In the quiet village of Sera Field, Firiel Dee lives an uneventful life, spending time with her father’s servants whilst he and his apprentice research and study the stars. On her fifteenth birthday, however, she decides to attend a royal ball as a special treat, only to discover that she is descended from the queen and thus a candidate for the throne! This isn’t to be a simple rags-to-riches tale, however, for this revelation ends up sparking a series of events that plunges Firiel into a world of intrigue and danger that will affect both her and the ones she loves the most.

Long-time readers of this blog will recall my lengthy rant about the Good Witch anime, a series which started like a magical fairytale, and ended up by introducing so many unresolved plot elements that it was hard to know what the point of it all had been. Nonetheless, there remained a feeling that the story could and should have amounted to something, and whilst I didn’t have the original novels to hand, there was a strong chance that the manga version would offer a more satisfying experience.

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Unfortunately, with just one volume to hand, it is too early to tell how the story as a whole will pan out- in fact, this book basically covers the same content as the first episode of the anime (how’s that for a pacing difference?). So far, only the basic groundwork for the story has been laid, and whilst the more relaxed pacing allows for increased development within a scene, it also leads to moments of meandering dialogue when it isn’t easy to tell what point is trying to be made. All in all, I’ll need to read more to pass judgement on the series as a whole, for whilst this isn’t the most inspiring of starts, there is plenty of room for it to take a strong and worthy direction.

Strangely enough, given that the same artist worked on all three incarnations of the series, it is the character designs that most differentiates the manga from animated version. Having chosen to alter the designs she originally drew for the novel illustrations, the mangaka opts for a cuter chibi look, and whilst there is a certain charm about the visuals, it is also somewhat disturbing that fifteen year old Firiel looks about ten, whilst male lead Roux (or Rune) could well be Harry Potter’s illegitimate brother. Overall, then, the visuals are sound and aesthetically pleasing, but they also feel a little out of place for a series not intended to be set in an elementary school.

Final Thoughts

Although about as much happens in this entire volume of Good Witch as might occur in a single chapter of another series, the slow pacing might be just what the series needs- it can’t be said that a lot has happened just yet, but hopefully each arc will be more grounded and developed than it was in the anime. In short, this may not be the best of starts, but I’m still interesting in seeing how the manga handles the rest of the story.

I can now exclusively reveal that the reason my blog is so HARD GAY is because I have Lui chained up in my basement.

As the days became depressingly short and winter tightened its grip upon the land, I had the great idea of summarising all the 2006 series I watched in one great ‘Annual Round-Up’; hardly an original idea since everyone likes to do it, but nonetheless a course I became determined to take. Little did I realise that such an innocent decision would lead to a massive fifteen page document that took over a month to compile; in fact, if I had any sense, I would take the lazy route of posting this over several days in order to avoid having to write anything else for a week or so. Unfortunately (or perhaps fortunately, depending on your perspective), I’d rather just include it all in one guide so that I can get on with writing newer and more interesting things to spice up the inevitably dull and grey January.

I shall also take this opportunity to thank necromancer, whose screencaps made many parody posts and Tuesday Rumble sections possible, as well as my blogging ‘sempai’, who can identify himself if he wishes.

For once, red is not for generally poor series, just for the ones I dropped before the end of their run (mostly because they were generally poor). Series in blue are my top picks for the year. Links lead to earlier reviews, rants and parodies of the series in question.

STILL RUNNING FROM 2005
I’m only including series I was still watching in the New Year; several others had long since been dropped by this point.

Ginga Densetsu Weed
A bloodier canine version of a shounen action series, Ginga Densetsu Weed follows the adventures of young dog Weed as he recruits allies to fight evil dog Hougen. It ranges from dull and predictable to laughable and predictable, but the parody potential and novelty of having dogs as the main characters conspired to keep me watching this right through to the end.

Final words: It’s not good to be a generic brown dog; you always get killed.

Jigoku Shoujo
When it first started, Jigoku seemed like a compelling series, the tale of people driven to such extremes that they would accept eternal damnation in order to remove their tormenters. Unfortunately, it all became a little ridiculous and far too repetitive after about four episodes- not only did the basic concept of each episode lose a lot in the execution, but there are only so many times you can watch tales of revenge before getting thoroughly bored.

Final words: Revenge is a dish best served sparingly.

Karin
Karin is a strange series; it’s too tasteless and generic to even be mediocre, but at the same time it feels like it could be good- only I can’t really quantify just what is needed to make it better. The tale of a ‘blood-making’ vampire and her slow romance with a human boy could at least have made for light entertainment, but the inclusion of irritating supporting characters and the gimmick of having blood spurt out of Karin’s nose with alarming regularity are more than a little off-putting.

Final words: No, just no.

Mai-Otome

It’s hard to believe, but there was a time when I thought Mai-Otome was actually going somewhere; an illusion that was soon dispelled as the series moved into its closing episodes. Despite the numerous flaws of this series, it somehow remains memorable, burned into the brain by hype, wasted potential and the presence of fat grey cat Mikoto.

Final words: Fat cats may improve a series, but even their furry bulk cannot compensate for a lack of plot.

Mushishi
Although I took my time starting on Mushishi, I’m glad I finally got around to watching it, since it turned out to be one of the better series of recent times. An absorbing and atmospheric folk tale-eqsue collection of stories featuring the laid-back Ginko and the myriad strange phenomena he encounters, Mushishi is recommended viewing for anyone with even a passing enjoyment of fantasy, drama and slice-of-life.

Final words: If your memory is bad, blame it on the mushi.

Noein
When it first swept onto our screens, Noein seemed to be the sci-fi series that we had all been waiting for- a mixture of complex storyline, grandiose action scenes and alternate worlds that would surely only improve as it went on…or would it? Unfortunately, the studio was so busy spending money on CG house shots that it forgot that the series actually needed a proper plot (not to mention decent animation), and so by the end, Noein became little more than a pretentious but ultimately empty series that never lived up to its early promise.

Final words: The quantum mechanics of Noein is not clever- if you want clever, then come to some theoretical physics lectures.

Rozen Maiden Traumend
Given the excellence of the first series, another season of Rozen Maiden was highly anticipated, but somehow it just couldn’t live up to what had come before. Rearranging and diverging from the manga material led to some continuity issues with the first season, whilst the plot itself had numerous pacing problems. Despite promising that the battle royale Alice Game would be getting underway right from the start, it took nine episodes to get down to business, after which the writers chickened out of going the whole way so that things could be left open for a third season. Even the new characters introduced in this season were less than inspiring, although overall the series was not a bad experience, just one that did not live up to expectations.

Final words: If you thought dolls were scary before, wait until you watch this.

Shakugan no Shana

A tale of swords and sorcery mixed with high school romance and comedy, Shana proved to be a solid enough source of light entertainment, but unfortunately turned out to be lacking beyond that. Disappointing villains and a story that proved to be flawed on close inspection ultimately prevented the Shana from reaching the heights it initially promised- whilst by no means a bad series, it was certainly in need of improvement in key areas.

Final words: urusei, urusei, urusei!

WINTER 2005/6

Ayakashi
A collection of three separate folk tales collected across eleven episodes, Ayakashi promised period horror, but in the end, it brought only contemporary boredom. What would have been perfectly enjoyable as a three episode OVA became drawn out and monotonous in TV series form, so much so that watching it was something of a struggle.

Final words: Rap OPs never work- no really, they don’t.

Binchou-tan
Having convinced myself that Binchou-tan would be sickeningly cute, I avoided watching it for a while, only to predictably regret that when it turned out to be far better than I had imagined. A series that really does embody ‘simple and sweet’ Binchou-tan is a delightful slice-of-life tale that really needs more episodes.

Final words: Unexpectedly worthy.

Ergo Proxy
To be fair, I only watched a single episode of Ergo Proxy, but I never could bring myself to continue with it. Despite the echoes of Texhnolyze, the fact I neither knew nor cared what was going on in the first episode was not much of an incentive to continue- the animation may have been slick, but that could hardly make up for the lack of comprehensibility.

Final words: When people say ‘hard sci-fi’ they must mean pretentious, nonsensical crap.

Fate/Stay Night

Admit it, you want a Caster figure too.

There was a time when Fate seemed filled with potential; yes, it had a spiky-haired hero, but it also had the incredibly worthy Rin, not to mention the prospect of a hard fought battle of wits and strength between legendary heroes and their Masters. Unfortunately, Fate never lived up to its promise, instead turning out to be a combination of insipid characters, flimsy story, and Shirou’s harem exploits.

Final words: I will make ‘True Fate’ one day.

Hanbun no Tsuki ga Noboru Sora
A short and sweet hospital-based tale of drama and romance, HanTsuki was an almost overlooked series that turned out to be a hidden gem. Within its six episodes, the series managed to weave a tale that was bittersweet, heart-warming and entirely worthy.

Final words: Natsumi is evil.

Meine Liebe Wieder
Despite promising something in the way of a plot this time, the second season of Meine Liebe turned out to be an inferior rehash of the first, featuring increased angst, more HARD GAY, additional characters and Beruze’s latest puppet duke attempting to take the throne of Kuchen. It wasn’t bad, but it could have been so much more.

Final words: Ludwig-sama is an A-ranked bishie.

REC
An oddly addictive series about the romance between a voice actress and a salaryman, REC is enjoyable while it lasts, but is over all too quickly. In retrospect, it was perhaps a bit too angst-filled, but it made for an entertaining experience while it lasted.

Final words: Umai-ki!

Shinigami no Ballad

Yet another brief series, this time about a pure white shinigami and the people she meets, SnB was filled with character pieces, but was oddly short on death. Whilst it never really had the impact that it could have done, SnB was an enjoyable series that didn’t overstay its welcome.

Final words: The RPG episode was the best one, but the series overall gains points for the winged talking cat.

Pale Cocoon
Having been told that Pale Cocoon was somewhat incomprehensible, I went into it expecting not to understand anything, only to be pleasantly surprised at how much I could actually grasp (of course, the accompanying pdf file helped). A brief yet worthy glimpse into the far future, Pale Cocoon may be short on explanations, but is nonetheless a worthy snapshot of a distant era.

Final words: Watch it now, it won’t take long.

Hellsing Ultimate
It was the event that all Hellsing fans had been waiting for- a more accurate adaptation of the manga material that would surely blow them all away. Unfortunately, having realised that I really didn’t like Hellsing all that much, this wasn’t something I was inclined to keep following.

Final words: When are we going to get a good vampire show?

SPRING 2006

.hack//Roots
Hard as it is to believe now, I was actually looking forward to .hack//Roots- I was in the middle of my Item Completion obsession phase, and somehow I convinced myself that it would be a series that married the addictive qualities of SIGN with the action and faster pace of Legend of the Twilight. After several episodes of deluding myself, however, I came to realise that Roots was not so much a case of a train wreck as of the train simply not leaving the station in the first place. Characters came and went, but the plot never arrived- in the end, it was just too boring for me to watch anymore.

Final words: The origin of the screencap parody format.

Ah! My Goddess: Sorezore no Tsubasa
I’ve said it on more than one occasion, but a second season was just too much for the Ah! My Goddess- how much can you actually squeeze out of a harem story about a regular guy living with goddesses? Admittedly, it did seem like a bit of harmless light entertainment for the first few episodes, but it soon fell into the realms of the utterly boring, especially when Peorth arrived.

Final words: Sometimes, less is more.

Air Gear
I have to admit that Oh Great’s artwork is good, but since I’m not particularly interested in nipple shots, ridiculously oversized breasts or Bob Makihara’s penis, the actual content of his manga does very little for me. An unholy fusion of Tenjho Tenge, Ikki Tousen, Beyblade and Shaman King, Air Gear is the tale of spiky-haired Ikki, his buxom companions, and the rollerblading sport of Air Trak- or to put it more succinctly, it’s complete dross. No matter how much curiosity compels you to watch this, take my advice and give it a wide berth.

Final words: With breasts like that, those girls must get backache.

Aria the Natural

The first season of Aria was excellent, but Natural goes one better by doubling the episode count and giving us a full 26 episodes of sweet and heart-warming gondola life on the planet of Aqua. From the beautiful setting to eponymous fat cat President Aria, everything about the series is right on the money in terms of creating a simple yet absorbing world. Bring on season three.

Final words: Punyu!

Disgaea
Since RPG-based series are rarely worth watching, I wasn’t really planning to investigate Disgaea- at least until I watched the trailer. An ironically hilarious take on the RPG world, Disgaea’s trailer promised much, but the actual series itself delivered all too little. As it turned out, the reason the trailer was so good was because the entire series budget had been spent on it- meaning that the episodes themselves were poorly animated cyclical repeats of the same tired and worn jokes.

Final words: Pizza in the face? Excuse me while I try to force a laugh…oh wait, I can’t.

Full Metal Panic: The Second Raid Tessa OVA
Much as I like Tessa, this OVA didn’t really do much for me; aside from a select handful which hit the mark, most of the jokes fell completely flat. It’s something you watch for completion rather than enjoyment.

Final words: Dull, dull, dull.

The Gargoyle of the Yoshinagas
The tale of the Yoshinaga family’s animated stone guardian, Gargoyle may seem like a kid’s show at first glance, but it is nonetheless a highly entertaining story. In Gargoyle’s hands, everything from battles between stone monsters to talking to flowers takes on a new vitality. It’s funny, off-kilter, and eminently worthy.

Final words: All hail Gar-san.

Gintama
I only watched the first twenty-five minutes of Gintama, but what I saw didn’t really click with me. Apparently it’s meant to be a tongue-in-cheek approach to Shounen Jump, but I just couldn’t force myself to pay attention to it.

Final words: I liked that large white animal, but nothing else drew me in.

Good Witch of the West – Astraea Testament
When it first started, Good Witch seemed to be the fantasy series we had all been waiting for; a fairytale of intrigue and romance set in a magical kingdom. Unfortunately, within the space of a few episodes, Good Witch had become so bogged down with different plotlines that it was difficult to tell where it was supposed to be going. After continuing in this manner all the way to the end, Good Witch left viewers with plenty of story threads, but not much in the way of coherence- maybe the manga is better, but I’m not about to risk wasting money on it.

Final thoughts: It’s the sample book of plot directions.

Higurashi no Naku Koro ni
It may have started as a tense psychological horror, but after the first few episodes Higurashi’s main draw was its sheer gore factor. A somewhat inconsistent series that mixed moments with greatness with more pedestrian sections, Higurashi may have only covered six of the eight game arcs, but spoilers revealed that the solution to the mystery was too obvious to be satisfying.

Final words: “It wasn’t me, I am not evil or suspicious at all.”

Hime-sama Goyoujin
Truth be told, I shouldn’t really be writing about Hime-sama- I only saw about eight minutes of the first episode, and I had so little clue as to what was going on that I couldn’t bring myself to watch anymore.

Final words: Utterly confusing.

Jyu-oh-sei
One of a rare few series which I picked up months after dropping it, Jyu-oh-sei made good parody material, but had little worth as far as entertainment went. The bulk of the series, which saw cycle-wear model Thor stranded on jungle planet Chimera, was average and predictable, but was nonetheless sheer excellence when compared to the laughably ridiculous ending. A rushed story with a nonsensical ending- if I hadn’t wanted to parody it, I would never have watched past episode four.

Final words: If you want to attain at least a shred of credibility, magical DNA is not the way to go.

Kamisama Kazoku

At first glance, Kamisama Kazoku looked to be the spiritual successor of Kamichu- a sweet and simple series about a youthful god. In fact, to borrow a phrase from a lecturer of mine, Kamisama was a very different animal- a series that ranged from juvenile to infantile in its fanservice laden lack of hilarity. After struggling all the way to the third story arc by virtue of the show’s worthiest character- Tenko- I realised that I simply could not take anymore and crumbled a mere four episodes before the end.

Final words: Look, Mama is naked in an apron!

Keroro Gunso: the Movie
Series-based anime movies are as formulaic as they come, and unfortunately the Keroro movie is no exception. There are a few entertaining moments, but not really enough to justify spending an hour of your life watching a story that has been done a thousand times before.

Final words: Giant Keroro is the worthiest aspect of this movie.

Kiba
Like Tokyo Underground, Kiba is one of those series that just seems like an inferior amalgam of numerous other series- there’s industrial word, pastoral world, summoning of destined monsters, and numerous other ideas that have been done better many times before. Roia was truly the only worthy aspect of this seemingly never-ending series- in fact, is anyone even watching it anymore?

Final words: Series and games ripped off by Kiba include Tokyo Underground, Ergo Proxy, .hack, Yu-Gi-Oh!, YuYu Hakusho, Dragonball Z, Pokemon, Hunter X Hunter Greed Island OVA, Mai-HiME, Dynasty Warriors and Suikoden.

Love GetChu!
Due to slow subbing, I have only watched four episodes of this series so far, but it has already proven itself a worthy source of light entertainment. The tale of a group of young girls trying to become voice actors, Love GetChu! does exactly what Kiba failed to achieve- it takes ideas used in earlier series, and combines them into a worthy whole. There’s a ditzy lead, standard personalities, a Maison Ikkoku style apartment and a hint of romance, but somehow it all comes together to make something enjoyable rather than tiresome.

Final words: Please sub more, or I’ll have to start on the raws.

The Melancholy of Haruhi Suzumiya
Once an obscure series of novels, Haruhi catapulted to fame after its first episode captured the fandom, but as the series progressed, opinions became divided. Although there now exists a small but vocal “yay Haruhi great lol” group, still others (myself included) concluded the series with a more sceptical view on the whole franchise. The characters were insipid, the stories were disappointing and not at all helped by being aired in a random, non-chronological order, and the humour had all but dried up after episode three. It may have gained cult status, but I can’t help wondering why.

Final words: I did actually like the fourth novel.

Nana
The tale of two very different girls both named Nana, Nana was an interesting shoujo drama in manga form, but unfortunately the transition to anime turned it into something far more dull and boring. With the bulk of the series’ focus falling on ‘Hachi’, the less interesting of the two Nanas, Nana failed to engage the attention, and was eventually indefinitely put to one side.

Final words: Less Hachi, more Nana.

Ouran High School Host Club

The delightfully over the top story of one poor girl and six rich guys running a host club at the prestigious Ouran High School, Ouran delivered standard jokes with such infectious enthusiasm that it was impossible not to laugh at them. A fewer weaker instalments and too many episodes focusing on twin brothers Hikaru and Kaoru prevent this from being a pick of the year, but it is certainly worth watching.

Final words: Kyouya is god.

Ray the Animation

Ray is another series I dropped after a single episode, but unfortunately it didn’t really seem to merit any more. As someone with various family members in the medical field, ridiculous conditions like tumours that retreat into the heart when operated on are a bit too much to swallow, and thus this medical-themed series was not fated to last long.

Final words: Monster remains the only decent medicine-related anime.

Saiunkoku Monogatari

At first glance, SaiMono looked to be yet another period series featuring a girl and her attendant bishies, but how wrong I was. SaiMono is leagues beyond the likes of Fushigi Yuugi in terms of quality- this isn’t a reverse harem romance, it is an absorbing tale of political intrigue in the fictional country of Saiunkoku, blended with the the story of Kou Shuurei, a young woman dedicated to improving her country through breaking precedent and becoming a government official. Every episode of SaiMono is like an addictive drug, leaving you desperate for your next fix.

Final words: I need more! More, more more!

School Rumble Nigakki
After thoroughly enjoying the first season of School Rumble, I was looking forward to the continued antics of Tenma, Yakumo, Eri and the rest, but unfortunately, Nigakki failed to deliver. With its crazier humour and lack of plot progression, Nigakki soon grew stale, especially when it meandered into the realms of filler during the latter half of the season.

Final words: Please, let it end.

Simoun
I was actually looking forward to Simoun before it aired, but upon actually watching the first episode, all my expectations for the series were shattered. A poor woman’s HARD YURI version of Last Exile, Simoun features ugly snail-like craft that are not only powered by the pilots getting out of the cockpit and kissing whilst in mid-air, but also have special abilities like drawing pretty lines on the sky. With no discernible plot whatsoever, the series had to be dropped.

Final words: HARD YURI power is an eco-friendly solution to dwindling supplies of fossil fuels.

Tsubasa Chronicle season 2
Whatever it was that made Tsubasa season one so enjoyable (and in retrospect, was it really all that enjoyable?) seemed to have vanished by season two, which devolved into a slow and dull mix of lacklustre adaptations and mediocre filler, all animated in Bee Train’s trademark “stills only” style. When each episode started featuring no fewer than three insipid insert songs, it was time to put the series to rest.

Final words: Go, you filler bus! Drive along that road, carrying your passengers!

Utawarerumono

It started as a pastoral fantasy, only to slowly reveal its flaws and turn into a harem series with ill-fitting sci-fi elements, but nonetheless, somehow Utawarerumono merited its own addiction phase. The series itself was lacking, but it led into the game, the mini-game, the parodies, and sparked many ideas simply due to the potential the setting contained. Not a pick of the year, but notable for being integral to the life of this blog- even now “gwakakaka” is still going strong.

Final words: Karura and Touka are all.

xxxHOLiC
I love the darkly stylish xxxHOLiC manga, but when the time came to turn it into an anime, something seemed to go terribly wrong. The high contrast art style became a washed out version of its former self, stories were slow and filled with dull exposition scenes, and the overall result was none too tantalising. I completed the series out of loyalty to the manga, but in retrospect I would have been better off not to do so.

Finally words: This could have been so much better.

Yume Tsukai
At first glance, I thought that the story of three dream masters would be a touching slice of life piece in the vein of Kokoro Library. At second glance, I awoke to the fact that this was not the case; instead, this was a poorly animated and poorly constructed series of tales in which one of the main characters has a fetish for underage girls. Shrine of the Morning Mist simply blows it out of the water.

Final words: It could have been good, but let’s face it, it wasn’t.

Zegapain
Sunrise, when will you learn that churning out endless mecha series doesn’t necessarily mean that any of them will actually be worth watching? Apparently Zegapain improves later on, but the starving man’s Aquarion vibe given off by the first couple of episodes (not to mention the unnecessary nudity) was enough to ensure that I never actually reached those episodes.

Final words: The apples that appeared in episode one were the best characters.

SUMMER 2006

Binbou Shimai Monogatari
The evening before watching the first episode of Binbou, I read sixteen chapters of the manga, almost all of which began with a variation on “Mother died; Father ran up gambling debts and disappeared.” In case you hadn’t guessed, that is the setting for this anime about two sisters living in poverty, which is perhaps the most lifeless and half-hearted slice-of-life series that I’ve encountered. An angst-filled example of how poor the genre can be, Binbou went through the motions, but achieved nothing more.

Final words: I don’t know if you’ve heard this before, but Mother died and Father ran up debts and disappeared.

Bokura ga Ita
One of the first ever series to feature in my Weekly Round-Up, Bokura ga Ita’s tenure in my viewing schedule was nothing if not brief. A poor man’s version of Kare Kano, Bokura ga Ita featured all the angst and drama, but completely neglected the elements that would have made the series enjoyable. After struggling through a dull episode populated by dislikeable leads and a Nagato Yuki clone, I gave up on it.

Final words: Not my cup of angst.

Le Chevalier d’Eon

Despite treading perilously close to the realms of cheese, Chevalier consistently manages to deliver an absorbing historical fantasy despite its lack of much in the way of accuracy. The tale of d’Eon, a French knight who not only gets drawn into a shady underworld of magic and manipulation, but also ends up housing his sister’s soul, Chevalier’s only inconsistency in its animation, which starts well but soon goes downhill.

Chocotto Sister
Haruma has always wanted a little sister, and one Christmas, Santa delivers just that. Choco, as Haruma names her, is entirely devoted to her big brother, but unfortunately she is so completely lacking in life skills that she has to refer to a notebook. This could have been a passable slice-of-life series, but unfortunately it chose the route of excessive fanservice instead- when a series needs to use police tape as a censor, it is never a good sign.

Final words: What, you don’t like naked aprons?

Coyote Ragtime Show
Aside from its infamous turn as the “Great ANN Ad”, Coyote Ragtime Show is a series best forgotten- even the name serves a warning. A tale of MANLY men and gothlolis for every month of the year, Coyote Ragtime Show lacked anything even approximating worth; I went into it with low expectations and was still disappointed.

Final words: ADV licensed this? They think it’s good? Where is Kurau!?

FLAG
Years ago, when my supply of anime was less plentiful, Gasaraki happened to be one of the few series that I had access to. Despite appearing to be quite bland and boring on the surface, I forced myself to keep watching the series until I finally gained something of an appreciation for its intricate politics; with that in mind, I was determined to give FLAG- a similar series from the same creators- a fair chance. Unfortunately, once the novelty of having the story told through monitor stills and the lens of a camera wore off, FLAG proved to be a dull series with bland character designs and ugly mecha. I feel slightly guilty for not giving it as much of a chance as I did for Gasaraki, but then again, there’s more to watch these days.

Final words: Gritty realism with issues relevant to today’s society? Take it back, please, and come up with a phrase that’s less overused.

Hanoka
No matter how poor it was, I was confident I could sit through a series where each episode was only five minutes long, but as Hanoka went out of its way to demonstrate, that wasn’t the case. Animated in Flash, Hanoka looked like an amateur piece, complete with a generic storyline to accompany its unimpressive looks- in the end, it had to go.

Final words: Five minutes of boredom is five minutes too many.

Honey and Clover II
I loved the first season of Honey and Clover, and perhaps it was because of that that I was secretly sceptical about a second season; the last thing I wanted was for my high opinion of the series to be ruined, but unfortunately, that’s just what happened. Although it did indeed have its moments of excellence, H&C II lost points for focusing on minor character Kaoru before turning into some kind of “who gets Hagu?” dating sim (with added “Mayama the stalker”). Yes, I understand the deeper arguments behind the resolution and the characters’ choices, but it was simply handled too flippantly for me to enjoy it.

Final words: One word- disappointing.

Innocent Venus
Innocent Venus may have looked vaguely promising before it aired, but when it turned out to be a poor rehash of ideas from numerous different series (not to mention completely unable to retain the attention), the adventures of Jo, Sana and Jin had to be put aside. Thanks to this series, however, there are various unwelcome images that will forever be burned into my mind- the irritating pirate captain and his busty first mate; the Last Exile psycho killer team; blood pooling out of a man’s smashed faceplate and those ugly, ugly mecha. After the series finished airing, I did consider giving it another chance, but happily I think I’m over that phase.

Final words: I already posted this list way back when I was watching the series, but let’s refresh our memories as to the series IV ripped off- Last Exile, Wolf’s Rain, Kurau, Hunter X Hunter, Burst Angel, Mahou Shoujotai, Arc Twilight of the Spirits, Stand Alone Complex, Gasaraki, .hack//Roots.

Kemonozume
If appreciating Kenozume’s artwork is supposed to indicate some kind of superior taste, then I’m happy to call myself inferior; yes, technically it has its strengths, but on purely visceral grounds, I find it hideous. The tale of a clan of demon hunters, one of whom falls in love with demon, the relationship between Kemonozume and I was destined to be short from the moment they showed a man losing bowel control onscreen.

Final words: Sex and defecation- how mature.

Koi Suru Tenshi Angelique
With its nine brightly coloured bishies, Angelique was clearly never going to be marvellous, but I went into believing that it would at least offer up some light entertainment. Unfortunately, what I got was an insipid mess with even less plot than its sister series Haruka 8; unless watching a dull lead wandering around a castle and chatting to bishounen sounds exciting to you, be sure to avoid it.

Final words: It’s like a computer game in which you can’t ever leave the hub world and actually play a level.

Night Head Genesis

Featuring a pair of brothers pursued due to their unique psychic abilities, NHG had the potential to be a chilling and compelling series that would have been the spiritual successor to Kurau, but as it turns out, reality was far less kind. A barely comprehensible string of scenes that seemed to thinly disguise a HARD GAY propaganda piece, NHG become downright painful by its fourth episode, and was thus swiftly removed from the viewing schedule.

Final words: Give me Kurau and Christmas any day.

Otogi-jushi Akazukin TV
It was always abundantly clearer that Akazukin was aimed at a younger audience, but in the early days it nonetheless exuded a simplistic charm that was enough to keep it watchable. Unfortunately, as the series progressed with no hint of a plot outside of our fairytale-based heroes fighting magical monsters of the week, it all started becoming a little tedious. I haven’t actually dropped it yet, but I’m only a hair’s breadth away from doing so.

Final words: I hate those damned Sweet Phones.

Tsuyokiss
Tsuyokiss was one of those series I watched just because the name got stuck in my head after the “Great Tsundere Debate of 2006”. Unfortunately, after assembling a cast that was generic beyond belief, and throwing in some awful scenes about a drama club, it managed to drop into the red after just one episode. I had originally intended to watch a little more of the series, but when the subs dried up, so did what little enthusiasm I had for the series.

Final words: It may be Cool X Sweet, but it tastes more like Generic X Dull to me.

Welcome to the NHK
Just prior to watching the first episode of NHK, I finally started on the manga, and was instantly amused at its bleak comedy. As I well knew, however, Gonzo are not the best at adapting manga series into animated form, and indeed, no amount of optimism could disguise the fact that they messed up with NHK, somehow sucking out all the humour and turning it into a bland romance instead. Apparently the series improves in its second half, but I really didn’t have the will to keep watching past episode eleven.

Final words: Damn you, Gonzo, for messing up ultimate moe!

Zero no Tsukaima
Although the novels are quite entertaining, Zero no Tsukaima takes what could have been an interesting (dare I say Harry Potter-esque?) story about an Earth boy interacting with the students of a magical school and turns it into insipid, fanservice-ridden fluff. This was yet another series that I briefly toyed with picking up again, but when every cell in my body rebelled against it, I was forced to abandon that plan.

Final words: Guiche is no Tamaki.

AUTUMN 2006

Asatte no Houkou

Despite the fact that I have yet to watch the ending (which sounds quite bland from what I’ve read), I’ve tentatively given Asatte ‘Pick of the Year’ status for the ease in which it drew me into its world. It does have its flaws, but the series certainly deserves points for taking the age-old idea of having a child suddenly become an adult (and vice versa) and turning it into a compelling drama instead of playing it just for laughs.

Final words: The manga just sounds scary.

Bakumatsu Kikansetsu Irohanihoheto
The final title to earn ‘Pick of the Year’ status, Bakumatsu was not a series I could easily get into; trying to penetrate just exactly what was going in the first few episodes was pretty much beyond me. Over time, however, it began to exert an irresistible lure; from the beautiful OP and general atmosphere to the refreshing novelty of a series set in period Japan that isn’t an action or Shounen Jump title, there is much of worth here.

Final words: Like Chevalier, it takes the cheesy and transforms it into the highly worthy.

Bartender
When I first heard of a series about a bartender who helps his customers by finding their ‘destined drink’, I knew I had to watch it for the novelty alone- and I was secretly hoping that it was one of those series that sounded laughable but actually turned out to be worthy. As it turned out, Bartender was the kind of series that leads only to boredom, fidgeting and irritation- especially when you try to swallow the fact that a mere glass of a particular cocktail can radically change someone’s entire life.

Final words: I don’t even like alcohol, so I should have known I wouldn’t like this series.

Black Blood Brothers
“Oh dear” is all that can be said to the prospect of yet another series featuring a moody bishounen vampire and his unhelpful sidekicks fighting against generic evil vampires, and indeed, BBB had nothing to bring to an overworked franchise. By the third episode, it proved entirely impossible to concentrate on what was going on, and so the series had to be abandoned.

Final words: I played Go through much of episode three.

Busou Renkin

Upon learning that Busou Renkin was from the same creator as Kenshin, I was actually looking forward to it- little did I know that where Kenshin was solid and sound, BR was the dumping ground for all the mangaka’s strange and twisted ideas. A standard shounen series filled with everything from the terrifying (Papillon’s thong) to the bizarre (Moon Face), Busou Renkin is far from great, but I watch it partially for Tokiko and mostly for my parodies.

Final words: I pinned all my hopes on Moon Face, but his special technique is a big disappointment.

Code Geass- Lelouch of the Rebellion
The latest stage in the search for that elusive good mecha series, Code Geass turned out to be yet another product from the dango-addled minds at Sunrise. Despite boasting CLAMP character designs, Geass proved to be little more than Gundam Seed Destiny Remix, complete with Kira, Athrun, Lacus, Flay, Lunamaria and more (not to mention added rip-offs from various other sources). Had I known from the start that it was going to be fifty episodes, I wouldn’t have struggled with it for as long as I did.

Final words: How many times am I going to have to say that the cat was the best part of a particular series?

La Corda d’Oro

Despite my bad experiences with fellow Neoromance series Haruka and Angelique, Corda’s focus on music made it seem worthy and so it was duly tried. Despite the extreme predictability and the fact that giving the lead a magical violin amounts to little more than cheating, Corda is an enjoyable series which mixes brightly coloured bishies with an actual plot.

Final words: Behind every good natured lead are multiple bishounen backing her up.

D. Gray-man
Although there was a brief period in which D.Gray-man looked like it might be the one shounen action series I followed this season, this poor man’s FMA blew it early by killing off its most interesting character (unsurprisingly, a fat cat which I have named “Big Boss”). The series never really recovered from this loss, and by the third episode, it was clearly time to put it aside and focus on shounen series which could at least be parodied.

Final words: Why is it called D.Gray-man anyway?

Death Note
Despite my quibbles with the second half of the series, I did enjoy the Death Note manga, and therefore it might seem quite odd that I always seem so negative towards the anime. Unfortunately, the fact of the matter is that the battle of wits between Light, a student with a notebook that can kill people just by writing their name in it, and L, the detective appointed to stop him, is simply too exposition heavy to succeed in animated form. Excepting those laughably theatrical moments when Light and L seem to phase into a coloured ‘Justice Mode’, Madhouse have done the best job they can with the material, but this is really a series that needed to be told through straight prose, not animation.

Final words: Justice Mode, engage!

Ghost Hunt
In case you hadn’t already guessed, Ghost Hunt is about hunting ghosts…or at least, standing around and arguing over what to do about said ghosts. Featuring the by now familiar ‘eclectic bunch of heroes’, Ghost Hunt seemed to be nothing more than the autumn’s Ayakashi- a series that made mediocre stories even worse by playing them at 1/3 speed.

Final words: Generic by name, generic by nature.

Hataraki Man
When I first read about Hataraki Man, it sounded like it could easily become a pick of the season- what could be more enjoyable than the tale of an overworked journalist? Unfortunately, my hopes for a superior slice-of-life series were instantly shattered by the first episode, which portrayed the main character as just the sort of ‘I need a REAL MAN’ woman that I really dislike, and surrounded her with a group of dull and generic supporting characters. A single episode turned out to be more than enough.

Final words: It’s strikeout time for Moyoco Anno.

Kanon [2006]

Given how much I loved Air, I was expecting Kanon’s ‘sad girls in snow’ to elicit the same feelings of enjoyment, but unfortunately, after the first couple of episodes, it was clear that Kanon just wasn’t in the same lead. With an overly sarcastic lead whose main pastime seemed to be verbally abusing all the girls around him whilst they smiled and asked for more, Kanon proved that its main worth lay in parody.

Final words: Yuuichi is one of the foremost villains of the era.

Mai-Otome Zwei
Like the very dango that Sunrise subsists upon, Mai-Otome may not be good for the health, but an unhealthy fascination draws one back to it. The first episode of this OVA sees an evil Shadow Otome start petrifying and absorbing various main characters, whilst Queen Mashiro and Meister Arika’s bond is tested to the limit in preparation for the angst, forgiveness and destiny phases later on.

Final words: At least we got to see some fat cats.

Maria-sama ga Miteru OVA
I enjoyed the first two seasons of MariMite, but having been expecting this OVA since around March, I had pretty much lost enthusiasm by the time it finally rolled around. Episode one sees Yumi accompany Sachiko to her summer villa, only for her week of HARD YURI to be spoiled by general apathy and evil lesbians. The next episode looks like it will be better, but this one was far too standard to truly entertain.

Final words: Onee-sama!

Negima!?
Although the idea of a ten year old boy teaching a class of thirty-one junior high students was never really one that appealed to me, Negima is one of those big name titles that you have to try just to say you have. With my progress into the manga going slowly and my knowledge of the first anime season basically nonexistent, this new series seemed like an ideal place to start. Unfortunately, our relationship was never destined to be a long one- the animation may have been good, but the story left far too much to be desired. With too many insipid characters and a divergence from the very manga arcs I was interested in, Negima!? had to go.

Final words: That ferret is creepy.

Pumpkin Scissors
Gonzo series must always be watched in case they turn out to be the next Last Exile, but as Pumpkin Scissors demonstrated, most of them have no hope of ever entering the same league as Claus and Lavie’s tale. Another FMA-lite tale, this time with Blonde Heroine 10658 at its head, Pumpkin Scissors failed to inspire to such an extent that it was abandoned after the first episode. It will, however, be making a comeback in parody form.

Final words: The Pumpkin Scissors must cut through the pumpkin-esque layers of corruption like a pair of scissors. I’m not kidding.

Red Garden
Another Gonzo effort, Red Garden is effectively ‘Gantz with girls’, featuring four teenage girls who have been revived after their deaths in order to fight slavering men. Despite being drenched in angst, Red Garden looked to have an interesting mystery at its core, but with each passing revelation the truth behind it all becomes ever more laughable and ridiculous.

Final words: KEITO! KULAIR! ROSU! RACHERU!

Rozen Maiden Ouverture
Great visuals and average story were what I expected from Ouverture, and predictably, that is just what this two-part special delivered. The tale of Shinku first met Suigintou and turned her into the psychotic witch we know and love, any enjoyment Ouverture had to offer was simply overshadowed by the amount of plot holes in the Rozen Maiden story.

Final words: More explanations, less ‘wtf’, please.

Shounen Onmyouji
After a poorly subbed first episode, my time with Shounen Onmyouji seemed destined to be short, but fortunately Yoroshiku saw fight to pick up the series, and it was a given a second chance. As the title indicates, Shounen Onmyouji covers the adventures of youthful onmyouji Masahiro, grandson of Abe no Seimei. Together with his destined powers and sidekick Mokkun, Masahiro set out to battle evil foreign demons from the West, but can he prove himself worthy of being Seimei’s successor? A surprisingly fun series that is, if not gold, at least parody silver.

Final words: Imagine how good it could have been if Bishie-Seimei was the lead, and Guren wore proper clothes.

Tenpou Ibun Ayakashi Ayashi
Yet another in a long line of period series, Ayakashi Ayashi is about…well, I actually can’t recall what it was supposed to be about. The only images burned into my brain are those of a disturbingly HARD GAY male bathhouse scene and a fight between two monsters, one with a head shaped like a wang, and the other which looks like three wangs joined together. With that in mind, is it any wonder I chose not to watch past the first episode?

Final words: I should have known that a series with ‘Ayakashi’ in the title was to be avoided.

Tokimeki Memorial
As the doyen of all dating sims (not to mention the one that gets parodied most often), it seemed only right to watch Tokimeki’s long overdue anime incarnation. After just a single episode, however, all such feelings of duty had long since evaporated in the face of the fact that this series was completely and utterly crazy and random- and not in a good, Pani Poni Dash sense. Apart from the chick in the first episode, there seemed little to recommend this makeshift collection of scenes, and so it was quickly swept under the carpet.

Final words: I think I’ll stick with Ukidoki Memorial.

Yoake Mae Yori Ruriiro Na ~Crescent Love~
If you discount the sex scenes, H-game CGs always look good. Anyone got any from Jingai Makyo?

A series that I wanted to watch purely on the strength of some promo artwork, YoakeNa follows the romance between earth boy Tatsuya and Feena, princess of the Moon. Admittedly, it did start out as light fun, but as the weeks passed both the animation and story quality deteriorated to the point where each episode was more an excuse to take a nap than anything else.

Final words: I dislike the series, but I need that figure.

Looking Ahead to 2007
I had planned to try my hand at the obligatory ‘winter season preview’ post, but when I realised that my three paragraph effort would be a firefly as compared to the moon of Hung’s multi-part season preview posts, I quickly abandoned that idea in favour of putting a few words at the end here.

To be honest, the coming winter season doesn’t really look that exciting- do we really need more episodes of Angelique, FLAG and Kamisama Kazoku, much less a remake of Ikki Tousen? Despite the danger of not enjoying the most hyped series, I can’t help looking forward to trying the Ichigo Mashimaro OVA and ‘Corda but better’ Nodame Cantabile; I’m also slightly curious about Les Miserables, although fifty episodes of that does seem a bit much. The likes of ‘chibi-HiME’ Venus Versus Virus and anything dating sim or virtual girl based will most likely be avoided.

Looking further into the year, we have the disappointing news that Bokurano’s anime adaptation is being handled by ‘let’s mess up the story’ Gonzo, as well as a Spring debut for the third season of Nanoha, now with less loli. And regardless of whatever else there is to watch, there’s always more Otome Zwei and MariMite episodes- what fun…

Join me again on Tuesday for the New Year Rumble.

To celebrate the fortnight anniversary of the Weekly Round-Up (or rather, because I just thought them up), this week sees two new additions to the format-

1. Series in red are on Zero Tolerance, which basically means that they have 1-2 more episodes to impress before being dropped entirely.

2. Whenever a series introduces a new OP/ED, I will try to specifically comment on it. For now, I won’t be extensively ‘back-commenting’ on existing OP/EDs.

Reviewed this week: Aria, Chocotto Sister, FLAG, Good Witch, Higurashi, H&C II, Innocent Venus, Keroro, School Rumble, Tsubasa, Shadow Warrior Chronicles Utawarerumono, NHK, xxxHOLiC, Night Head Genesis

…and in manga: .hack//4Koma, .hack//GU+, Furuba, Mai-Otome, Tsubasa, xxxHOLiC, Yotsuba&

Many thanks to Necromancer for his work on the Ovan oven; those who have been keeping up with my Roots rants will know that this piece of gadgetry is set to outsell the George Foreman grill.

ANIME

Aria the Natural 12-3: The long weeks without any Aria have been difficult (perhaps I should motivate myself enough to watch the raws), but finally further instalments of Natural are here. Episode 12 is one of Aria’s occasional two-part stories, combining the summer mirage story of volume four, in which Akari wanders into a mysterious coffee shop, with the nightlight chapter that appeared in the Aqua manga. The latter half didn’t touch me as much as its manga counterpart, but overall another sweet and enjoyable outing on Neo Venezia- with added fat cat.

Episode 13 centres on Alice as she sets herself the bizarre yet strict rule of getting home from school by only stepping in shadows (I have to admit, I used to do things like this when I was a kid). Although an episode focussing on the lesser used Alice and Athena is always to be welcomed, this was one of Aria’s weaker moments; perhaps Alice only works well when her stubborn determination is offset by Akari and Aika’s personalities.

Chocotto Sister 3: I thought that dropping Kamisama Kazoku would keep me safe from “x is naked in an apron” but no, here we have Choco doing the exact same thing. That little piece of ‘entertainment’ aside, the bulk of the episode concentrates on introducing Chitose, the meganekko new apartment manager and latest would-be harem member. Chitose is a particularly annoying member of the “clumsy and clueless” class, and I can’t help missing Grandma, but average as this series is, I find it tolerable enough that it doesn’t make the drop zone. I am finding the ED particularly disturbing, however, and will be skipping it from now on.

FLAG 1: The spiritual successor to Gasaraki, FLAG centres on the life of Shirasu, the photojournalist responsible for the ‘FLAG’, a photograph that has become a powerful symbol of peace. Of course, the road to peace isn’t going to be as smooth as just taking one picture, and pretty soon Shirasu is teamed up with a UN squad and their “HAVWC” mecha. To emphasise the whole photography aspect, the episode is told through the perspective of various video cameras and still shots- the jury’s still out on whether this is an innovative technique or just a poor excuse for budget saving.

I can’t say I’m a big fan of the ‘functional realism’ that characterises the series, but I did grow to like Gasaraki so I’m going to give this one a chance; whether it turns out to be “interesting and thoughtful” or just “dull masquerading as clever” remains to be seen.

ED impressions: An ED of two halves; a slow start accompanies some shots of photography equipment, before switching to pictures of Shirasu and a more energetic finish. Not too impressed by the song, but the video suits the series well.

Good Witch of the West 12-3 [Complete]: What was this series about again? In the penultimate episode, we suddenly learn of the existence of a shadow kingdom, and then it’s off to see Lot and Riez, who are not final bosses at all, but just a mere distraction. By the final episode, neither the characters nor writers seem at all clear on what is supposed to be going on, leading to several minutes of standing and talking, followed by a confrontation with the previously unmentioned king, a chat with the queen, and the mysterious yet convenient resetting of everything. To be honest, it’s debatable whether anything at all was accomplished in the entire series.

Higurashi no Naku Koro ni 18: Another instalment of the “Detective Chapter”, this episode follows the aftermath of Shion’s fingernail pulling, reintroducing Keiichi (who is more annoying than ever), the ever-creepy Takano and taking us up to the events of Watanagashi (not having watched the earlier episodes, Takano and Tomitake still want to break into Oyashiro’s shrine). Apart from the general irritation of seeing Keiichi, and the ridiculousness of the thuggish biker gang, this was another worthy instalment that leaves me desperate for episode 19.

Honey and Clover II 6: No sign of the time travelling aliens proposed last week, nor of the fabled Hachimitsu to Battle game, but nonetheless the much anticipated episode 6 is here. Where earlier episodes were focused on specific characters, this episode is more of a ‘check-in point’ to see where everyone has ended up at this point in time. Takemoto has realised that work is simple, boring and endless; Hagu briefly grows up beyond elementary school age before reverting again; Morita and his brother remember the good old days with their father, and Mayama buys Rika an Ovan oven. I may poke fun at it but it’s all in good humour; not only did I enjoy this episode, but it achieved the remarkable effect of making me care about Kaoru, a character I don’t know a great deal about.

Mayama is a student of the Tenma (Haruka 8 ) and Roux school of relationships.

Innocent Venus 2: I can’t hide it anymore- Innocent Venus is one of those series where I just can’t seem to make myself concentrate enough to really know what is going on. This episode begins a boringly standard terrorist hijacking situation, then various other things happen whilst our heroes are glimpsed and the tarot card-kunai murder team shows up to kill off the generics. Fortunately, the episode ran out of time before the ugly mecha could launch, but my interest in the series is severely lessened by this dull instalment.

OP impressions: for some reason this reminds me of a light J-pop take on Ali Project’s style. Entirely average.

Keroro Gunso 48-9: Two more episodes to ease the building Keroro withdrawal; 48 charts Keroro’s attempt to infect the world with laziness (somehow, even Rei Ayanami gets in on the act here, or at least her fourth incarnation); whilst 49 is a two-part story covering some oddly benevolent behaviour from Kururu that convinces the rest of the platoon to act differently in order to garner attention, and Momoka’s “Fuyuki’s confession” simulator. Unfortunately, the annoying 556 had to appear, but otherwise this was a winning double-act that purged all memories of the unsatisfying afro episodes.

School Rumble 2^nd Term 18: Heedless of the drama that surrounds it, School Rumble marches bravely forward into another episode, and I have to admit that this was a weaker one. More of an “odds-and-ends” instalment in terms of story, this episode covers Harima and Eri ending up at same part-time job; Akira, Yakumo, Sarah and Tenma getting stuck in floorboards; and Nishimoto, Nara and Yoshidayama learning to be ‘cool’ in order to gain entrance to Tougou’s dance party. A few laughs here and there, but overall not a terribly inspiring selection.

ED2 impressions: The song is forgettable but I love the video for its similarities with the first season ED.

Coming soon; Harry McKenzie’s Host Club.

Tsubasa Chronicle 38: Syaoran and co land in a desert world not too dissimilar from the racing levels in Crash Bandicoot 3, and in a slightly out of place turn, immediately notice a feather stuck to a passing truck. Cue twenty five minutes of uninspiring vehicle and crossover character stills whilst our heroes ride a bus and try to catch up with said truck- we even get to listen to an insert song whilst watching the bus drive along a road. Tsubasa has never been good at filler, and it would be safe to say that this is the most dull and uninspired world ever (until the next one); even the bandit attack at the end seems to be an excuse for the two sides to stand and stare each other, carefully conserving animation budget.

Utawarerumono 19: Like the name ‘Shadow Warrior Chronicles’, this episode bordered on the ridiculous as it brought the Na-tunk arc to an end. Derihourai must surely gain the prize for “most dense brother ever” for failing to realise that Karura and his long-lost sister Karurauatsuurei were one and the same until the second half of the episode, whilst his arrogant and petulant nature only serve to annoy (he even tries to acquire Karura for his harem). Poor Suonkasu gets only a modest amount of screentime before meeting his end, whilst the action scenes either involved looped animation of generic warriors, or special attacks ripped from the game and mini-game. I realise that I want to write more about Uta, but to rant or to parody, that is the question.

Next week: our first anime look at Sakuya, Kanhorudari, the armour golems and Hawenkua.

Karura, Eru and Touka discover Sunrise’s Suon’s ’special flowers’.

Welcome to the NHK 4: aka “Welcome to the Drop Zone”. In the manga, this was a brief but hilarious section in which Yamazaki shows Satou the otaku world of specialist shops and maid cafés, culminating in the initial design for their eroge heroine (a terminally ill alien robot maid and childhood friend of the hero). This was one of my favourite sections in the manga, but once again the anime stretches it out and waters it down so much that the result is painfully unfunny. It also seems that the animators are skipping shifts (could all the Gonzo, Bee Train and Production IG animators be attending a Sunrise ‘sweet potato dango’ party?), meaning that everything looks so bad that it’s hard to tell warped dream sequences from reality. With such dull episodes and an entirely disturbing end sequence, this is falling to the bottom of the pile- if episode five doesn’t impress, I won’t be watching any more.

‘Ultimate moe’- the way it was meant to be

xxxHOLiC 17: Apparently this episode was based on a xxxHolic novel, which I mention for informational purposes as it doesn’t really make it any the less boring. Focussing on yet another woman with self-esteem issues, the episode mainly consists of Yuuko and Watanuki sitting in a room and talking about nothing much. The animation (if you can call it that), is better than episode 15, but still poor enough to ensure ugly characters and more stills than a photography exhibit; I really didn’t think I could find a series that made NHK and Tsubasa look good, but here it is. This is perilously close to being dropped, but as episode 18 is a manga-based story, it earns one last chance.

Dropped

Night Head Genesis: If episode was one was “average but promising”, then episode two must surely be “average but dull”. The entire episode takes place inside the confines of the seedy bar that Naoto and Naoya reached at the end of episode one, and aside from some cutlery bending and mind-reading, not a great deal happens. The tone of the episode is lessened by the inclusion of the arrogant “REAL MAN” Jin, who is dislikeable from the start, and only gets worse when he tries to beat up his girlfriend for having affairs with the other onscreen male generics. Why is the man always angry at the woman in these situations, and not with the men who are equally guilty for sleeping with her?

After episode two, I vowed to put this on zero tolerance and give it one last chance, but unfortunately the series managed to blow it yet again in the third instalment. After some dull talking scenes, the episode degenerates into a drug induced sequence in which Naoya is afflicted with versions of a murdering S&M queen (elsewhere, the woman in question imagines she is being watched by a giant eye). Had this series been executed better, it could have been a creepy and spine chilling experience, but as it stands it switches between utterly dull and completely incomprehensible. A missed opportunity that I have no further inclination to watch.

MANGA

.hack//4Koma 4: A new chapter so soon after the last is unprecedented, and leaves me with little to say that I didn’t include last week. This is another set of hit-and-miss four-panel shorts; most of the Haseo vs. Kite or goodie-two-shoes Atoli shorts fall flat, but the ones that parody the original games are hilarious.

.hack//GU+ 4: Quite possibly my favourite part of the new generation .hack (through lack of serious contenders), the manga continues the GU story as we meet bishie arena champion Endrance and his avatar Macha. After easily defeating former champion Youkou (Yowkow), Endrance takes on Haseo as his next opponent- much as I like Endrance and would love to see him wipe the floor with Haseo, it is clear that Haseo’s destined main character status will earn him victory in the end.

Fruits Basket 119, 130: Could I really be reading an in-sequence chapter of this at long last? Going in back in time to ‘before Tohru’s accident’, this chapter sees Tohru’s confession of her feelings to Kyo, and Kyo’s admission that he probably could have saved her mother’s life. On the whole, this wasn’t too bad a chapter, and had I not been dulled by the endless angst, I might have actually felt something for the characters’ plights.

With 130, I go back to my out-of-sequence ways; finally the curse has been broken and everyone is free, but why? Did it lessen because of Tohru’s power of love and positive feelings? Was the level of angst too much for even the curse itself to bear? Was Shigure right when he said the curse was weakening naturally, thus rendering the events of the entire manga fairly pointless? More importantly, however, does this mean the series can finally come to an end now?

Mai-Otome 24: I thought Rena had died in the last chapter, but it turns out that she was just ‘downed’, RPG style. This instalment concludes the Akira vs. Arika conflict (I’m not at all impressed with Akira’s robe), before saying goodbye to Carlteya and Midori. The final warning of the chapter, “Beware of Sergey”, is one that all little girls should heed.

Tsubasa Chronicle 103-120,123,125: Okay, enough with reading any old chapter I find, regardless of order; thanks to Hyuu~Scans I can now bridge the gap between Rekord and Tokyo. The conclusion of the Rekord arc felt rushed at best- our heroes storm the library, get attacked by giant dogs, and Fye suddenly decides to unleash his magic in a piece of cheap deus ex machina. Then it’s onto a post apocalyptic X-Tokyo, and finally the plot changes gear as we discover that ‘our’ Syaoran is just a Fei Wong-created clone of the real thing. There are few too many contrivances, and a sense that CLAMP is having more fun creating grandiose action panels than constructing a sound story, but I can’t help getting carried along for the ride.

xxxHOLiC vol 8 c4, vol 9 c1: For a brief time, xxxHolic gave us something akin to a main storyline, but fearing that it would be too much, too soon, the series has now reverted back to its earlier standalone nature. These two chapters are at the weaker end of the spectrum; the closing segment of volume eight features snowman building (as already seen in the anime), whilst volume nine opens with New Year’s dreams and Watanuki getting attacked by a giant eyeball monster. Not particularly enthralling in itself, but nonetheless I’m still looking forward to the next chapters.

Caught up with

Yotsuba& (Yotsubato): Well, the goods news is that ADV manga plan to release volume four at the beginning of next year (please, let this be true), but in the meantime, I have satisfied my need for more Yotsuba by ‘acquiring’ chapters 22-38 though other means. Even though it’s just more of the same, each chapter of Yotsuba& is a delight to read, featuring the ongoing tussle between common sense and Yotsuba’s own unique approach to everyday life. Expect a more detailed review soon.

Like the series that preceded it, Good Witch started well enough. The first episodes seemed to promise a magical fairy tale, perhaps even a candidate for ‘fantasy of the season’. The story started simply enough- our heroine, Firiel Dee, resides in the quiet village of Sellafield until the day her father’s observatory is attacked and her friend Roux is captured. Through the ensuing events, Firiel learns that she is a descendant of her country’s queen, and a new chapter of her life begins. A seemingly simple tale, yes, but in the right hands, one that could be effective.

Unfortunately, it soon became clear that the writers didn’t really know what they wanted to do with their thirteen episodes. Rather than picking any one plot, each episode is more of a buffet of possible story ideas, introducing more threads even as the old ones fail to be resolved. Perhaps it was meant to be a revolutionary interactive anime, a ‘choose your own adventure’ where viewers must edit together the scenarios that interest them the most, and then animate their own ending.

The eighty plot threads that went nowhere: choose up to five to make your own story

Firiel and Roux
At first glance, Firiel and Roux seem like a decent enough, dare I say even likable pair of leads; the spunky yet determined heroine, and the childhood friend who seemed destined to become her sweetheart. Unfortunately, any positive traits they may have had at the beginning are quickly washed away by the bulk of the series, and by the end, the desire for a ‘torture Roux’ mini-game was nothing less than great.

An aspiring semi-bishie, Roux’s glasses seemed to indicate that he was, in fact, Harry Potter, and it was clear that this downturn in his career didn’t please him at all. Although the script called for him to care for Firiel, Roux had already discovered his hard gay leanings through long nights at the observatory with her father, and was unwilling to accept a relationship with a woman. Although Roux went out of his way to protect Firiel, any kind of social situation usually ended with him calling her an idiot.

For her part, Firiel did little to improve matters. By the time the series had reached episode four, Firiel could barely function without Roux by her side, and she was soon reduced to but a single ability- “summon Roux”, in which she could instantly call him to assist her. Needless to say, she and Roux are a couple by the end of the series.

Adale and Eusis
A long lost sister of H&C’s Hagu, Adale is one of the contenders for the throne of Gulair, and also a writer who publishes under the pen name Evangeline. Unfortunately, when it came to demonstrating any qualities for government, Adale proved singularly lacking, and spent so much of her time being utterly useless that the antagonistic Leandra came to seem like a better choice.

Despite not being a blood relation, Eusis is regarded as Adale’s brother, and does his best to represent the bishier side of the series (he may be a cousin of Meine Liebe’s Ed). For a few episodes, he seems like a serious contender for Firiel’s affections, even going so far as to propose to her (thus provoking Adale’s jealousy for all of ten seconds). As soon as the dragon arc kicks in, however, Eusis recalls his hard gay leanings, and at the end of the series, he picks his bishie friend Lot as his adjutant. Given Lot’s comments about “not having time for women anymore”, it isn’t too hard to guess what they’re going to be up to from now on.

Leandra, Queen of Bondage
Adale’s opposite number, Leandra’s special skills include impersonating nuns, bondage practices, and generally doing what she can to make herself seem evil. After the psycho lesbian school incident (see below), her need for secrecy suddenly vanishes, and she emerges into the open at a royal ball. Oddly, upon seeing her, Adale and Firiel’s only reaction is to comment on Leandra’s dress is better than theirs- the series’ first lapse into “we’re all good friends really, no hard feelings about that whole ‘trying to kill you’ incident”.

In later episodes, Leandra actually began to emerge as a better choice for queen than the useless Adale; even if her actions were the misguided ones of evil, she was at least making an effort to defend her country by raising an army and planning battle strategies. For all her dark bondage ways, however, even Leandra cannot evade the demands of the ever shifting plot tides; in the final episodes she is forced to briefly make up the numbers on the side of good before reverting to her default self in the epilogue.

It’s only a fairy tale
In early episodes, an issue is made of the fact that fairytales are only accessible to nobles (although Firiel likes them, and Roux is named after Rumpelstiltskin); at one point, books are even burnt, which I have to admit upset me more than most of the events of the series. As with so many things, however, this point swiftly becomes irrelevant.

Gideon Dee
Firiel’s father, and Roux’s hard gay lover during the long nights at his observatory, Gideon seemed to be the key to everything, who would emerge late in the series to guide the heroes on their path to the final boss. Unfortunately, having been relegated to the land of offscreen, he found it difficult to claw his way back into the story, and ended up “observing the stars somewhere” for five seconds at the end.

Firiel’s royal blood
Rags-to-riches is not an uncommon tale, but in Firiel’s case, it was one that went absolutely nowhere. For a time it seemed as if she was to become the third candidate for queen, pitted against the evil bondage mistress Leandra, and her new best friend Adale; even the evil yet ambitious Riez tried to advance himself by proposing to her. As a destined main character, however, Firiel has no need to concern herself with such lowly matters, and soon her part in the contest becomes irrelevant.

In principle, it makes sense for Firiel not to be a contender for the throne; after all, regardless of the fact that they are actually useless, Leandra and Adale were trained for the job all their lives. The real gripe is more about consistency- is Firiel a contender for the throne or isn’t she?

Psycho lesbian school
In episode three, Firiel is sent away to study at a convent school filled with Strawberry Panic rejects; a place where they must put aside their preferences for the sake of the country and learn to seduce men. At the time, it seemed like a blip in the series’ quality, but as we were to later realise, it was just the beginning of a downward spiral.

During Firiel’s time at the school, she runs afoul of Ravenna and her psychotic lesbian student council, who like to take new students aside and check the status of their underwear. Of course, as a destined main character, Firiel manages to gain allies in the form of Marie (later to become her maid) and Vincent (friend of Adale)- even Roux joins the school under the guise of the female Rouxnet in order to help her.

After various uninteresting events occur, Firiel finds herself not only on the wrong side of Ravenna, but also set to duel her- a slightly problematic situation given that Ravenna is a premier swordswoman and Firiel is completely lacking in combat skills. In an attempt to rectify this lack, Avenger’s Layla Ashley takes on the name Igraine and attempts to impart some basic skills to Firiel. Unfortunately, such a crash course isn’t nearly enough, and it takes Roux reflecting sunlight into Ravenna’s eyes at a crucial point in the duel to secure victory for out heroine.

At this point, the forces of good suddenly come forth, the forces of evil are unmasked when the school’s Sister Lain is revealed to be Leandra, and the school of Sister Rosette clones is barely glimpsed again. Exactly why Leandra was pretending to be a nun and directing Ravenna’s actions from the background is unclear.

The riddle
In order to demonstrate their fitness for the crown, both Adale and Leandra are tasked with answering a riddle. Leandra chooses to field an army in answer to the riddle; Adale watches her brother slay dragons and then does nothing. Even leaving aside the obvious arguments that there must be better ways to test the next ruler than via riddle, this is yet another storyline that is not resolved- the battle for the crown continues through to the end of the series and beyond.

Dragons and unicorns and mystical beasts, oh my
Although we didn’t even hear of them until around episode eight, dragons came to play a large yet ultimately pointless role in the closing chapters of the series. Seemingly on a whim, Eusis decides that he must become a dragon knight, which first entails catching and taming unicorns, the only steeds brave enough to face the ugliness of Good Witch’s dragons. As the main character, Firiel comes along too, and even gets her own baby unicorn, Rouxbow, which comically bites Roux from time to time.

The unicorns themselves are hardly the most attractive of beings, resembling two legged alien mutant beasts, but nonetheless, they are the height of beauty when compared to the dragons. Dragons are tricky things to get right, but very few places have ever managed to get them as utterly wrong as Good Witch. Instead of dragons, these hideous beasts are more akin to dinosaurs, and after the pointless arc dedicated to hunting them, their purpose is to rampage around and point out the existence (and brief failure) of a previously unmentioned magical wall separating different regions of the world.

Astraea, the Good Witch of the West
There is actually an eponymous “Good Witch of the West” in the series; unsurprisingly, here name is Astraea, and she is something of an object of worship in Gulair. I’d like to write more, but the series left me with very little to say on the subject, with Astraea seemingly only included to give the series some kind of title.

War…or not
A series that fails to execute even the simplest of storylines correctly should not attempt any kind of large scale conflict, but the attitude of the Good Witch writers seems to be “why not give it a stab anyway”. To that end, a half-hearted attempt at a war involving the countries of Gulair, Brigeonte and Torubarto is put into place, but might as well not exist for all the good it does.

The wall, the HiME Mahiru star and ‘the sage’
At a point when it seemed as if it would be laughably ridiculous to pile anything else on top of an already overstretched story, we are suddenly introduced to a mysterious wall that divides the world into “Gulair+allies” and “some other countries+dragons”. Although not everyone could pass through it, the wall did not seem to hinder the various plans for war allegedly put forward by countries on the other side, and like so many of things mentioned above, it played a very minor role beyond keeping Roux occupied for an episode.

Beyond the wall itself, however, was the mysterious ‘Mahiru Star’ that controlled it, another important aspect of the world that we are kept unaware of for as long as possible. In the final episode, the Mahiru star suddenly descends towards the surface, creating the beginnings of an apocalyptic tidal wave; fear not, however, for a plea from Bard to ‘the sage’ who controls it puts everything back to normal and gives the world another chance. The identity of this sage remains unknown, but I wholeheartedly support his efforts in trying to destroy the Good Witch world.

Bard
As mentioned above, the series contains a character named Bard, a name so uninspired that it could only have been borrowed from an early Final Fantasy game. An agent of the queen (perhaps her magic CCTV), Bard is equipped with every special power the plot needs- teleportation, communication with the sage, you name it. He also looks a lot like Cain, so much so that I thought they were the same character until they both appeared together in the same scene.

At the end of the series, it is revealed that Bard was telling the ‘fairy tale’ all along; one can only hope that he was relating invented events and thus all the blame falls on him for being such a poor storyteller.

Duke Riez, Bartholomew’s long lost brother
Although I have barely mentioned him thus far, Duke Riez is one of the frontline figures for evil in the series. In fact, he even appears in the OP in sinister green-skinned book-clutching form, although as it turns out this pose was never re-enacted within the anime proper, and its inclusion is even more questionable than everything else that occurred in the series.

Even without his verdant complexion, Riez did his best to offer some kind of scheming villainy. As a relative of Meine Liebe’s headmaster Barty, he was openly acknowledged as gay in the series, and indeed his plan was to replace the queendom of Gulair with a hard gay kingdom; to that end, he served the offscreen king and the shadowy organisation of Hermes.

Early in the series, Riez appears as one of Roux’s hooded captors and even brands him with the evil Snake Rod mark; one might confuse this for torture, but to the trained eye it is simply yet another visit to the country’s many underground gay S&M clubs.

Later, Riez tries to play the shadowy duke, a man juggling myriad plans that the audience can not be privy to (primarily because they do not exist), before prematurely dying and reappearing at the end to explain that he only faked his death to add a little unpredictability to his storyline.

For a time, it seemed as if Riez would actually turn green and become the final boss, but in an anticlimactic ‘battle’ scene he and co-conspirator Lot are easily overpowered by Firiel’s party, and there their role ends. At the end, he is even forgiven and seen sheepishly sitting next to the king, fully chastised and with his adult magazines now confiscated.

Hermes, the Shadow Kingdom
A shadowy organisation led by Hermes Trismegistus (confusingly there are two, one black, one white), Hermes does little except direct the actions of certain villains, emerge as a complete Shadow Kingdom promoting the use of HARD GAY in episode 12, and sink into obscurity again.

Ephemeris
Supposedly some kind of valuable item imparting great power and all the rest, Ephemeris is one of the few elements to get some kind of resolution when it turns out to be an informational book about the Mahiru Star. Despite going to a lot of trouble to get it, Riez neglected to find out what it was for, and hence the oft-mentioned Ephemeris turned out to be completely useless by the end.

The evil cross-dressing king
King of Gulair (who knew it even had such a thing until the finale) and the white Hermes Trismegistus, the king seems to spend his time sitting in a chair in the queen’s tower and dressing up as a woman. After being confronted by Leandra and the forces of good, he tries to style himself as a serious figure of evil, but soon descends into ridiculousness when he is easily scared into compliance by having a frog thrown at his face.

I am an awful queen, for I sit and do nothing
Throughout much of Good Witch, one of the things that seemed unclear was who was actually running the country. Adale and Leandra were contenders for the throne, but the question remained- was anyone in charge in the meantime, and if there was, why wasn’t she taking a more active role in proceedings?

Finally, at the end of the series, the queen is revealed to patient viewers; isolated in her final boss tower, she has been watching everything via some kind of magic CCTV, but seems to lack the will or ability to govern her own country. She admits that her uselessness has caused the current situation, but offers no reasons as to why she is doing nothing about it. Fortunately, a fairly meaningless paragraph of positive thinking from Firiel is enough to give her new perspective and avert the end of the world.

The finale: RPG battle mode style

Firiel/Roux/Cain vs. Riez/Lot

The party enters Riez castle. Cain equips Kero Ball and uses it to make the generic soldiers flee. This tactic fails to work on Lot, and the party is taken to the boss room.

Lot casts “bishie underling” to paralyse Roux and Cain.

Riez attacks hot poker and stands around talking. Firiel uses Steal and gains hot poker.

Firiel equips hot poker whilst Riez equips sword. Riez wins the first round.

Lot loses sword; Firiel equips Lot’s Sword and wins the second round again Riez.

Leandra vs. the king

Leandra uses evil bondage sword skills to defeat the king’s generic guards.

Back to Firiel

Bard enters and uses Warp to transport Firiel, Roux and Rouxbow to Leandra. Leandra joins the hero party; Roux uses Frog to terrify the king.

The party heads up to meet the queen, Bard warps Adale to join them.

Queen Constance

The queen casts “Poor Ruler” and the world begins to end.

Firiel uses “Positive Thinking” to cure the queen of negative status effects.

Bard appears and uses Second Chance to save the world.

Ending cut scene plays.

What did the series actually achieve?
A lot happened throughout the course of Good Witch, but on reflection, very little of it can be said to have gone anywhere or accomplished anything. At the end of the series, everything is pretty much back to where it was at the beginning- Firel and Roux are in Sellafield, Adale and Leandra continue to battle for the crown, Eusis and Lot are hard gay (but now hard gay dragon knights), and even the villains admit that it was all in good fun and that they’ll behave themselves from now on. It would, however, perhaps be cruel to say that Good Witch accomplished nothing whatsoever- for that would be to neglect the pain and suffering inflicted on those either brave or foolish enough to actually watch it.

Reviewed this week: Higurashi, H&C II, Ouran, Keroro, NHK, xxxHOLiC, Kamisama Kazoku, Utawarerumono, Good Witch, Chocotto Sister, Bokura ga Ita, ROTK, School Rumble, REC

…and in manga: Tsubasa, Furuba, SaiMono, .hack//GU+, Otome, Higurashi, Kamisama Kazoku

ANIME

Higurashi no Naku Koro ni 16: A new arc begins, and still no Keiichi; instead we’re exploring Shion, Mion and Satoshi. I know I’ve missed a lot of little details when watching this; once it’s all aired it would be optimal to rewatch the whole thing in one long marathon (except I know I’ll never get around to that).

Honey and Clover II 4: It’s taken me a little while to get back into the ‘feel’ of Honey and Clover (season one was airing just as I finished university, so it held the appeal of familiarity and nostalgia) but with this episode it’s finally hitting the right note for me again. Content-wise, the focus is on Mayama and Rika as they travel to Rika’s old home; Mayama has been taking possessiveness lessons, whilst Rika’s need to join Harada in the beyond remains unabated.

Ouran High School Host Club 16: Not quite as refreshingly hilarious as the last episode, but Ouran is rarely unworthy. This time around, Kaoru tries to get Hikaru to become more sensitive to others by manipulating events so that he ends up going on a date with Haruhi. The result had an air of Furuba about it, with Hikaru as Kyo and Haruhi as Tohru.

Keroro Gunso 44-46: A welcome antidote to the withdrawal after the Keroro-a-day phase ended; 44 is an amusing episode combining the Keroro vs Fuyuki Winter Olympics (I’m a sucker for winter sports) and a rare chance for Aki to shine as she test drives Kururu’s latest mecha. 45 jumps ahead to Valentine’s Day and Keroro’s plans to take over the world via sweet potato dango; as we know from a previous episode, such dango are just a code word for Sunrise’s ‘special substances’. Finally, 46 focuses on the little-used character of the Hinata’s resident ghost, who is understandably upset at having been largely forgotten about; the weakest of the three episodes, but not without its amusing moments.

NHK 2-3: After catching up on the manga in preparation for this, the anime can only seem weak in comparison. The pacing is slower than I’d like, and Yamazaki is disappointingly different from his manga form- a slightly whiny little boy with too high-pitched a voice instead of “pervert megane friend”. Episode 3 sees Satou transformed into a pervert during his attempt to undertake research for the eroge he and Yamazaki plan to create; in the manga, this segment was darkly amusing but here it tends more towards dull and disturbing.

xxxHolic 15-16: I really hope that the xxxHolic animators show up for work one day, because the series is looking worse than ever- when even Yuuko looks awful, you know something’s going wrong. The story isn’t up to much either; the twins’ chapter was a solid but not outstanding portion of the manga, but certainly far too thin to be stretched over two episodes. The new ED is also an unwelcome reminder of the eighties.

Episode 16 is a slightly better effort animation-wise (i.e. below average but not outright ugly) but again the story failed to grab my attention- Watanuki journeys to a land of talking flowers to turn the pipe fox spirit back to normal, meets the Zashiki Warashi, the end. Despite my enjoyment of the manga, this series is dropping in my estimation with each episode.

Kamisama Kazoku 8: Fortunately no one was naked in an apron this time, but the episode puts KK perilously close to the drop zone. The first half was dull, the second laughably ridiculous, but at least the Ai storyline is over with now.

Utawarerumono 17: We’re between arcs now so it’s time for a castle section, which in the game meant lots of selecting rooms and fast forwarding through dialogue. Haku doesn’t sleep with anyone in this version, but there are lots of suggestive moments, and Oboro gets some hard gay with the twins (until proven otherwise, the anime versions are male in my eyes). It looks like we’ll finally be getting to the Na-tunk arc next episode, but after playing the game and mini-game, the Uta anime will always be second fiddle.

Good Witch of the West 11: With each passing episode, Good Witch introduces more plot threads, but like a book of carpet samples, only a handful will actually be used. This time around, Firiel wanders around an RPG-like desert location with ‘Bard’ (clearly a character straight out of Final Fantasy). Meanwhile, Gulair is clearly in trouble- not so much because of the impending attack or treacherous evil dukes, but more because its prospective queens don’t seem able to take much in the way of constructive action, whilst Roux takes attitude lessons from Haruka 8’s Tenma.

Chocotto Sister 2: It may be average, but that still puts Chocotto above most of this season’s offerings; unfortunately the best part of the show is about to leave as the landlady prepares to depart in favour of her meganekko granddaughter. I had hopes for Makoto as the spiritual successor to Midori (OtoHiME) and Akiko (HanTsuki), but her disaffection for clothes puts her more in KK territory.

Romance of the Three Kingdoms 16: The only real question with ROTK is whether any given episode is going to be hilariously cheesy or just plain dull. Fortunately, this episode inclines towards the former, as Cao Cao is cast as a chaotic anti-hero of borderline evil, and Liu Bei is lauded as the Defender of Justice. Amusing line of the week- “let’s rob him and go away”.

School Rumble 2^nd Term 16: Poor Harima- not only is he behind on his script, thanks to Tenma’s misunderstandings, he gets thrown out of her house, and ends up wandering the streets. Fortunately, Mikoto offers to let him stay at her place, provided he disguises himself as a worker; unfortunately, Eri is also staying there- cue some hilarious misunderstandings. This episode was a bit of a slow burner overall, but I have to admit I was laughing out loud by the time it got to the bathroom scene.

REC 7.5: REC’s TV run ended a while ago, but this DVD-only episode slots in between the TV episodes seven and eight. Poor Matsumaru finds himself looking after a drunken Tanaka following a break-up with her boyfriend, leaving a jealous Aka to threaten Divine Punishment. It’s more of the same, but a worthy enough addition to the series. I’m still in two minds about whether I’d like to see a second season; presumably it would be based on manga volume two, and so far I haven’t enjoyed that as much as the first volume and season.

Dropped

Bokura Ga Ita: A poor man’s soba noodles version of Kare Kano; typical slightly ditzy but good natured girl meets inscrutable guy who is bound to call her an idiot no matter what she does, but will admit his feelings for her later on. The character designs are simplistic whilst lacking in the clean deftness of the studio’s other work, and whilst the story advanced reasonably far in this one episode, none of it managed to enthral. Sitting through this instalment was a chore, so I won’t be subjecting myself to more.

Tsuyokiss: What little enthusiasm I had for this series has cooled in the wait for a subbed version of episode two, hence it is quietly dropped from the viewing schedule.

Ah! My Goddess Sorezore no Tsubasa: The jury was out on this for a while but has finally decided that no one should subject themselves to more, and more, and more of the same. How many more times do I need to see goddesses make trouble for Keiichi, whilst Belldandy plays doormat in the corner?

MANGA

Tsubasa Reservoir Chronicle 102,122: 102 continues the Rekord story at frustratingly slow pace as Syaoran and co. explore the central library. Jumping forward, 122 commences a battle between real Syaoran and his evil, eye-stealing clone; Fei Wong continues to watch.

Fruits Basket 118, 123-4,129: I really shouldn’t read chapters out of sequence, but what the hell. This time last year, Furuba was my favourite manga, but by now it really has gone on too long; everyone and their vaguest acquaintance has drowned in angst and by now it’s just time to put a stop to it all. Expect a Furuba rant soon.

Saiunkoku Monogatari extra: A brief side story; interesting, but not enough for the good SaiMono manga fix I’ve been waiting for.

.hack//GU+ 3: I kept my expectations low for this, and whilst the story was fairly standard, I was pleasantly surprised by the character designs. This is the one place where Haseo and co. don’t look too bad.

Mai-Otome 20: There’s more F-cup fun as Ers realises her feelings for Manshiro (harem +1), cat Mikoto turns into catgirl Mikoto and Arika meets her mother. There’s one interesting titbit here- Meister Otome can use mechanical worms as signalling devices. It’s a small detail, to be sure, but one that adds a touch of complexity that the anime lacked (even if we have to have the worm crawling around inside Arika’s cloak).

Higurashi no Naku Koro ni: Watanagashi 4: I’m glad that the manga is going into more detail than the anime (I have no knowledge of what was and wasn’t in the original game), and this chapter was a case in point as we see Keiichi et al protect Shion from harassment at work, along with Keiichi’s realisation that Shion and Mion are indeed two different people. There’s a disturbing omake section at the end in which Keiichi licks some cream off the crotch of a customer’s jeans.

Dropped

Kamisama Kazoku: I’m not sure why I chose to download the first chapter of the manga when I don’t even enjoy the anime that much, but I have to follow up my random whims. This chapter covers up the bloomers section of the first episode (Papa in bloomers is a sight no one should see once, let alone twice), and whilst story-wise it is 0.1% better than the anime, it lacks the OP, the one thing that makes the series worthwhile.