan 1, Kanon 5, Keroro 63, Chevalier 9, Negima!? 4, Otogi-jushi Akazukin 15-16, Red Garden 4, ROTK 29, SaiMono 20, Shounen Onmyouji 2, YoakeNa 5

…and in manga: Furuba 133-4, GITS 1.5 1, Gokinjo 33, Otome 33, Spiral 17-18, NHK 32, Haruhi Suzumiya novel 4.4

ANIME

Asatte no Houkou 4: It’s up to Shouko and Karada to convince Hiro that they really have swapped ages, but can he be persuaded to believe that his little sister is all grown up? Apart from some touching moments towards the end, this episode wasn’t quite up to the level of the previous three, but it was still enjoyable nonetheless (not to mention far ahead of most other recent releases). I really can’t recommend this series enough, and am almost considering promoting it to the hallowed ‘top ten’.

Bakumatsu Kikansetsu Irohanihoheto 3-4: As Bakumatsu forges ahead, I continue to have less and less of an idea what’s actually going on, but somehow it remains entertaining. From the excellent FictionJunction OP to the atmospheric setting and slick action scenes, the series’ presentation comes together to such an extent that the story itself doesn’t really matter. It may sound like a case of style over substance, but it isn’t so much that the substance is absent, just that I’m finding it a little impenetrable.

The Millennium Eye from Yu-Gi-Oh makes an unexpected return.

Busou Renkin 5: It’s standard shounen all the way as Kazuki and Tokiko face off against the third general of evil, the eagle homunculus. Unfortunately, the fast pace that characterised the first few episodes is now slowing down, and there are a few too many “only the destined hero can do it”-style clichés, but the series still manages to remain watchable.

*DROPPED* Bartender 2: I can’t say that I’ve ever felt fidgety and irritable after watching an anime episode before, but somehow the second episode of Bartender managed to achieve just that. I want to like the series, but I just feel divorced from the events of the episode due to the presentation; the narrator’s voice sets my teeth on edge and the incessant piano playing that passes for background music intrudes too much on my consciousness. This episode saw a woman come to the eponymous bartender in the hopes that he could identify a drink related to a story of her past- unfortunately, it is impossible to care about her tale when the characters seem so lifeless.

Code Geass- Lelouch of the Rebellion 4: With Suzaku having been arrested for the murder of Prince Clovis, Lelouch decides to don his ‘Zero’ mask and rescue his friend- cue lots of running around from people with brightly coloured hair. Whilst not as appealing as the previous episode, Code Geass (aka Mobile Suit Gundam Seed Geass) still manages to hang on by virtue of being fairly entertaining.

Death Note 5: It’s a turning point for Light this week, as he goes beyond merely ‘judging’ criminals and starts using the Death Note against those attempting to catch Kira. Now that events are moving, the quality of the series improves as we are given a respite from the lengthy exposition scenes. The background music is also worthy of note for its simple yet atmospheric style.

That being said, I must digress here in order to air a mini-rant about an annoyingly sexist part of this series (and yes, it was in the manga as well).

Perhaps five screencaps is a bit excessive to make one minor point, but even so- “Woman, you are now my chattel and must cease having any kind of life or identity of your own; instead, get to pumping out and raising strong sons whilst I go off and do MANLY things.”

Itadaki no Hecatetan 1: The follow-up to Shakugan no Shanatan, this instalment takes the series of short extras to new and disturbing places. As the title indicates, Shanatan is joined by the chibi Hecatetan; potentially interesting as this may seem, all it does is lead to a special filled with HARD GAY and penis fondling. Unless you have a strong stomach or an unnaturally strong urge for completion, avoid at all costs.

Normally I would have to take this out of context to make it HARD GAY, but let’s just say that this time any alteration to the original intent is unnecessary.

Kanon 5: Despite being advised not to do it, I just had to start watching the old Kanon series this week, and as someone who hasn’t played the game, I’m finding it more enjoyable than the remake. This week sees Yuuichi enter new levels of evil as he tightens his hold on Makoto and begins pursuing Mai and Sayuri; once again it just feels that the development is spread too thinly around all the girls.

Keroro Gunso 63: Season two continues to slowly improve with this episode, which features Keroro coming into school (in Pekopon suit) to teach Fuyuki’s class, followed by an impromptu visit from Keroro’s father in order to announce an arranged marriage for his son. The first half of the episode isn’t particularly inspiring, but whilst it lacks in originality, Keroro’s attempts to convince his father that he is already engaged to Natsumi are reasonably amusing. Of course, I’m a sucker for Keron-style resonance, so the ‘Natsunatsunatsu” scene immediately won points for the episode.

Le Chevalier d’Eon 9: The Russia arc gets into full swing as the Four Musketeers apply their skills to foiling a plot to assassinate Empress Elizabeth. Despite a drop in animation quality, the content remains as good as ever; the only trouble with Chevalier is that one episode at a time is never enough.

Negima!? 4: I don’t greatly enjoy watching Negima, but as before, I’m sure that next episode will win me over. This time around, Negi must combat an encroaching darkness that may be related to the theft of the power Star Crystal; the shoutacon obsessed girls and naked transformations are disturbing, but I can get through each episode by virtue of the visuals alone.

Otogi-jushi Akazukin 15-16: Since Hansel, Gretel and Randagio have lost so many times, episode 15 sees Cendrillon decide to send out mecha-witch Trude, the next recurring enemy. After turning most of the party into wooden dolls and thus trapping them in another dimension, Trude stands around waiting for the heroes to save the day, but from the looks of things she’ll be back many times despite her limited repertoire. Not a particularly enthralling episode, but one that marks a bit of a turning point for the series by adding some variety to the standard formula.

Episode 16 takes our heroes to Ibara’s home land in order to give the sleeping beauty some much needed backstory; it’s an interesting episode by Akazukin standards, which finally answers the question of why she falls asleep so often.

Red Garden 4: The only reason I’m watching Red Garden is to answer the question “why have high school girls been revived in order to fight slavering men?”. I really couldn’t care less about the development of the annoying and dislikeable leads, and hence episodes like this one fail to capture my attention. It is quite possibly more realistic to have them whining and crying all the time, but sometimes realism must sacrificed for the sake of entertainment; until these girls get their act together, this is going to be a painful ride.

Romance of the Three Kingdoms 29: The end of Guan Yu’s stay with Cao Cao seemed to promise a reduction in HARD GAY hilarity, but fortunately ROTK stays in form this episode as Guan Yu, Zhang Fei and Liu Bei reunite. Unfortunately, poor Sun Quan only gets a “and by the way, Sun Quan exists” mention, which is something of a blow for Wu fans, but otherwise it remains as unintentionally amusing as ever.

Saiunkoku Monogatari 20: Shuurei and Eigetsu are off to Sa Province, but before we get to their adventures it’s time for some back story. Focussing on Seien/Seiran and Ryuuki’s formative years and the Saiunkoku civil war, this episode may not further the story much, but it does a good job of filling in some of the blanks. To put it simply, SaiMono is always highly enjoyable, and this episode is certainly no exception.

Shounen Onmyouji 2: With decent subs, SO immediately upgrades from “what the hell is this?” to light entertainment; it may still be a poor man’s Tactics, but now that the dialogue is no longer cobbled together from Google translations, it becomes an enjoyable series for fans of fantasy and action. This episode sees Masahiro pay a visit to the Minister of the Left after his coming-of-age ceremony, complete with Mokkun’s backchat, introduction to female lead and a monster-of-the-week for our hero to face.

Yoake Mae Yori Ruriiro Na ~Crescent Love~ 5: It’s the obligatory swimsuit and summer vacation episode this week, as Tatsuya and his harem take to the beach. Whilst this is somewhat more entertaining than last week, the series is still some way below the “light fun” level it initially promised.

There’s been a lot of HARD GAY this week, so here’s some HARD YURI to even it out.

MANGA

Fruits Basket 133-4: As Fruits Basket grinds slowly towards an ending, Tohru’s classmates discover that she is now dating Kyo, leading Hanajima and Uotani to demand that they accompany Tohru and Kyo on their first date. With lines like “it could take ten years” and “this is just the beginning”, it is hard to imagine the series ever actually finishing (although apparently chapter 136 will be the end of it all).

*NEW* Ghost in the Shell 1.5 1: I probably won’t be reviewing the rest of this, but having read the first chapter, it seemed a bit pointless not to include this in the Round-Up. This first chapter sees Togusa assigned to a mission involving a potential ‘zombie’ under remote control; the story isn’t bad but the artwork is a little too rough and cluttered.

*OMAKE* Gokinjo Monogatari 33: Having thought that I’d already finished Gokinjo, I was surprised to see the release of this extra chapter, but it actually turned out to be the ending the series needed. Taking place somewhere between the events of Gokinjo and ParaKiss, the series ties up the adventures of one set of protagonists whilst introducing their successors. Even if you’ve only read Paradise Kiss, it’s worth looking at this chapter for some interesting back story.

Random trivia: Arashi of ParaKiss is the son of Gokinjo’s Risa; apparently she got pregnant whilst still in school, presumably just after the series ended.

Mai-Otome 33: In the aftermath of Mai’s attack, the real Mashiro and Sergey plan further evil, whilst Manshiro, Arika and the others retreat for now with help from Mimi (yes, Mimi is back, and she actually has a better design in the manga). Very little actually happens in this chapter; it’s more an excuse to show off various cast members and remind us that while the fanservice has been in abeyance of late, it’s never too far from the page.

Spiral 17-18: I had pretty much given up all hope of ever being able to read more Spiral, so to have not one, but two additional chapters is a welcome boon. Those familiar with the anime will recognise these chapters as corresponding to the mid-series arc in which Narumi competes with Kousuke and Rio for both Hiyono’s freedom and a tape implicating the Blade Children in a murder; as expected from the series, it’s an absorbing ride which ends too soon.

Welcome to the NHK 32: Although I’m sceptical about how long it will last, this chapter actually looks like a turning point for our heroes, as Satou and his sempai work out their feelings for each other, and Misaki contemplates her future. Could this be heading towards a conclusion, or will they just rollercoaster down into a new wave of depression?

NOVEL

The Melancholy of Haruhi Suzumiya vol 4, chapter 4: Given the way I keep writing about these novels, you’d be forgiven for thinking I was a big fan of the series instead of someone who has written two rants about it. This chapter sees Kyon travel back in time once again as part of his attempt to repair the future; despite the headache inducing number of ‘temporal variants’ I’m still enjoying this volume and not particularly looking forward to the series reverting to standalone stories in volume five.

If there’s one thing I’m not too keen on when watching fansubs, it’s mkv format. According to its proponents, mkv is new and ‘1337’ whilst avi is old and outdated, but the fact remains that mkv is a pain to play. The picture gets stuck, it uses up more CPU resources than I’m willing to give it (I like to run a lot of programs simultaneously), the softsubs can be problematic, and VLC media player doesn’t like them. I may get comments here telling me that mkv is good or to use a different media player, but that’s not going to stop me ranting about how annoying it can be.

Aria, Death Note, Emma Bangaihen and possibly Ayakashi Ayashi will be covered next week.

Reviewed this week: Bartender, Busou Renkin, Chevalier, Code Geass, Corda d’Oro, D.Gray-man, Ghost Hunt, Hataraki Man, Kanon, Mushishi, Negima, Otogi-jushi Akazukin, Red Garden, Yoake Mae Yori Ruriiro Na

…and in manga: Mai-Otome, NHK, REC, Tsubasa, xxxHOLiC

ANIME

*NEW* Bartender 1: When I first learned of the existence of an anime about a bartender, my initial thoughts were, “hmm, I can probably give that a miss”. Nonetheless, as often happens, the title got stuck in my head, and over time I began to wonder if it might actually be quite interesting. Fortunately, episode one did indeed prove to be worthy, as the eponymous bartender helped a weary businessman past his hatred of bars. The presentation wasn’t perfect, and I could have done without the sections where the protagonists sit by themselves and talk directly to the audience, but this could be an interesting customer-of-the-week style show. Then again, it could equally turn into a Jigoku Shoujo, “same story every week” series, but for now I’m content to keep watching.

Busou Renkin 2: Under the new, harsher regime, I probably should be dropping this about now, but Busou Renkin was actually a big improvement on the first episode, in that I actually felt compelled to pay attention to it instead of playing Go whilst leaving the episode running (yes, my dark secret is out- I often do this during a boring episode). Even so, I have to admit that Tokiko is the main reason I am watching, so I am less enthused to see that she’s going to be out of action whilst spiky-haired lead trains and presumably defeats the arc one enemies.

Le Chevalier d’Eon 6: Although I had assumed our heroes would be heading to Russia in this episode, I forgot that the obligatory ‘nothing happens but we’ll file it under character development’ episode had to come first. In that vein, it can hardly be said that this was Chevalier’s finest moment, but I’m confident that things will get back on track once Russia is actually reached.

*NEW* Code Geass- Lelouch of the Rebellion 1: CLAMP character designs and mecha- even with Sunrise and their sweet potato dango getting involved, it seemed worth a try. The series sees noble Japan invaded by the cruel, tea-sipping Britannia Empire as led by Mars Cubehart Prince Clovis. Naturally, there is a terrorist group fighting against the oppressors, and in due course our hero, now imbued with special powers, will no doubt join them. Not a particularly outstanding episode in and of itself, but there are enough interesting threads set up to make watching episode two a necessity.

*NEW* La Corda d’Oro 1: Since this is yet another series based on a Neoromance game (albeit one that was itself based on a manga), it isn’t surprising that it features a girl who meets lots of bishies. What is different, however, is that Corda d’Oro not only takes place in a music school, but it also has something in the way of a plot. The first episode sees non-musical lead get chosen to participate in the school’s music contest- now the next stop is to actually learn to play. An enjoyable opening episode for a series that will hopefully not be obscured by angst later on.

*DROPPED* D.Gray-man 3: After episode two, I thought that D.Gray-man would prove an interesting diversion for at least four or five episodes, but when I found that I could barely concentrate on this one, I knew it was time to put at end to any further pain. Allen’s FMA: Shounen Lite adventures have outstayed their welcome, and it is time to put them on the drop pile where they belong.

*NEW* Ghost Hunt 1: In case you can’t guess from the title, Ghost Hunt is about hunting ghosts, not that much of that happens in the first episode. This opening instalment is basically about introducing us to more characters than we can possibly hope to remember, and setting up something for them to do next time. I can’t say that it was particularly interesting, but as the plot hasn’t really got going yet I’m going to stick with it for now.

*NEW* Hataraki Man 1: Damn you, tj han for making this sound like something I would really enjoy, because in actual fact this didn’t do a lot for me. Oh look, another angsty shoujo heroine who pretends to be strong and masculine whilst being frail, weak and in need of a REAL MAN deep down. Even better, another group of generic office workers borrowed from the supporting character cloning factory. I’m just not connecting with any of the characters here, and because of that, the entire thing falls down for me.

Kanon 2: As Yuuichi settles in and prepares for his first day at his new school, Kanon proves to be highly enjoyable in its second episode- it’s still lagging a little way behind Air, but the slow and sweet storyline is proving to have the same oddly addictive quality. There have been complaints about the pace dragging a little, but I’m content with the way it’s going so far.

*COMPLETE* Mushishi 26: Although it is with a pang of sadness that I realise that there will be no more Mushishi, I’m also glad to finally be able to put the series on ‘complete’ status. Mushishi is always good, but this episode is one of the series’ stronger offerings, telling the tale of the developing friendship between the heir to a mountain and a young traveller. Ginko barely appears this time around, but his scenes as both a little boy and a full grown man provide a nice resolution to the story. A worthy ending to an excellent series.

Negima!? 2: At this stage, I’ve come to realise that I couldn’t really care less about the plot of this series- I barely know a handful of the girls, and the storyline doesn’t exactly inspire me with its originality. The only reason I’m watching is because I really love the character designs; it’s just a shame that a good portion of the animation budget is concentrated on just a handful of scenes, meaning that the rest has to make does with stills and simplistic sequences.

Otogi-jushi Akazukin 12-14: Yes, the triple bill situation has occurred again, although this time it was somewhat to the detriment of my enjoyment. Episode 12 sees Randagio forced to summon a mediocre monster of the week after an alliance with the Lycans (werewolves) fails to emerge- observant viewers will notice that the former king of the Lycans was called Valhan, and realise that this can surely be none other than Val.

13 is the weakest of the trio, featuring some annoying villagers who worship a dragon god, complete with yet another monster of the week and the destined powers needed to defeat it. Fortunately, 14 proves to be slightly more interesting, covering Gretel’s ill-fated attempts to defy the plot and defect to the side of good.

Red Garden 2: Our four leads were living normal teenage lives- right up to the point where they found out they were dead and that their continued existence depended on fighting slavering men at night. Unfortunately (if not unpredictably) this could only mean an excess of angst and screaming, although Claire wins points for keeping her cool. I can’t say that I particularly like any of the characters here, but it’s the kind of thing that keeps you watching just to find out what the hell is going on.

*NEW* Yoake Mae Yori Ruriiro Na ~Crescent Love~ 1-2: The only reason I wanted to watch this series was because I liked the promo artwork, but as it turned out, this H-game adaptation proves to be a refreshing dose of light-hearted fun. The series follows the adventures of Feena, princess of the Moon, after she comes to live with lead Tatsuya and his two sisters on Earth. Both setting and characters are a fairly predictable high school/harem/comedy mix, but the series is nonetheless entertaining, and I’m looking forward to the promised cooking showdown in episode three.

MANGA

Not that I’ve ever mentioned it on this blog before, but I’m dropping Future Hero Retro Story (a prequel of sorts to Outlaw Star). It’s the kind of manga where you don’t really know what’s going on, and nor do you care.

Mai-Otome 31: The death of Nagi has been a long-awaited event in the Mai- universe, and this time it finally seems to have happened (hopefully he won’t return like he did in the HiME manga), freeing up Nina to make a contract with Manshiro and rejoin his harem. Amazingly, Nagi is actually likable for the few panels before he breathes his last, whilst the Otome robes remain more aesthetically pleasing than their anime counterparts- apart from that, this is an average chapter which spells the opening of the Dark HiME arc.

Welcome to the NHK 27-30: It seems as if every named character is now descending into the pit of their own fear and depression as NHK leaves black humour behind in an attempt to see just what kind of hell it can put its protagonists through. With so many threads now being followed, the breakneck pace is slowing up now, almost as if the creator is stalling for time before deciding whether or not to bring Satou and the others out of the abyss they have fallen into.

REC 17: REC seems to have reached the point where it isn’t really going anywhere- I want to see Matsumaru and Aka’s life together continue to develop, but instead the series seems to be stuck in a cyclic rut. This time around, rumours are flying about Aka having an affair with a colleague, prompting her to wonder (for the fiftieth time) if she should reveal her real relationship with Matsumaru.

Tsubasa Chronicle 132: Whilst Fye argues with the others about heading out to back up Sakura, our heroine manages to make it all the way back by herself- and that’s about the sum total of what happens in this chapter. Unfortunately, the scanlators only seem to have a limited grasp of English, so the tone of the characters’ “voices” is obscured by a complete lack of grammar.

xxxHOLiC vol 9, chapter 6: I know that another group has released more up to date chapters of xxxHOLiC, but since the chapter numbers are different in the magazine and tankoubon releases, I thought I’d just stick with the BWYS release and avoid any potential confusion. Anyway, this is another brief chapter which sees the real Syaoran stop by and have Yuuko send him to meet with the Tsubasa party.

Last night, I suddenly thought it would be a great idea to create a secondary blog for non anime and manga-related material, completely ignoring the fact that a) I may not even have the time or stamina to maintain it and b) anything posted to this blog will probably be pointless ramblings devoid of anything resembling quality. Nonetheless, it exists now, and will probably continue to do so for as long as I want to ramble about Lost and Stargate.

Meanwhile, on the anime side of things, I have decided to adopt a new, harsher policy for tackling the autumn season. Instead of subjecting myself to the usual three episodes of pain for a substandard series, I will aim to drop it after 1-2 episodes.

Reviewed this week: Chevalier, D.Gray-man, Higurashi, H&C II, Love GetChu!, Otogi-jushi Akazukin, Ouran, Pumpkin Scissors, ROTK, SaiMono

…and in manga: Kanon/Air, Mai-Otome, Mushishi, Natsu no Arashi, REC, SaiMono, Suzumiya Haruhi novel

ANIME

Le Chevalier d’Eon 4: Chevalier continues in strong form as the Four Musketeers accept a mission from the King, whilst d’Eon grapples with whether or not to accept his main character destiny and allow Lia’s spirit to use him. Hopefully it was just my imagination, but the animation seemed a little weaker in places this time; other than that, however, this was another worthy episode.

*NEW* D.Gray-man 1: I wasn’t too enthused over the prospect of watching the next incredibly generic and potentially lengthy SJ anime, but after the awfulness of Pumpkin Scissors, I thought it might seem watchable. This “poor man’s FMA” series of Exorcist Allen Walker, meganekko Moore and the weekly Akuma they must combat isn’t particularly enthralling, but I can see myself watching this to fill up the gaps until something better comes along.

OP impressions: Oh dear, the late eighties are back.

ED impressions: A lightweight dance piece that becomes somewhat half-hearted in its latter stages.

*COMPLETE* Higurashi no Naku Koro ni 26: It’s time for a showdown in the school when Rena takes her classmates hostage and somehow figures out how to set a bomb. Like the rest of this arc (past Teppei’s death), this episode didn’t do as much for me as many of the earlier episodes, and the ending smacked a little too much of the “power of friendship can make all things right”, but I’m already looking beyond the anime now, and looking forward to delving into the intriguing world of game spoilers.

*COMPLETE* Honey and Clover II 12: From fervent praise to outright ranting, my feelings about Honey and Clover have really run the gamut over the course of this second season, with this final episode taking the middle ground. The ending didn’t come anywhere near provoking the emotion I felt at some of the series’ finer hours, but nor did I feel particularly disappointed- it was simply a quiet, slightly bittersweet experience.

Love GetChu! 4: It seems as if fortune is smiling on Momoko when she gets a chance to work as a stage hand for an event featuring her beloved Minato- but naturally, when things are going well for a main character, it can only mean that disaster is sure to follow. It’s predictable, and a touch annoying, but for the most part, it’s good fun.

Otogi-jushi Akazukin 11: Our heroes make a brief stop at Shirayuki’s old magic school, and whilst Souta and the others end up taking part in the school play, Ringo decides that she no longer wants to be completely useless. Naturally, it isn’t long before the villains show up for their doomed weekly attack, and in short order everything proceeds in the usual predictable yet mildly entertaining fashion.

*COMPLETE* Ouran High School Host Club 26: In order to prepare for disappointment, I had convinced myself that the ending of Ouran would be one of the series’ weaker moments. As it turns out, however, this episode was extremely satisfying, seeing the Host Club’s dramatic and well-animated attempt to save Tamaki from the clutches of his decision to dissolve the Host Club and marry Éclair. The only real weak point is Éclair herself, as a dislikeable and undeveloped one-shot character, there is hardly much incentive to feel any sympathy for her, even when the plot seems to demand it.

*NEW/DROPPED* Pumpkin Scissors 1: Every time a Gonzo series like this comes along, I know deep down that it will most likely disappointment, but I have to watch anyway, because “you never know, it might just be the next Last Exile”. Unfortunately, to compare Pumpkin Scissors (a title that puts me in mind of a Rozen Maiden spin-off) to Last Exile would be a feat beyond the wildest of imaginations- this tale of war, tanks and chemical weapons has generic Gonzo stamped all over it. The first episode introduces a spunky blonde girl and a scar-faced man with berserker abilities who come together to track down a vaccine for some infected generic villagers. Since I could barely bring myself to care about what was going on in this episode, I won’t be continuing with it.

OP impressions: Vaguely Ali Project style, but the singer doesn’t quite seem up to the pace. The video shows off the leads and generic allies.

ED impressions: A cheerful song with a video of the series’ resident canine- unimpressive and out of place.

Am I the only one who associates “Pumpkin Scissors” with something more akin to these images?

Romance of the Three Kingdoms 24: My worst fears have come to pass- the hilarity of the ROTK subtitles is down by over 90%, and there are still 23 episodes to go. Happily, the hilarity of the episode itself more than compensates for this new lack; when you’ve got generics half-heartedly slashing at each other and Zhang Fei trying to lure a general out onto the battlefield by get his men to shout out “you’re a coward!”, any added grammatical errors are just the icing on the cake. Once again, I must highly recommend this to anyone curious to see how “it’s so awful it’s good” can be raised to an art form.

Saiunkoku Monogatari 18: No matter how many vases he broke, Sai couldn’t escape the fact that he was too fat, bald and generic looking to be more than a minor villain. This episode seems to spell his downfall (or at least a good chunk of it) whilst Shuurei rushes to get to the enquiry on time and Kijin is challenged to remove his mask. It’s not quite up to the level of earlier episodes, but since this is SaiMono, it’s still a fair way ahead of most other series.

MANGA

Kanon/Air 2: This isn’t so much a review as a plea for help- I really need guidance in the world of Kanon and Air manga, and nowhere more so than with regard to this bizarre fusion. The chapter I read seemed to consist of Makoto eating meat buns and little else.

Mai-Otome 30: To no-one’s surprise, Sergey is revealed to be an ultimate villain of evil in this episode, with catgirl Mikoto and the real Mashiro by his side. Can Manshiro and his harem of Justice stand against this new threat? As usual, it’s nothing special, but there are some well drawn scenes.

Mushishi 10: This extremely satisfying chapter of the Mushishi manga corresponds to the excellent twenty-first episode of the anime, in which a woman gives birth to a strange green gloop, only to find a succession of babies under her house over the ensuing years. To say much more would be to give away a few of the twists that make this chapter so compelling, but suffice to say that even by Mushishi’s high standards, this is an extremely worthy instalment.

*DROPPED* Natsu no Arashi 2: It’s not often that I drop a manga series so close to the beginning, but it would be no exaggeration to say that reading this chapter literally gave me a headache. I still have little clue as to what the story is supposed to be about, and in fact, I am beginning to doubt whether Jin Kobayashi has any idea either; if anything, he seems to be just making it up as he goes along and hoping for the best. School Rumble or not, promise of white-haired Yakumo look-alike or not, this one has to go.

REC 16: Eccentric anime director Sekigahara makes an unwelcome return in this chapter, which sees him inadvertently let slip that Aka has a boyfriend on national radio. Cue another “can our relationship survive” moment as Aka’s reputation as an ‘immaculate idol’ seems destined to be shattered. This ranks amongst REC’s angstier segments, and as a result is not one of its better ones.

Saiunkoku Monogatari 4: Why did no one tell me I could get this file from IRC before I joined the scanlation forum and made over 25 posts? Anyway, even though this is just covering the early episodes of the anime, the long-awaited file proves to be worthy enough to justify the wait, although the artwork seems a little off in a few panels.

NOVEL

The Melancholy of Haruhi Suzumiya vol 4, chapter 2: Kyon should really be happy about being in a world where Haruhi isn’t attending his school, but instead he’s desperate to get things back to normal. This chapter sees him making the acquaintance of the alternate Nagato, a version with enough personality to be able to smile. I have to admit that volume 4 is proving to be the most enjoyable part of the franchise so far.